It’s no surprise, that Shakespeare’s Macbeth was clearly constructed as a rebellion against femininity roles of the time. During the Elizabethan era, women were raised to believe they were inferior to men since men obtained desired masculine qualities such as strength, and loyalty, whereas women were viewed as figures of hospitality (1; 6; 28-31). Obviously, not being tempted by the luxury of subservient women, William Shakespeare rebuked this twisted belief, applying that women deserve more respect than their kitchen tables. However, if transcending female expectations was used as a weapon than for good, is it still considered an act of femininity? Of course not!
Even though it is a considered a satirical look at women, “Epistle 2. To a Lady” uses satire to acknowledge his compassion for the current day issues of women. He contrasts men and women in this poem, “In men, we various ruling passions find; In women, two almost divide the kind;” making fun of the current roles men and women play. He writes of women’s desire to have what men have yet he contradicts his writing, “Experience, this; by man’s oppression cursed, they seek the second not to lose the first……Yet mark the fate of a whole sex of queens! Power all their end, but beauty all the means.” He writes that they want the same rights and opportunities afforded men, but still use their “womanly” virtues to get what they want.
Other than women who are goddesses have the advantage compared to others who are often disrespected because of their status. Women were represented as worthless human beings to stratify a man sexual pleasure. Therefore women only contribute to heroes by either using their bodies as an object, giving guidances and a word of advice. But also women do have thematic significance in expressing the truth about the nature of a woman and of male-female relations. As for instance in Shamhat case, the temple prostitute.
Second, Feminist theories hold that in view of male centric sexism—that is, the esteeming of men and manliness over ladies and womanliness—ladies and young ladies have been efficiently rejected or minimized in criminology, both as experts and as subjects of study (Dodge, 2002). Therefore, a center rule of Feminist theories is to incorporate female points of view and encounters in all examination and practice. Feminist theories, however, don 't regard ladies or men as homogenous gatherings yet rather perceive that sexual orientation benefit shifts crosswise over various gatherings of ladies and men (Daly & Chesney-Lind, 1988). In this manner, a third basic standard of Feminist theories is to look at criminal culpable, exploitation, and criminal equity handling with regards to various crossing social elements, including—notwithstanding sex, race, and ethnicity—social class, age, and sexual introduction. Fourth, Feminist theories not just endeavor to clarify criminal culpable, exploitation, and criminal equity handling yet in addition consolidate hypothesis with training to grow more impartial and only answers for the wrongdoing
Henry regurgitates Rinaldi's comment: women are of a great sexual service and makes a response that is only admirable to his friend: pity that there aren't any available to you (Hemingway 65). Because Henry is so impressionable Rinaldi encourages Henry to take another drink but how often does this happen right after Henry says something? One may infer that Rinaldi is hoping to suppress Henry's thought pattern even more so that Henry becomes more of a replication of his friend. Tragic heros are often times taken advantage of since they don't realize their mistaken actions, Gatsby is a good example of this as well. Federic allowed himself to be drunk by Rinaldi and swayed his way, without saying no.
Another prominent broad subject of mockery throughout the play is women. Specifically, Wilde jokes on the supposed “morals” that women claim to have and their tendency to be easily deceived and manipulated. For example, women’s principles during this time states that they were supposed to have religious motivation for their courtships. However, both Gwendolyn and Cecily only wanted to marry their man if his name was Ernest. This comical situation demolishes the morals that women claimed to have in their relationships and expressed that as shallow, clueless, and untrue to their word.
The speakers in the two poems; “To Coy His Mistress” and “My Last Duchess”, were flawed due to the ignorance of their view of women; given that all they believe is that women are on earth to please every man’s need, which is mainly sex. The similarities, and differences, between the two speakers of the two poems, show the real intentions of the speakers have towards the women in the two poems. The speakers in the poem had one belief about women, they are only meant to make men happy and feel good. The imagery used in “To Coy His Mistress” helps create a better mental picture of what the speaker wanted from the woman. The speaker persistently tries to persuade the woman in the poem to have a sexual moment with him because his feels that since
Unlike Margaret Atwood’s interpretation of the Sirens, he does not see them as strong women who are in need of being rescued. He shows them as sinister creatures who are determined to destroy any man who gets in their way. The artist is inspired by the original Greek mythology and shows Odysseus as one recognizes his weakness and with god-like strength in his successful attempt to stand against the temptation of Siren
Regarding the controversial issue of same sex marriage. It seems that Pollit is trying to justify same sex marriage by comparing it to a legal substandard marriage (A man can marry a woman no matter how ill acquainted). In the essay of gay “Marriage” societal suicide by Charles Colson, he takes the same approach by disregarding all the issues of traditional marriage. Both of these essays are guilty of distorting the readers perception of what is a good marriage by vastly exaggerating and ignoring many
He establishes the connection between masculinity and by emphasizing the effort Nurse Ratched puts forth to hide her feminine features. This connection is again highlighted after Billy performs a masculine act and is able to resist the Nurse’s control. In society, women are routinely placed in submissive roles while men get to enjoy the positions of power. One Flew Over the Cuckoo’s Nest furthers this idea by stressing the necessity to hide all femininity in order to gain a position of power not traditionally held by women. Nurse Ratched is only able to gain such an iron grip over the patients by taking away from the masculinity of them.