An old English idiom goes, “do not judge a book by its cover”, the meaning being that things are often more complex than how they appear. Contrary to this opinion, titles of a work frequently give insight into the basis of the composition. Tennessee Williams, a renowned playwright, often went against this standard, choosing instead to use complex titles with symbolic meanings as opposed to purely plot-based titles. Two of his most prolific plays A Streetcar Named Desire and Cat On a Hot Tin Roof both have titles that describe the metaphoric relationship to the main characters in their plays. The titles A Streetcar Named Desire and Cat On a Hot Tin Roof both characterize the traits of their primary female characters to spotlight the developing role of women in the public eye.
The traits of characters Blanche and Maggie are developed through the
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In a similar fashion, Maggie has already reached the optimal Elysium by the beginning of the play being married to an athlete with a large family inheritance. The characters Maggie and Blanche are found to be in almost opposite conditions with respect to backgrounds and current life with Maggie being born into poverty and eventually surrounded by fortune in opposition to Blanche who was born into a fortune but is now succumbed to the repercussions of her actions. At first glance, Maggie can be compared to the “cat” as she is strong willed and willing to stand up for herself, similar to the common superstition that cats have nine lives evidently showing that she is strong hearted. Although it seems as if she has her life together at first, her marriage seems to be on the rocks and can be compared to a “hot tin roof” as it is hot with anger, rage, and sexual lust by Maggie to get pregnant. Maggie at first compares herself to “a cat on a tin roof” and is told to “jump off”(Cat On a Hot Tin Roof), it is shown that the marriage
Silver Linings Playbook is a comedic drama that follows the journey of two characters who face internal and external conflicts. Bradley Cooper plays the protagonist, Pat Solitano Jr., who wants to restore his relationship with his wife, but struggles to share his parent’s passion for football. Jennifer Lawrence, who plays as Tiffany, is a well-known widow within her neighborhood who fell into drugs after the death of her husband. In a way, Pat and Tiffany are similar – they both struggle to find a path that will repair their shattered lives. Directed by David O. Russell, Silver Linings Playbook, was published by The Weinstein Company in 2012.
Williams is known for his powerfully written psychological dramas. Through the language used in this play one can easily recognize the conflict between the sensitive, neurotic Blanche Dubois and the crude, animalistic Stanley Kowaliski. By analyzing the dialogue of this text, the reader can easily understand the way in which the lines are meant to be projected and one can clearly see their emotions and feelings at any specific time of the events (Kolin 52). Concerning language, there are two levels of language are used in A Streetcar Named Desire, the words spoken by the characters in the play and the text of the stage directions. The dialogue is used to enable the reader to create an image of the characters, to decide if it’s
However the main conflict is Blanche’s inability to accept reality or her inability to let go of her past. Blanche sees herself above her sister’s life and carries a sense of entitlement that no longer fits her environment like it did in her past. Underneath, Blanche is a liar and Stanley is not. Stanley and Stella are able to able to admit what they are while Blanche is constantly trying to hide who she is. She is unable to come to her desire and sees herself superior to the people around her.
Due to her disability, which renders her mute and possibly deaf, Maggie becomes a target for the “gar girls” to torment and release their frustrations on. Throughout Morrison’s short story, Twyla and Roberta connect over their experiences with Maggie at various stages of their life, though their perceptions of Maggie change throughout the story. As a result of her disability, Maggie is unable to speak out against the other girls and lacks agency as a result, mirroring the helplessness of Twyla and Roberta, who are both confined to the children’s home due to no fault of their own. After witnessing the “gar girls” beat Maggie in the orchard, both Twyla and Roberta experience significant guilt at their failure to help Maggie. At first, Twyla claims
It is what is haunting Blanche’s life, it is what has made her mentally unstable. Throughout the play, she has been hiding her past from people so she looks like
Although the protagonists of “Fahrenheit 451” and “A Streetcar Named Desire” live in two drastically different societies, both are not satisfied with their current way of living and desire a change and improvement in their life. In “A Streetcar Named Desire”, the title of the play itself signifies Blanche’s desire to escape from the reality of her life, as she is haunted by her past and is currently living a life of insecurity, due to the loss of Belle Reve. Ironically, the streetcar named Desire did not bring her to what she truly wanted, an end of all her problems, and she in fact lost her sanity. The reason for Blanche’s tragic ending is due to the avoidance of her problems, shown metaphorically in the form of a flimsy paper lantern on top of a lamp.
