Kevin Chen
Professor Kidrick
ARTH 304
October 30, 2015 Ancient Egypt was a time when gods of many kinds graced its people and blessed with many kinds of pharaohs, kings and rulers who brought about many profound changes to its art, architecture, religion, and society. Some rulers created monuments that lasted for centuries, some built statues of themselves to immortalize their existence, and some completely overturned the norm for Egyptian art. The one who brought about these different changes to Egyptian art is Amenhotep IV. Although, Amenhotep IV brought about many changes to Egyptian art, its art still has similar likeness to its previous predecessors. Amenhotep IV self proclaimed son and sole prophet of Aten meant that with his
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Menkaure and Khamerernebty is a “4th Dynasty statue found in Giza, Egypt and its age is spans from 2490 to 2472 BCE; it stands 4’6 ½” high and is made from greywacke.” The perfect form befitting a ruler, during Old Kingdom Egypt, was described as having a “well-developed, flawless body and a perfect face, regardless of age and appearance” and the statue of Menkaure and Khamerernebty served its purpose by displaying Menkaure as the perfect male king and Khamerernebty as the perfect female queen. In the statue of Menkaure and Khamerernebty, Menkaure is wearing a nemes, the headdress of an Egyptian pharaoh, a long fake beard, and a kilt with protruding cloth in the middle to show that he is king or pharaoh. The statue Menkaure and Khamerernebty is also described both as having “high cheekbones, bulbous nose, slight furrows running diagonally from his nose to the corners of his mouth, and lower lip thrust out in a slight pout” with slight differences with “her face having feminine fleshiness.” In the statue Menkaure has “broad shoulders, a taut torso, and muscular arms and legs” and Khamerernebty has “narrow shoulders and slim body, visible contours that are apparent under her tight-fitting sheath dress.” …show more content…
Sandstone in Ancient Egypt was mainly used as building material and non-building like statues etc. Sandstones were usually found in northern Sudan in the Nile valley. The tools used to carve out the colossal statue of Akhenaten made from sandstone are done by copper and stone tools. The Menkaure and Khamerernebty, on the other hand, was made from a harder stone called diorite. The diorite stone that made the Menkaure and Khamerernebty was taken from the royal quarries from the south of the Nile. The harder stone “diorite” that was used on the Menkaure and Khamerernebty used harder stones, copper alloys, and abrasive sand to carve out the statue . Although both statues used different materials, one statue using sandstone and the other diorite, but there uses are quite
The head crown she is wearing makes her look a lot more akin to many previous pharaohs and likewise the false beard also helps maintain to this image along with a masculine
How do these sculptures differ from Akhenaton (Figure 3-30)? Hatshepsut with Offering Jars was a women King and she was famos for making many statues of herself but this one piece atests to the fact that she was too a beliver of being a devote worshiper of hermany gods, Akhenaton was depicted as the son god the only ruler in Egypt i that time to believe in inly one god. 5. Describe and analyze the form and content of Judgment of Hunefer (Figure 3-1).
Akhenaten, previously known as Amenhotep IV, was one of the most controversial Pharaohs to rule Egypt. As pharaoh, Akhenaten changed the polytheistic religion of Egypt to a monotheistic religion devoted to the Aten, which was depicted as a sun disk. The Egyptians despised this radical idea, but were forced to change their religion, art and their overall way of life. His reign began at around 1353 BC in the 18th Dynasty, following the death of his father Amenhotep III, and lasted until 1336 BC. His father’s reign was peaceful and prosperous, leaving Akhenaten with an Egypt of immense power and wealth.
1.The name for the Egyptian art piece is named Menkaure and a Queen and is measured at 4 feet 8 inches high and located at Museum of Fine Arts,Boston. Its medium is Greywacke previously supplemented with some red/black paint. http://arthistoryresources.net/menkaure/menkauredescription.html The title of the Grecian art piece is Metropolitan Kouros and is measured at 6 ft. high and located Metropolitan Museum of Art, New York.
Castiel Sandoval Term Paper History 4 Justine Shaw November 25th, 2015 The Pharaoh Hatshepsut Queen Hatshepsut was the most successful and renowned female pharaoh to ever rule Egypt; and through her actions and strengths, while she reigned, showed she is an example to all of a strong and triumphant leader and woman. It is possible that from the beginning Hatshepsut was destined for greatness; her name for instance means foremost of noblewomen. Her father thought as much, Thutmose I and the man to bring on the Golden Age in Egypt, and trained her from a young age to come into power. He must have seen something in her, even though she was a female and females were not seen as able to hold the title of pharaoh, and did his best to prepare her for her future.
