Characterization is pivotal to the progress of a novel, and how the attitudes and emotional behaviours of characters develop through the book informs the plot in a cyclic way that feeds into further character development. In The Outsider, Albert Camus presents the protagonist Meursault as principally different to the people around him. For a majority of the novel, Meursault seems comfortable with his indifference to society, but despite his seemingly unchanging character, he develops a self-awareness and acceptance through his suffering in prison after committing murder, and the subtlety of this change makes it very important in understanding Meursault as a character as well as the overlaying themes of existential philosophy and the inevitability of death. One of Meursault’s characteristic traits is his honesty. From the attendance of his mother’s funeral in Part One, Chapter One, it is evident that he sees no apparent need to behave in a way that is considered socially acceptable but not in line with his own logic. He challenges the expectations of bereavement after the passing of a loved one, shedding no tears over his mother’s death and instead contemplating the inconveniences caused by the event which interfere with his daily routines. This honesty is a part of Meursault that remains a constant throughout the book and could be considered a mechanism he uses to keep himself grounded and in control of his involvement in situations. This is seen in Part Two, when he
A loving elderly man who grew very close and fond of Meursault's mother at the nursing home. Thomas Perez and Madame Meursault's relationship was one of few sincere relationships that the novel illustrates and serves as an opposing view to Meursault's understanding of the world. The Chaplain- A priest who visits Meursault throughout the trial and demands that he take comfort in God.
Holden Caulfield has a Nihilist view on the world where he lives in the beginning of the novel but later develops a more ethical view. In the beginning of the novel, Holden believes that the world is out to get him, so he alienates himself for protection Holden brings forth his hunting hat as a method for protection, “‘This is a people shooting hat,’ I said. ‘I shoot people in this hat.’” (Salinger, 22) Holden’s hunting hat is the strongest symbol in the novel. It gives Holden protection from people who could be potentially harmful to him.
Close Reading - The Stranger In The Stranger, Albert Camus depicts a man, Meursault, who is emotionless to the situations that surround him. After committing a murder, he gets put on trial and is deemed as a danger to society, and therefore, gets sentenced to a death sentence. However, this decision was not made due to rational reasons but from false accusations on Meursault’s character and motives. In the passage, Camus uses point of view to portray how the people in the courtroom perceived Meursault the way they wanted him to act.
Through the use of diction and symbolism; Camus reveals Meursault’s is apathetic towards his bonding with others and unable
One of the most important passages within the novel is when Meursault repeatedly defies the chaplain in the cell. It serves as a pinnacle for the entire story, and grants readers a look into the main characters state of mind. In this passage, Meursault comes to a dramatic realization of who he is through an existential epiphany, and with thorough analysis the overall significance of the passage to the story is revealed. In the passage the chaplain visits Meursault much to Meursault’s displeasure.
Throughout many parts of this book Meursault plays things off as if he doesn’t care what is going on around him and that he is just going through life with only the motions, without care or feelings to what happens to himself or to what is going on around him. Many monumental things were happening in Meursault’s life during the course of this book, including the possibility of marriage to the one person that seems to bring any sort of happiness into his life, the possibility of moving to Paris for his job, the murdering of an arab man for defense, and becoming new friends with many people. Though all of this is happening in his life, he always seems to find a way to pass it all off to just go with whatever is happening around him and have no wants or ties to happiness. It’s all just there and continuing on in his life. For example when Marie, Meursault’s lover, asks to get married he states, “Marie came that evening and asked me if I’d marry her.
Due to Hamlet’s actions, he lacks meaningful relationships and alienates all that could have saved him and would have pulled him from his insanity. Meursault in Albert Camus’ The Stranger shares a similar predicament. Meursault is an incredibly isolated individual, separating himself from his lover, Marie, his small circle of friends, his mother, and eventually, society and human reason itself. By building his isolation, Meursault creates a lonely life with little purpose.
