Catcher In The Rye Self Actualization Essay

The fictional world is full of chaos, as people tend to prefer unstable theories to countless philosophies. Specifically, there is a literary shift from linearity and order to randomness and fragmentation. Consequently, Postmodernist writers understand that their works are subject to interpretation; however, they believe that the flexibility of understanding in texts is the basis for the development of innovative ideas in society. Moreover, Kurt Dinan writes in a nonlinear, flexible fashion by writing with a component of Mystery. Subsequently, the reader can make different predictions on what will occur throughout Don’t Get Caught, and the ability to predict and analyze uniquely is one of the principal ideals of Postmodernist literature.

In every novel around the globe you can find carefully constructed paragraphs, written by the author to send a specific message to the readers. In The catcher in the Rye by J.D. Salinger, one particular section overflows with symbolism, metaphors, and hidden messages. By analyzing the passage’s diction, setting, and selection of detail it is possible discern the less overt statements hidden in the text and reveal the turbulent nature of the main character, Holden Caulfield. The diction of this passage appears to be the key in unraveling Holden’s mood swings.

In literature, archetypes “evoke deep and perhaps unconscious responses in a reader” (2043). Similarly, Hawthorne uses various symbols in “The Minister’s Veil,” and “The Birthmark” to enhance, and clarify his stories’ themes. Hawthorne’s tenacity on his symbols leaves a huge burden on them. His stories become overly dependent, so much so if a symbol is too obscure the story becomes a riddle. Consequently, the birthmark fails to establish the story’s theme, and thus the story trembles.

It's significant to know that Holden deems Old Spencer's advice as phony because he doesn't agree with the rules of life. This quotation helps readers understand Holden's motives on much of his dislikes in things because he believes that he is on the unfair side of the game. In the end Old Spencer wants Holden to conform to the rest of society, but of course Holden's unique perspective on life causes him to disregard what Old Spencer says. Quote #4: In J.D Salinger's Catcher In The Rye, the speaker of

The story becomes a literary evidence of the elements of obsession. The author uses obsession to appeal to the senses of the reader and create a new character that it is not expected at all. The main character obsesses over the eye and creates an individual separated fictional persona from the old man as target, which can be called as the object of obsession. His obsession grew so much that it became and impediment in his life

They are dangerous because they may come across as someone the narrator could trust and confide in, when in fact they a deeply racist and against him. 11. What is the tone that Trueblood uses to tell the story of his incest? As Mr. Trueblood tells his story, his tone is reflective but also quizzical. He tells his story of incest as if he were reading it from a pre-printed novel; it 's very rehearsed since he 's told it an abundance of times.

While reading William Faulkner's, "A Rose For Emily", and Emily Jackson's, "The Lottery", you notice indistinguishable patterns between the two stories. Faulkner and Jackson both write their stories -withholding vital information- that ultimately lead up to an atrocious and puzzling conclusion. Their stories have the same objective, which is to create a mysterious, tense setting and then surprise you with a shocking and thrilling ending. They use both foreshadowing and other literary elements to cause suspicious feelings and create tense moments that keep you guessing at what the big shock is going to be. However, their methods of withholding information differ and they have their own unique ways of using literary elements to create a grisly outcome.

Since the beginning of literature, authors have discussed many themes and life truths through their writing, and though they may be separated by centuries of cultural evolution, many of the characters created by these authors share a common theme. Likewise, the novel Bless Me, Ultima by Rudolfo Anaya, the novella The House On Mango Street by Sandra Cisneros, and the play A Midsummer’s Night Dream by William Shakespeare are very different stories, yet they also share a common theme. The three of the texts share the common theme of “When people ambitiously pursue their goals, they can be blinded from seeing the reality around them and make illogical decisions.” In the novel Bless Me, Ultima by Rudolfo Anaya, the main character, Antonio, cannot

Never Let Me Go is an intentional failure of the Coming of Age genre. Kazuo Ishiguro constructed the novel around clones, which makes it hard for the reader to relate to the characters. The only way of understanding the world in which clones exist is through the protagonist’s narrative. Kathy H. is an unreliable author, considering that she tries to justify every event and every act throughout the novel. “Without protest, she takes on the euphemisms used to label the artificially created humans and to describe, or avoid describing, their fate” (Groes 108).

conventions of writings in different forms such as fairy tale, spy thriller, Science fiction, history and gothic romances. Her writing challenges and breaks the traditional genres. She gains attention not only with the way of telling stories but also with the function of language itself. Atwood challenges the limits of fiction and real life and her genres in many of her novels. Carol Ann Howells speaks about Atwood’s technique as, Obviously revisionist perspectives have narrative consequences not only for narrators but also for readers, turning our attention towards process of deconstruction and reconstruction while emphasizing the provisionality of any narrative structure.