In my essay, I will be talking about Sir Chaplin Spencer popularly known as Chaplin, in this essay I will be talking about his works his approach to cinematography, his relation to film aesthetics, his relation to auteur theory, his relations to film language and many more.
Chaplin’s works
Chaplin has written, featured, produced movies such as the Gold rush, Woman of Paris, Modern times, The kids and many more at a very tender age but I will like to talk about one of his most important work/movie which is Modern Times, this movie was produced in the year 1936, the movie was a complete comedy movie and the main character was Chaplin himself, this movie was about Chaplin who struggles to make ends meet, the movie talks about how desperate people
…show more content…
Chaplin can be categorized as an auteur in this movie because he supervises all the audio and the visual elements in this movie. İn this movie, Chaplin did not make use of dialogue in this movie because he want the image to be understood by the audience, he wants the audience to understand the movie based on the body reactions of the actors. Chaplin uses slapsticks in this movie that is he uses humors. Let’s take a critical analysis of this movie Modern Times, the main location of this movie was a factory and unlike the normal factory, this factory is bigger and even the machineries in the factory is times two of a normal factory machinery, this implies that this factory is for the higher class of the society or the working class in the society, what am trying to say is that the location of this movie stands for the class its …show more content…
His being funny was for him to win the favor of his audience, Chaplin always refer himself as an artist that is making art, he also make his music in an aspect of art. The type of film he usesd in Modern Times are elegant, soulful and simple. He also made use of visual tricks which he use to establish a break with the real life experience and try to create something new in this movie. Though there are so many assumptions that films cannot be a form of art but Chaplin was an exemption because he make use of art in this
Auteur theory is an important mode of film criticism that indicates the extent of the director’s involvement in the final output of the film. As it has been previously mentioned, Spike Lee’s films express certain notions about race that emerge from his personal viewpoint as well as from his political and aesthetic beliefs. The focal point of this chapter is the auteur theory and its relativity to Spike Lee. In order to prove the connection between the theory and his works, it is necessary to refer to Lee’s biography, since both his background and distinguishable personality have contributed to his technical skills as well as to his unique style as a film director. The particular chapter will also include the synopsis as well as the technical analysis of each film correspondingly.
Throughout the essay, many references and comparisons are made to other films. Also incorporated in the essay is the use of advance terminology; Giving indication that the author is very knowledge about film. Haslem mentions in her essay “Neon Gothic: Lost in Translation”, “In many ways Coppola’s film exhibits marks of classic European art cinema. Specifically, in her interest in stillness rather than action, Coppola recreates a similar impressionistic resonance that was initially established by filmmakers like Carl Dreyer in The Passion of Joan of Arc (1928) and elaborated by Michelangelo Antonioni in films like L’Eclisse (1962) and L’Avventura (1960)”
“The screen is a magic medium. It has such power that it can convey emotions and moods that no other art form can hope to tackle.” The written word and the moving image have always had their entwining roots deeply entrenched in similar narrative codes, both functioning at the level of implication, connotation and referentiality. But ever since the advent of cinema, they have been pitted against each other over formal and cultural peculiarities – hence engaging in a relationship deemed “overtly compatible, secretly hostile” (Bluestone 2).
Casablanca, a Romantic Propaganda Introduction Casablanca is one the classic Hollywood movie which is one of the most critically acclaimed Hollywood movies of all time and also very famous. Casablanca is a romance story that happens during World War II but the question is does it end there? Is Casablanca just a Romance movie? In this essay, I will be discussing how the movie Casablanca which is one of the most famous and critically acclaimed films of all time is a propaganda movie and what message is sending and the effects that propaganda movies make and why it’s important for governments.
A Raisin in the Sun PBA Unit 2 Cinematography and filmmaking are art forms completely open to interpretation in many ways such lighting, the camera as angles, tone, expressions, etc. By using cinematic techniques a filmmaker can make a film communicate to the viewer on different levels including emotional and social. Play writes include some stage direction and instruction regarding the visual aspect of the story. In this sense, the filmmaker has the strong basis for adapting a play to the big screen. “A Raisin in the Sun” is a play by Lorraine Hansberry that debuted on Broadway in 1959.
The film 13th directed by Ava DuVernay targets an intended audience of the Media and the three branches of the United States government with an emphasis that mass incarceration is an extension of slavery. It is intended to inform viewers about the criminalization of African Americans and the United States prison boom. 13th uses rhetorical devices in its claim to persuade the viewers by using exemplum in the opening seconds of the film. President Barack Obama presents statistics, saying “the United States is home to 5% of the world’s population but is home to 25% of the world’s prisoners.” Also the film uses a hyperbole in talking about the movie Birth of a Nation produced in 1915 which portrays a black man as a violent savage who will kill white women.