Tennessee Williams is one of the most recognized playwrights that lived during the mid-twentieth-century (“Tennessee Williams”). After finishing college, Williams decides to move to New Orleans, where he writes A Streetcar Named Desire. His career starts to take off as he begins to write more plays (“Tennessee Williams”). A Streetcar Named Desire talks about the life of a woman, Blanche DuBois, who is very secretive about her past and does not expose her true intentions of coming to live with her younger sister Stella. As the play goes on Stanley, Stella’s husband, starts to dig into the dark past that terrorizes Blanche when they begin to have a conflict with each other.
Here, she claims that she is an “innocent” person that was trapped in a net crime. She hoped that women and girls alike could learn from her mistakes that lead to her life as an outlaw. Blanche believed that an ex-convict like herself could live an honest life, if given the chance. She mentions her father and her desire to go to him, since he is the only family she holds on to. Blanche concludes the afterword admitting that she failed in trying to turn her husband away from crime, also supporting the possibility of ex-convicts to live among society as honest
In A Streetcar Named Desire, the author Tennessee Williams exaggerates and dramatizes fantasy’s incapability to overcome reality through an observation of the boundary between Blanches exterior and interior conveying the theme that illusion and fantasy are often better than reality. Blanche, who hides her version of the past, alters her present and her relationship with her suitor Mitch and her sister, Stella. Blanche was surrounded by death in her past, her relatives and husband have passed away, leaving her with no legacy left to continue. The money has exhausted; the values are falling apart and she is alienated and unable to survive in the harsh reality of modern society. Throughout the novel Williams juxtaposed Blanche’s delusions with
This is made clear through Stanley’s insecurities about inferiority to women and his prolonged struggle to defeat Blanche. Again, this is evident with Blanche and even Stella. Stella is perceived as a static character with no real individuality, and Blanche, who is seemingly more independent, is characterized mostly by her sexuality. Tennessee Williams demonstrates society’s need for the superiority of men to women through the interactions of Stanley and Blanche in the play, their struggles, and their ultimate
Not only has Tennesse Williams portrayed Stella and Blanche to be seen as delicate and dependent, our own society has created this image but this not only affects how individuals see themselves but affects relationships immensely. Tennessee Williams reinforces the stereotype in which women are often the victims of unfortunate fate within the usage of the character Blanche. Throughout the whole play, we have witnessed Blanche being on the bitter end of life's miseries as she has encountered the tough loss of Belle Reve, dealing with her ex-husband's suicide and the loss of her relationship with Mitch. Arguably, the expectations and beliefs of women were either to be a housewife or a mother, whereas Blanche shows neither, as a result of automatically feeling out of place possibly leading to her downfall. Blanche was constantly fantasizing about the traditional values of a southern gentlemen, proving her dependence on this sex.
“A Streetcar Named Desire” is a very elegant film in which the Southern gothic culture is demonstrated profoundly. Tennessee Williams uses the characters in the play to bring about a sense of how corrupt society truly was in the 1940’s in the South. The 1940’s was marked by an immense amount of violence, alcoholism, and poverty. Women at the time were treated as objects rather than people. Throughout the play Tennessee Williams relates the aspects of Southern society to the characters in the play.
Past and Present Intertwine Through Symbolism Tennessee Williams is a world famous playwright. He has won many prestigious awards. In 1947, Williams penned one of his most famous plays, A Streetcar Named Desire, winning him the Pulitzer Prize. William’s background greatly influenced his writing, and because of this, alcoholism and mental illness are issues strongly reflected in his works (Williams 1817). A Streetcar Named Desire is a story about a women with mental health issues, named Blanche Dubois.
She is, by far, in opposition with the theme of purity, the author reveals that Blanche is a liar. Indeed she is saying that she has been hiring from her job, which is not the truth. Blanche is one the most interesting character in the story because she does not fit to some gender stereotypes, this difference makes her attractive and
A streetcar named desire was written by Tennessee Williams in 1947, in purpose to show the “declining of the upper class and the domination of the bourgeois middle class in the U.S.A. where the south agriculture class could not compete with the industrialization.” Blanche Dubois the protagonist of our story, a southern beauty that is trapped by the restrictive laws of her society. But she broke them, and eventually put herself in a state, where she had no job and no house. So she had to go to her sister, Stella and live with her and her sister’s husband, Stanley. While staying there, she created a façade for her to hide her flaws and kept acting as a lady, where she is anything but that.