Certainly, this relief strikes an interesting contrast to the relief of Akhenaten. When comparing the statues of Akhenaten and Thutmosis III, the complete abandon of traditional elements of composition in the statue of Akhenaten next to the rigid, conventional structure of Thutmosis is so completely disparate that it is difficult to believe the two are from the same culture. The clothing and stately garments are, of course, obviously different. The attire of these two pharaohs is not what is of greatest interest here; rather, the portrayal of these two kings’ bodies is what really captures the
The city of Akhetaten was wondrous; covering thirteen kilometres along the east bank of the Nile. The city was built within four years, a marvel only possible due to the use of white-washed mud-brick, rather than the luxurious sandstone that was typically used in pharaoh’s building programs. To isolate his marvels from the old ways of Egypt, Akhenaten built his city four-hundred and two kilometres north of Thebes, the capital, in the fourteenth nome of Upper Egypt.
The legacy of Hatshepsut’s reign during the 18th Dynasty is recognised as an important feature in understanding her commitment and responsibilities as female pharaoh of Egypt. As the daughter of Thutmose I and Queen Ahmose, Hatshepsut ruled Egypt under the traditions of past pharaohs though representing herself as a man. Everything that Hatshepsut contributed to society reflected on her representation as pharaoh and her reigning tributes; this is mainly suggested through her surviving monuments, for example the Deir el-Bahri in Egypt today. Hatshepsut’s legacy was an important contribution to Egypt during this time period. It was the time of the development of the New Kingdom, the beginning of a new testament.
I didn’t know details about history of king’s life, but King Amenmesse’s statue has mystery and cunning smile. All his look is saying: “I know what I want and I will get it”. His headdress is decorated with the snake to highlight his power. The body of statue is in its original place in great Hypostyle Hall of the Temple of Amun at
Ancient Egypt was ruled by a person called a Pharaoh. These Pharaohs were like kings and emperors. The Pharaoh in ancient Egypt was the political and religious leader of the people. They were about 170 pharaohs and they ruled from 3150BCE to about 31BCE. Out of 170 pharaohs, they were a few of them who stand out because of their accomplishment.
Introduction This paper will analyze and compare the Egyptian Standing Figure of Osiris with Egyptian Mummy Coffin of Pedusiri, visual elements of Ancient and Medieval Art and Architecture works from the collection of the Milwaukee Art Museum. By comparing and contrasting these two works, we will be able to see the salient parts of each of them more clearly and can better understand the relationship between their periods, cultures, or artists. This comparison will also reveal how these two cultures view the human anatomy and human spirit in different ways.
Though they appear to be drastically different, they have some similarities upon further inspection. Menkaure and His Wife is thought to be from the Old Kingdom time period, which was from 2686-2181 BCE. On the other hand, Akhenaten is from the New Kingdom, specifically the Amarna time period, which happened between 1391-1353. Both of the statues were found in Egypt and they have a great many similarities considering they were created many years apart. Both of the statues depict Egyptian kings, or Pharaohs.
Both statues have a frontal pose. Yuny and Renenutet medium is limestone and paint, meanwhile Senusret III medium is yellow quartzite. Both Yuny and Senusret III are wearing a headdress emphasizing their power and royalty through it. Senusret III has a royal traditional headdress on his head behind his ears and Yuny has a fashionable wig as a headdress in front of his ears. Senusret III has a stun arched forehead and Yuny has a much more relaxed forehead.
In 1479 B.C.E. Thutmose II passed the power of Pharaoh to co-ruler Hatshepsut-his sister/wife-because his son, Thutmose III, was too young. During her reign, she proved she was worthy by becoming one of the “most ambitious builders in Egyptian history” (Cole and Symes 34). However, after ruling for 21 years her legacy was tested. Scholars found defaced statues and portraits of Hatshepsut. Some believed Thutmose III was slighted by Hatshepsut and he defaced her image.
The stele is made out of pink sandstone, Hatshepsut’s statue was made with red granite, and Khafre’s statue was made with diorite. The material with what these pieces were made was chosen by the ruler for reasons like durability and expression of his or her wealth. The purpose of the piece ‘Victory Stele of Naram-Sin’ was made do illustrate Kind Naram-Sin’s victory and conquer of the mountain, ‘Hatshepsut with Offering Jars’ was made to honor the gods, and finally, ‘Khafre Enthroned’ which was made to just simply depict him as an enthroned divine ruler. Thanks to the many portraitures found from the ancient times, such as these three, we are allowed in this point of time to familiarize with what our ancestors believed and how it all evolved over