Awakening Essay The Awakening by Kate Chopin is a novel filled with many conflicting perspectives in the mind of Edna Pontellier. Mrs. Pontellier is a complex character filled with different desires and ambitions for what she wants out of her life. Throughout the novel, we get to know the many sides to this character and we see who she becomes and how that leads to her eventual peaceful downfall.
Writing about the struggles of women, the novels follow the life of Lily who experiences resentment from her husband and sexism at work. Although she gets her much deserved token, it is watered down by the fact that she gets it much as a token rather than as a reward for her ambition, abilities, and drive. The lead character is assaulted because they desire and enjoy adulterous se and are ready to leave abusive relationships. Through Lily, the vulnerability of women is put into focus as she becomes more vulnerable to abuse once she decides to leave her husband. She only does find redemption by getting into a relationship with another man, taking up her role as a protective mother, foregoing her ambitions, and being proactive in seeking justice for herself, and her daughter.
What I didn’t really like about it, was the lack of development for their relationship. To me, it seemed that she hated his guts, then boom! He says he is able to break her mother’s curse which makes her already attracted to him. I believe the author could’ve had the two slowly open up to each other, and maybe include a few awkward moments that shows the development of their love for each other. Despite the minor setback, I could not contain my excitement and muffled my squeals with a pillow.
In the beginning of act two we see that Kat has Bianca’s hands tied, and is refusing to untie her hands because she wants to know the name of the man she loves. Kat is doing this as she wants what her sister has which is men falling head over heels for her left and right. Kat then begins to yell at her sister, that’s when their father comes in and tells Kat
She exhorts her sister Stella to leave beastly brother-in-law Stanley but Stella does not mind so this monologue presents Blanche's growl. Through this growl, Blanche articulates a sign of dissatisfaction, deeply horror, and fear due to Stanley's propensity for violence. First of all, this part is like standing at the points of Stella's sister, Blanche hopes her sister is safe sound. Actually, Blanche stands at the point of herself, an old south women to keeps herself away from
Curley’s Wife: The Struggle of Getting Out From Her Cage Throughout literature, women who are characterized as shameless temptresses are often the way they are because of a desperation to break away from society’s oppression of low-class, uneducated females. This is never more true than for Curley’s wife in the fictional novella Of Mice and Men by John Steinbeck. Through considerate yet concise descriptions of her fantasy of Hollywood stardom, putting down of others, and attention-seeking ways, Curley’s wife is revealed to be a downtrodden female who suffers from her own internal, emotional conflict. Curley’s wife muses about her Hollywood ideal as a reassurance that she is a woman of worth and potential.
The maids plead and pray for their horrid lives to change because they are simply slaves, and others control their lives: “Oh gods and oh prophets, please alter my life,/And let a young hero take me for his wife!/But no hero comes to me, early or late-/Hard work is my destiny, death is my fate!”(52). The Odyssey shows the maids as people who deserve to be punished. However, Atwood in her novel shows how the maids are victims, and that it is the others who deserve to be punished. This urges the audience to have sympathy for them. The Penelopiad shows how the maids are living terrible lives, even though they don’t deserve to be.
This man was able to take Naomi whenever he wanted and sexually assault her without her parents knowledge. She is ashamed because his hands cause her to feel both pleasure and to become terrified.. This is one of the various memories that Naomi repressed before her aunt Emily gave her the advice to never deny your past. She is able to get through to Naomi to tell her that refusing to acknowledge your memories whether they are horrible or amazing can haunt you or cause you to die of guilt. In return
This made us feel biased towards specific characters, especially Rosaura’s mother and Luciana’s cousin. An example of that is when her mother says: “Get away with you, believing all the nonsense you’re told!” or “That one's not your friend. You know what you are to them? The maid’s daughter, that's what!”
Unfortunately, her choice proves virulent because her life with him causes her suffering and abuse. Heathcliff speaks of his wife with full disgust. Isabella trusts him, but it turns out that he only causes her grief and pain. Lastly, Catherine Linton lived a happy life with many loved ones around her, but when she left she went in to an awful environment. At Thrushcross Grange, Cathy’s family always addressed her as “love” or “miss,” but after she marries Linton and moves to Wuthering Heights, she lives with exclamations from Joseph that she would “goa raight to the t’devil” (10) and from Heathcliff that “[she is] an insolent slut” (234) and “a damnable witch.”
Another element in this novel is Melinda’s inner conflict, man vs. self. What Melinda has been through greatly affected her everyday life. She struggles with depression, dislikes her appearance, and feels ashamed of herself for something that isn 't her fault: “I want to confess everything, hand over the guilt and mistake and anger to someone else...even if I dump the memory, it will stay with me, staining me” (Anderson 51). Andy Evans, the senior who raped her, made her feel worthless. This situation is much like the one in the novel The Girl on the Train by Paula Hawkins.
Mehri, Marji’s maid and close friend was just broken up with her boyfriend, and when Marji “went back to [Mehri’s] room and she was crying” (Satrapi 36). This event taught Marji that the world is cruel and that life has unexpected, unfortunate tragedies. She quickly adapted to this situation and learned how to comfort someone in sadness. This affected her tone in the next few pages by it being more stern and persistent in response to the abrupt halt to Mehri’s happiness. Marji’s next obstacle is when she encounters beliefs of someone that are drastically different than her own.
In Tennessee William’s play, A street Car Named Desire, the author introduces a character named Blanche Dubois who is described as a southern bell. She is revealed to the readers as a complex person. Desperate need of attention, Blanche who is Stella’s older sister, arrives to visit Stella and her husband, Stanley, in New Orleans. As Stanley and Blanche are introduced, he acquires a dislike for Blanche. Through a careful analysis of Blanche in Tennessee William’s A Streetcar
In the play A Streetcar Named Desire written by Tennessee Williams, the main character, Blanche DuBois, travels to New Orleans to stay with her sister, Stella, and Stella’s husband, Stanley Kowalski. Throughout the play, sexulaity is seen as a strong motivator for many of the characters actions. Early in the play, Stanley is introduced as a particularly sexual character, “ Since earliest manhood the center of his life has been pleasure with women, the giving and taking of it, not with weak indulgence... He sizes women up with a glance, with sexual classifications…” (Williams 25).
Often in literature, metaphor and double-entendre is used to heighten tension between characters, whether it be sexual or otherwise. This is the case in Scene 4 in Tennesee Williams' A Streetcar Named Desire, where tension between Stella and Blanche is created as Blanche questions the nature of Stella's relationship with her husband, Stanley. At the start of the extract, it is clear that Blanche does not truly believe in love, telling Stella that she will laugh if Stella says meeting Stanley was like 'one of those mysterious electric things'. This is a metaphor for an orgasm, and this adds tension as it not only shows Blanche is skeptical about love, but also it presents the idea that she believes that Stanley and Stella's relationship is soley about fulfilling eachother's sexual desires.