Octavia E. Butler's novel Kindred tells the tale of American slavery from a more modern-day perspective through time travel. The novel includes many themes and recurring motifs, but it also includes many different characters with different motivations and personalities that all go through some sort of character development. No one character follows a certain archetype commonly found in a lot of other literary works, and it makes the story engaging and more realistic. First off is Dana, the main character of the story. At the novel's start, Dana has experience with doing hard labor to barely make a living, but her development starts after she travels back to the Weylin plantation. More specifically on her second trip “The Fire” when Dana heads …show more content…
Rufus starts as a boy who wishes revenge against his father who beats him, however, he is not as racist as Weylin, even being friends with many other slave children, which continues as he grows older. The first time we get to see the true Rufus is after he rapes Alice for the first time, leading her husband Isaac to attempt to kill Rufus. This shows that no matter how much he cares about Alice, he still sees her as a slave that must do what he wants. This continues after Alice is captured and bought by Rufus, and Rufus continues to force her into sexual acts against her will. Rufus also begins to use both Alice and Dana as an outlet for his anger, beating Alice when Dana leaves and sending Dana to work in the fields after his father dies. Despite this, Rufus does still have some redeemable traits in his later life, agreeing to free some of the slave children after Dana’s urging. However, Rufus still continues to see black people as inferior, trying to scare Alice into loving him by pretending to sell their children, and later trying to force himself onto Dana for the first time in the whole story, showing that while Rufus is not as cruel as his father, he cannot be molded by Dana into a person that sees all people as
Analyzing Character Development: Dana Octavia Butler’s novel, Kindred, provides a unique look into slavery in the antebellum South through the eyes of Edana Franklin, a black woman living in the late 20th century, who is suddenly sent through time to the early 19th century where she is suddenly faced with the task of protecting her ancestor, Rufus, from many dangers in order to ensure her existence in the present. Dana begins her adventure with no knowledge of how or why she has been given this responsibility and, as a result, must adapt to her new and unfamiliar surroundings. As the novel progresses, the reader sees Dana’s internal battle with herself as she decides whether or not Rufus is worth saving, or if she should let Rufus die
Kindred is a story about the past intertwining with the present. Dana, a black woman from the 1970’s, is taken back in time to the antebellum South. She gets sent to Rufus, the son of a plantation owner, to protect him time and time again. Each time she travels back to the South, she remains there for a longer period of time with a higher risk of death accompanying her stay. She ended her long spell of being trapped in the South by murdering Rufus, thus making it impossible for her to return to the past.
This analysis of agency would be useful for a person pushing for more freedom of expression or freedom of speech. All in all, Bast’s successfully supports his perspective of agency through his evaluation of Kindred, and the comparison of the human instinct of expression to Dana’s want to create change with her time traveling powers constructs a powerful parallel between the novel and Bast’s article. The novel Kindred, however, serves to create an important message about society on its own, as well. Octavia Butler’s Kindred is a science-fiction novel that depicts the life experiences of a young black woman named Dana, who is given the task of traveling back in time to the era of slavery to save her ancestors, but is unjustly oppressed and has most, if not all, of her rights stripped away from her simply due to her race and gender. As a result, the most prominent overarching theme of the novel is the inequality of power and social status given to people of varying gender and race, and the struggle that those people must go through to gain as much freedom and equality as possible.
His possessive affection transfers from Alice to Dana, but Dana rejects these affections, “I could accept him as my ancestor, my younger brother, my friend, but not as my master, and not as my lover. He had understood that once.” (Butler 260). Rufus was left alone and abandoned after Alice passed away. He wanted someone to show him warmth and affection.
In Kindred, Dana’s narrative entirely revolves around the slaveholding American narrative of Rufus which illustrates the second fiddle notion of Dana’s identities. The fact that she can only time travel when white man, Rufus, mortally needs her demonstrates that her entire story regardless of time is dictated by the White Man (Butler 12). Furthermore regarding time fragmentation, the imagery of Dana’s body being in a constant state of scars, bruises, and general crisis in 1976 and 1819 while Rufus’ body and life continues in a progressive linear state depicts how the white historical narrative continues to strut along time whereas the black, female, American narrative continues to be an unhealed wound discarded alongside white-American-male chronology. This notion is expressed when Dana puts her bodily pain to the side in order to sexually usher love and welcoming to Kevin’s five year journey in Antebellum south (Butler 190). Essentially Dana’s body politics do not exist in a state of paradox because through Butler’s textual portrayal of embodiment, she was and still remains as an
Dana and Rufus’s Relationship Ever wonder what it's like to have a changing relationship with a plantation owner's son back in the 1800’s? Dana Franklin is a younger African-American woman married to Kevin Franklin who is a middle-aged man. Dana travels from California in 1976 back to the early 1800’s whenever Rufus is in trouble. Rufus is a plantation owner son and is also the father of Dana’s ancestor. Dana’s travels are random; she gets lightheaded and dizzy when she is about to travel.
