She will stop at nothing to see her plan through. Abigail is willing to accuse any one in her path of witchcraft even if it means taking the lives of those close to her. Abigail Williams’ emotional desire guides her actions even if it conflicts with morality. Abigail williams is driven to do unthinkable things because of her love for John Proctor. Abigail works in the Proctor’s home and while doing so she finds herself attracted to John.
Abigail Williams collects the information necessary to style the position of supremacy for herself. Although there are other characters who contributed on witch trials, Abigail Williams is the one to blame for the entire occurrence because of her deceitfulness, falseness and untrustworthiness. As the terrible person that she was, Abigail Williams struggled and managed to get her way no matter whom she hurt, and unluckily in the conclusion she
She claims she is just an innocent teenager. However, as the story unfolds, Abigail is truly a despicable character and is ultimately responsible for a number of murders, trials against the innocent and eventually crosses the boundary of outright evil. In the beginning, Abigail Williams, a former house servant to the Proctor household, begins her villainous behavior after being kicked out of the Proctor home as she was accused of having an affair with John Proctor. She takes refuge with the Reverend Parris, Betty and Tituba. Reverend Parris is the minister of Salem’s church.
HEDDA. Exactly the girl with the irritating hair that she was always showing off. An old flame of yours I’ve been told. (Act-I, 24) Hedda sees Mrs. Elvsted’s hair as foolish and threatening because it represents both her femininity and her power over Lovborg, the only man that Hedda may have had feelings for. When Hedda finally enters the play, her lack of femininity is emphasized: her eyes which looks like steel-grey; cold, clear and calm are the antithesis of a feminine or womanly woman, such as Mrs. Elvsted’s for instance, whose eyes are "light blue, large, round and slightly prominent, with a startled, questioning expression" and hair is "remarkably fair, almost silver-gilt, and exceptionally thick and wavy" (Act-I, 10).
This conflict affected the entire town of Salem, and by her speaking out, she put the conflict to rest by telling what happened that night with Tituba. Abigail breaks the stereotype that women have less power than men, and that is what is most incredible about her rise to complete power. Abigail is the leader of the girls, she speaks her mind and that was uncommon for a young girl. “Abigail Williams...with an endless capacity for dissembling” (9). She spoke what she was feeling, no matter who was present or what she thought.
One of the characters dragged into the disarray is Ophelia, the daughter of the King’s advisor and Hamlet’s love interest. Ophelia is pulled in many different directions, and is used at the whims of the men in her life. She suffers greatly throughout the tragedy by none of her own faults. She is dragged into this conflict, yet she stays. Ophelia is a dutiful daughter, representing the "fairer sex" perfectly.
She ultimately gets what she wants when her husband goes through with killing Duncan, but even then she can’t be satisfied. Lady Macbeth is a very savvy character who really propels this story into motion. In contrast with this, Lady Macduff is a very innocent character who just gets caught up in the mess Lady Macbeth and her husband created. She is presumed to be a good woman and mother and did nothing to deserve her cold-blooded murder. Macbeth is a play with a vast amount of dynamic and contrasting characters but of all of these, Lady Macbeth and Lady Macduff are the most prominent.
After Baby Suggs died and her brothers disappear, Denver tries to learn how to live with her mother just to not be the second victim in 124 Bluestone Road "I love my mother but I know she killed one of her own daughters, and tender as she is with me, I'm scared of her because of it… I spent all of my outside self loving Ma'am so she wouldn't kill me, loving her even when she braided my head at night" (Morrison 392; 397). Because of Sethe's insufficient nurturing, Denver lives a "paralyzing infantilism" (Philip 139). She pays for her mother's bloody past which affects her psychological development. Denver, who has fragile personality, is trapped in childhood. She lives most of her life entombed within the walls of her house because she views the outside world as a place where "things so bad had happened" (Morrison 460).
As for toes, she describes those as the nastiest part of the human body. But nonetheless she was still impatient, intelligent, generous, and interesting women he knew. Dahl liked Miss Trefusis very much and he knew she would come to his rescue anytime.
She is dominant and superior, controls her husband’s action.” (Cooper) Shakespeare treats Lady Macbeth as no less of a villain than any of his male villains. She, like most of Shakespeare’s villains gets what’s coming to her. She takes her own life out of guilt and fear. Lady Macbeth is a strong independent woman who murdered then paid the
But with her mother dead and her father bitter, those feelings are foreign to Lily. Especially since she is trapped, tormenting herself over the fact that she was the one to shoot her mother. Despite it being a terrible accident. Sue Monk Kidd expresses to the readers how much death can trap someone in their own mind through Lily. You can see the full extent of her suffering when she sobbed the truth to August “It was my fault she died.
“Mama slap me. Hard. [S]he pick up the cast-iron and hit me. […] Then she kick me in ribs” (Sapphire, 19). This quote was taken when Precious, born Claireece Precious Jones, was being abused by her vicious mother three months after her first child was born at the age of 10 for ruining her life and taking her boyfriend, who is Precious’ father, away from her.
She was in an affair with John Proctor while Elizabeth, his wife, was sick. Abigail was psychotic, considering that she wanted to kill John’s wife so that she could be with him. This was one of the ways that the whole mess of witch trials started. “BETTY: You did, you did! You drank a charm to kill John Proctor 's wife!
She is very much everything that is described as corrupt and shameful. She is in control and takes initiative when it comes to her object of desire. The Lady’s role as a temptress is further enforced as she expresses her desire to do as she pleases with Sir Gawain, “I shall imprison you in your bed, be certain on that” (1211). She is not afraid of being an adulteress, she show’s no fear of her husband returning as he is not anywhere near where he can interrupt