The Stranger, written by Albert Camus, It follows the story of our tragic hero, Meursault, shortly after his mother dies through the events that lead to him being sentenced to death. Camus uses the motif of weather to express Meursault’s emotions. The Stranger shows how even when a person does not explicitly express emotion they are shown in some way. How emotions are expressed is a window to a person's personality. I will first discuss how Meursault appears emotionless, than how Camus uses the motif of weather to express Meursault’s emotions for him and lastly what impact this makes.
In Albert Camus’ The Stranger, the author’s absurdist views of life are reflected through the main character Meursault. The reader follows Meursault from his mother’s funeral to his own death, as he exerts his indifference to the world around him. Camus’s employment of motifs represent Meursault’s consciousness of absurdity in a world where everything fails to retain meaning. Nevertheless, humans still seek value in their lives from surrealalities; absurdities that are incapable of immortalising humans. The motifs of religion, judgement, and death inspire Meursault’s heroism through his sincerity and rejection of these absurd social norms.
Ward states that he “left his room, closing the door behind [him], and paused for a minute in the dark” (33) while Gilbert states that “after closing the door behind [him he] lingered for some moments on the landing“ (23). Gilbert’s use of the word “lingered” has a connotation that Meursault was reluctant to leave or that he was in contemplation while Ward’s use of “paused” signifies that Meursault temporarily stopped without the connotation that he had an intention for stopping. Ward’s version is also blunter while Gilbert’s version contains more literary devices. The significance of each version is that Ward’s Meursault is much more simple-minded while Gilbert’s translation strays farther from Meursault’s true character and is more figurative. The translational intentions of the novel are significant to consider because each version characterizes Meursault with variation in subtle ways, but can portray substantial
Meursault notices that during the trial, “there was a lot said about [him], maybe more about [him] than about [his] crime” (98). By having Meursault 's personality be the focal point of the courtroom 's dialogue, Camus implies that Meursault 's persona plays a crucial role in his trial. Instead of focusing on the murder of the Arab, the prosecutor repeatedly mentions Meursault 's "dubious liaison"(94), his "insensitivity" (99) during Maman’s funeral, and his friendship with Raymond, who is a man "of doubtful morality" (99). Through the emphasis on Meursault 's -according to society- 'immoral ' ways, the prosecutor eliminates any sort of sympathy the jury has for Meursault. Following Marie 's testimony, the prosecutor once again exhibits his confidence that bias against Meursault will stem from hearing about his behaviour.
The battle for existence is what drives Meursault to connect more to the physical world. In The Stranger by Albert Camus, there’s a young, detached man named Meursault living in French Algiers. At the beginning of the novel, Meursault receives a telegram, which informs him of his mother’s death. He acts calm during and after the funeral and frolics around with his girlfriend, Marie. While on the beach with his friends, they are suddenly confronted by Arabs and get into a fight.
The novel is about a man called Meursault whose mother died and he did not grieve at her funeral. In the latter part of the book, the jury used this incident to his trial, which he was convicted of murdering an Arab
In his novel The Stranger, Albert Camus creates an emotionally incapable, narcissistic, and, at times, sociopathic character named Meursault to explore and expose his philosophies of Existentialism and Absurdism. Throughout the story Meursault follows a philosophical arc that, while somewhat extreme - from unemotional and passive to detached and reckless to self-reflective - both criticizes the dependent nature of human existence and shows the journey through the absurd that is our world. In the onset of The Stranger, following his mother’s death, Meursault acts with close to utter indifference and detachment. While the rest of “maman’s”(9) loved ones express their overwhelming grief, Meursault remains unphased and, at times, annoyed at their
As the French, absurdist philosopher Albert Camus once said, “Being different is not a bad thing. It means you are brave enough to be yourself.” That summed up with our topic, which is absurdity through human existence, a human being should tolerate the absurd condition of human existence. Albert Camus introduces Meursault the protagonist and narrator of the book The Stranger, who is a stranger through society eyes and the title point out his personality in the world of absurdity. Meursault is indifferent and alienates young man to others.