She becomes a witness to how a vulnerable little boy turns into a selfish, malevolent and cruel slave master. In every chapter of the novel, Dana has been transported to a certain period of time and observes significant changes in the behavior of Rufus, due to the influence of the environment. Therefore, Rufus is more of a product of Nurture, rather than Nature. His father, Tom Weylin, is influential in how Rufus
In Octavia Butler’s novel, Kindred, Rufus Weylin is one of the main characters who undergoes a lot of change throughout the novel, making him a round character. A round character is defined as a “major character in a story who encounters contradictory situations and undergoes transformation during this phase. Therefore, the characters does not remain the same throughout the narrative, making their traits difficult to identify from beginning until the end (LiteraryDevice).” The reader, along with Dana, follows Rufus’s growth throughout some major points in his life, from a young boy who forms a bond and friendship with Dana, to when he grows up to be a racist man who ultimately attempts to rape her. However, it is evident that Rufus’s ideology
When she says “My head is killing me, my throat is killing me, my stomach bubbles with toxic waste. I just want to sleep. A coma would be nice, or amnesia. Anything, just to get rid of this, these thoughts, whispers in my mind. Did he rape my mind too?”
Most of Rufus’s anger is toward his father. One time he even summons Dana because he decided to set the house on fire because his father beat him. Also, Rufus once pointed his gun at her and threatened to kill her, lied to her, yelled at her and punished her for doing nothing wrong. Dana is tired of the mistreatment, so she sticks to their roles with the knowledge that he's unpredictable. Even the other slaves have mixed feeling towards him “they seem to like him, hold him in contempt, and fear him all at the same time” (pg 159).
Not only does he start selling slaves just because “he can,” he also slaps Dana when she doesn't obey him, proving that they’re not equals as Dana thought. When Dana comes back to his time for the final time, the readers find out that Alice had taken her own life after Rufus sold her kids in order to “teach her a lesson” (251). It shows that Rufus is willing to go to extreme lengths in order to keep what he has, which in this case, was Alice. Even when he seemed depressed, he still isn’t willing to free the slaves, proving that even Alice’s death hasn’t changed him. Towards the end of the book, he attempts to rape Dana which results in her stabbing, and eventually killing
She explores themes such as identity, oppression, community, and power through the views of a black feminist, and she treats these themes with the expression they deserve. She is a solitary voice in a genre dominated by white males and she brings emotionality, passion, and optimism to Science Fiction. One of her more popular novels, and fourth to be published, is Kindred. This book uses time travel as transportation for exploring the terror and torture of the occurring South. The main character, Dana, is a modern black woman who has both slave and white ancestry.
Caroline Enriquez-Ruiz Rice English 9 15 May 2023 “Rape Rewarded”: The Unquenchable Thirst for Control in Octavia Butler’s Kindred In the novel Kindred, Octavia Butler explores the complex relationship between power, gender, and race. Through the character of Dana and her interactions with Rufus, Alice, and Margaret Weylin, Butler highlights the ways in which power is often tied to gender and race, and how those who lack power are often oppressed and marginalized.
And Rufus was Rufus-erratic alternately generous and vicious. I could accept him as my ancestor, my younger brother, my friend, but not as my master, and not as my lover. He had understood that once” (260). Dana is distancing herself from being a slave doesn’t feel that she could ever be subjected to it like Alice was. She uses pronouns like “her” to describe a slave to show that she will be associated with one.
Maryland in 1815, like much of the south, was a hot bed for slavery plantations. For slave owners in particular, it was a benefit if your slaves were not educated, as they would be less likely to question the oppressive treatment, and not adequately be able to express the conditions under which they labored. In the novel Kindred by Octavia Butler, various aspects of education are intertwined throughout, effectively depicting how education and slavery do not go together cohesively. Specifically, in the case of Dana, the novels protagonist, her intelligence led to her owners feeling inferior, which prompted many verbal and physical attacks, an exploitation of her abilities, and the overriding attempt to suppress the education of other slaves