In 2015, HBO aired a six-part, true crime documentary series titled, The Jinx: The Life and Deaths of Robert Durst. Writer and director, Andrew Jarecki, examined the details of three crimes associated with Durst, including the disappearance of Durst’s first wife Kathy, the murder of his dear friend, Susan, and the murder and dismemberment of his neighbor, Morris Black. While the mini-series was met with acclaim, many – including myself – criticize The Jinx for its storytelling approach. The series seemingly blurs the lines of storytelling – for entertainment purposes – and journalism; raising many questions regarding ethics. Initially, Durst approached Jarecki regarding an interview after he saw All Good Things, a film Jarecki had released
This essay will discuss how the film uses these two techniques, in reference to the film, and to what ideological and political ends are the techniques used in the films with specific references from the film to support the argument. A Man with a Movie Camera is based around one man who travels around the city to capture various moments and everyday
To summarize this essay, there are several points that highlight differences between the two films, yet the overall context of the film remains the same. One common theme that tends to drive the force between the reasoning in why the two films have varying aspects is because they were made for slightly different audiences at different times in society. Though both versions of the movie have small portions that vary from one another, the main emphasis is the same and both versions are loved by the
The late 19th century consisted of rigid work hours for children, the growth of strikes, and the use of yellow journalism. It was a challenging time for anyone below the upper class to live in. This is demonstrated throughout Newsies, a Broadway Musical displaying the challenges from this time period. Child labor, a major part of the movie, was the way of life and consisted of young children doing hard work as a vital part of the nation’s economy and income of families of the time. Another part of the movie, strikes, were the people’s way of refusing to work as a result of not getting their desires.
Over the fifteen weeks of the first semester of film school, we were taught many interesting types and styles of early world cinema which were extremely informative and influenced the filmmaking style of the whole class and made us better filmmakers instantly. One such ‘ism’ which inspired me the most was German Expressionism which is a unique characteristic of Weimar Cinema. In this essay I am going to talk about the history of this ‘ism’, its impact on cinema, some significant works and how it inspired me and influenced my filmmaking style. German Expressionism is one of the earliest artistic genres to influence filmmaking, and one that ostensibly prepared for some other cutting edge artistic styles and techniques. It is an artistic genre
“Essential for the movie is the time and the years; here I’m more interested in realistic and allegorical. The most important thing is the feeling of hallucinations, travel in dreams, born because of opium, which begins and which ends the film.” – Leone. This essay is an attempt to investigate how Leone, in his film Once upon a Time in America, created a narrative that involves the spectator, gives more impact, tells a number of stories, and moves between time frames.
In “Aesthetic of Astonishment” essay, Gunning argues how people first saw cinema, and how they are amazed with the moving picture for the first time, and were not only amazed by the technological aspect, but also the experience of how the introduction of movies have changed the way people perceive the reality in a completely different way. Gunning states that “The astonishment derives from a magical metamorphosis rather than a seamless reproduction of reality”(118). He uses the myth of how the sacred audience run out the theater in terror when they first saw the Lumiere Brother Arrival of the train. However, Gunning does not really care how hysterical their reaction is, even saying that he have doubts on what actually happened that day, as for him it the significance lied on the incidence--that is, the triggering of the audience’s reaction and its subsequence results, and not the actual reactions and their extent. It is this incident, due to the confusion of the audience’s cognition caused by new technology, that serves as a significant milestone in film history which triggered in the industry and the fascination with film, which to this day allows cinema to manipulate and
‘A Time to Kill’ is a movie that depicts the racial tensions between the white and black Americans in the past. The movie revolves around the life of Jake Brigance, a lawyer, and Carl Lee Hailey, as he struggles with the law and racism after seeking justice for his raped 10-year old daughter. As Carl Lee approaches Brigance for help with his case, they both face the challenge of blurring the lines between the white and black Americans and helping Carl Lee escape the long arms of the law. In the movie, racism, negligence of one side of the story, and objectivity are applied.
Though in his autobiography Chaplin says that entertainment rather than social or political commentary was his primary motivation, a close analysis of his films clearly display a pattern of socio-political advocacy (Howe 46). In the “Modern Times” which was released in 1936, Chaplin used