Second character will be Jules (The Whore). “The Whore” role in horror movies was to simply sexualize her. Like on the 39-minute and 46-second mark of the film where Jules was drugged by the technicians, so she will act dumb and horny, then later on Curt and she had sex in the forest while the technicians are watching (Goddard). The movie also introduced her in the beginning by presenting her as a blonde chick. This character archetype is also known as “The Cheerleader”, “Slut” or “The Blonde Bimbo. For example, on the 3-minute and 40-second mark of the film where Dana noticed that Jules dyed her hair. Dana said, “Oh my God! Your hair is blonde.” (Goddard). Jules was proud of it and clearly blonde wasn’t her original hair color. A blonde girl is the most cliché character in all horror movies in my opinion. …show more content…
She is your typical bitchy, sexy and not so smart kind of girl. Basically, all looks and no substance. Jules’ character in the movie was just to expose her body, have sex and be punished and killed brutally. The movie was sexualizing her in a weird way. She’s the easiest one to hate of all the characters. Like what David Denby wrote on his essay “High-School Confidential: Notes on Teen Movies”, “The most hated young women in America is a blonde- well, sometimes a redhead or a brunette, but usually a blonde.” (Denby 366). The Whore is the girl which the audience wants to die first, viewer’s mind is saying like “Kill her!”. As a result, most of the audience can relate that for once they knew a girl like this who they hated so much in their life. This character usually dies while having sex or doing something sensual, that’s a fact. Unlike “The Virgin” role, this character doesn’t receive any sympathy at all. Rather, they receive hatred. We tolerate that kind of person in real life because killing or hurting them is
Even when he buys the prostitute he could not have sex with her because he saw her as a girl not as a toy to have sex with. Holden also protect woman from being bad mouthed like with when Luce said, “she’s probably the Whore of New Hampshire by this time” Salinger 160. Holden responds with “That isn't nice. If she was decent enough to let you get sexy with her all the time, you at least shouldn’t talk about her that way.” Salinger 160 Holden tries to respect and protect all the “nice” or innocence in the
It is known fact that up until recently those placed into mental institutions suffering from various illnesses have been treated poorly. Those who were subject to the torment of shock therapy and sedative drugs in the sixties and seventies know the pain of living in a cognitive institution. One Flew over the Cuckoo’s Nest (1975), directed by Milos Forman, came out in the era of scandals revealing the awful conditions found in mental hospitals. However, this film does not focus on the living situation in the hospital, but funnels its efforts to look deeper into the characters that inhabit the establishment. This movie fights the ideas of conformity and protests for the right of free thinking all while presenting it in an accessible way for the populous.
Rape on the Night Shift is a documentary about the sexual assaults that some of the janitors suffer while working at night. This documentary reveals the injustice that these workers have to go through because most of them are undocumented and they don’t know their rights. The experiences of woman in this documentary is correlated with the feminist theory, the idea of seeing women unequal to men and the idea of the men having the power to control women. Indeed, the documentary let us see the gender inequality, exploitation, and the de-valuing of woman’s work. We see the feminist theory in the documentary when the managers or supervisors sexually abuse of their workers.
Due to this, her situation is more relatable and it is easier to feel pity for her even though she did kill
Lili, although she uses her sexual appearances as power, she is seen as a sexual manipulator. Lili did a small performance and her outfit gave the impression of it. Men yelled and whistle and she was ok with it. Sadly, she has to use sex as her control to even have some sort of power in this film.
Next, many gender and sexual stereotypes are perpetuated in media, through the ways of movies. In fact, the movie Legally Blonde fits under the category of stereotypes exceptionally well, since it shows many stereotypes of women in the society. For instance, there is one scene in the movie, where Warner, the handsome boy is playing football with his friends, and Elle, the dumb blonde sits on the sidelines to study and distract the guys playing as she wears nothing but a sparkly bikini top under a furry shawl on her upper half. This example evidently portrays the serotype of being a blonde dumb. Throughout the movie “Legally Blonde” Elle is shown as a material sorority girl, who is a duplicate copy of barbie in real life.
Words such as “slut” and “whore” are thrown around in the movie as insults towards girls in the Burn Book (Michaels & Waters, 2004). As for sexualization in the media, it shows the shockingly young age at which girls in today’s society are being exposed to this. For example, Regina’s little sister, who looks like she is in elementary school at most, is copying a dance from a censored music video featuring the song Milkshake by Kelis. The specific lyrics featured in the movie are “my milkshake brings all the boys to the yard/damn right, they’re better than yours”. The milkshake stands for a woman’s sex appeal.
However, the main character, Janie, doesn’t accept this submissiveness and fights back, therefore challenging the roles of gender and breaking them for herself.
Elizabeth gets her revenge by her husband being arrested and for him to have lost all of the peoples respect but she still loves him by telling him that she's pregnant. The final example of a women being more dangerous than hell itself is the character Ann Putnam who due to super natural means has lost many things and people in her life that she soon seeks revenge for. In the Paper, The Crucible quotations and analysis, we see that Mrs.
Because she is female and wants someone there for her, she is viewed as troublesome and a whore. “Don’t you ever take a look at that bitch. I don’t care what she says and what she does. I seen ‘em poison before, but I never seen no piece of jail bait worse than her.” (Steinbeck 32).
It centers on females and how they act at that certain age. The four mean girls, Regina George, Gretchen Wieners, Karen Smith and Cady Heron represent the stereotypes of the popular girls of high school. The role of gender plays an important role in the movie. The movie discusses the aspects of how a “typical” teenage girl should be, in order for her to fit in.
This paper will discuss the well-published work of, Pomeroy, Sarah B. Goddesses, Whores, Wives, and Slaves: Women in Classical Antiquity. New York: Schocken, 1975. Print. Sarah B. Pomeroy uses this book to educate others about the role women have played throughout ancient history. Pomeroy uses a timeline to go through each role, starting with mythological women, who were called Goddesses.
There are multiple people who are intrigue and love horror movies without knowing the reason. In Stephan Kings essay, “Why We Crave Horror Movies” he does his best to find an answer to the question “why do people crave horror movies?” Throughout his essay he came up with certain key points to answer the question. At the beginning of his essay, he makes a bold statement that “we are all mentally ill.” He motions that people just watch horror movies to portray their fearlessness while suppressing their true emotions.
Many limitations were placed on her by society because of her status. She finally decided that she was done conforming to these restrictions and sought out to find a lover, disguising herself as a prostitute. In doing so, she manifested the start of a new fling with Beauplaisir and discovered her new found liking for seductive power. Christine Blouch states that each of Haywood’s sluts “is the embodiment of her anger and the incarnation of her sense of control and power over the male” (535). Haywood incorporates this idea of making the heroine disguise herself as a prostitute to ensure that she is able to experience the control high classed women of the eighteenth century have always been deprived of.
Amanda Putnam’s essay, “Mean Ladies: Transgendered Villains in Disney Films”, is a compelling piece on gender portrayal and views in Disney films. Putnam opened the essay with a personal anecdote about her daughter. Her daughter wanted a Disney movie without a “mean lady”, as in most Disney films the villains are scary, evil women. The real life evidence strengthened her claim that children are noticing the characterization of female villains in Disney films. The antidote was brought fill circle when she referred back to her daughter in the final paragraphs of her essay.