Analytical Essay –” They’re Not Your Husband” “They’re not your husband” by Raymond Carver, is about an episode in the life of a married couple, Earl a salesman and alcoholic and Doreen the night shifter at a café. One-night Earl stopped by Doreen’s workplace to take a sip of coffee and get something to eat, while eating Earl overhears two men discussing on his wife’s appearance, calling her fat and non-attractive. Earl starts feeling uncomfortable. When they got home that night he had a talk with Doreen, and he talks her into going on a diet. After some throwbacks, Doreen starts starving herself and manages to lose weight. Earl buys a weighing scale and tracks Doreen’s progress daily, so he can keep track and control of her weight loss. The story is about appearance and how opinions can control and make people obsessed and embarrassment about their appearance. The same theme, appearance goes on into other stories and even poem, such as “Give Up Slimming, Mum” by Kit Wright, which about how the changes can become a plea for the persons around you. The main characters in “they’re not your husband” are Doreen and Earl. Earl appears as a controlling husband, forcing Doreen to lose weight for his pleasure and ego, he also seems to have a lack of respect and love for Doreen. He starts treating her as a pet, by checking her weight every morning, and not caring about her health, it goes so far as replacing his job, and he keeps a record in a notebook. Doreen is a respectful
Two women are the most important in a grown man’s life, his wife and his mother. Adam Gopnik, New York University, Institute of Fine Arts graduate and a long time writer for The New Yorker explores his relationship to these women in his article “Bread and Women” (AdamGopnik.com). Gopnik describes how his sojourn into bread baking uncovered insights about his mother and spouse. He utilizes allusions, epithets, and dialogue to portray his wife and mother as important individuals who are unique and interesting in their own rights. Gopnik uses allusions to ancient buildings and famous figures to clarify the complex personalities of his beloved muses.
Early on, Elizabeth is confronted with the issue of a struggling marriage. She and her husband John find that their relationship is rather strained because Elizabeth
When seeing the title “The Fat Girl” by Andre Dubus, I assumed it to be another story about a fat girl who would be depressed and insecure about her size. However, as I started reading, I learned that Louise, the fat girl, was not ashamed of herself and I became interested because my assumption was wrong. All the conflict about her size came from her mother and other relatives or friends. The title itself tells what the entire story is about. The entire story is about the life of “the fat girl”.
Both women dealt with pain from their illness and sadness in their lives from their husbands. Their husband controls them in almost everything they
Western society has been seized by twisted and unusual opinions about attractiveness, wellness, respectability, and hunger. Author Roberta Seid wrote the essay “Too ‘Close to the Bone’: The Historical Context for Women’s Obsession with Slenderness” in 1994, while she was a lecturer in the Program for the Study of Women and Men in Society at the University of Southern California, Los Angeles. In the essay, Seid covers the complex issue of the society's unhealthy obsessions with food, which can cause physical and emotional destruction. Although American culture bears distorted beliefs about weight, Seid deems that health should be held as the utmost importance.
He needs to hear it from others in order to boost his confidence and give himself assurance. This is an example of dramatic irony because only the audience is aware of why Earl is so obsessed with his wife’s
Marriage is usually perceived as a momentous event that finally unites man and wife as equals. However, in Zora Neale Hurston’s novel, Their Eyes Were Watching God, Janie, the protagonist, faces the contrary. Although her second husband, Jody, treated her as an equal during the beginning of their relationship, she eventually is treated as a lesser part of their union as he asserts his dominance over her. After the death of Jody, Janie eventually found Tea Cake, who treated her fairly throughout their relationship, as shown through his natural willingness and patience to teach her how to play checkers. With their relationship, Janie experienced a marriage where she had the right to make her own decisions and express herself.
Uncovering Deeper Meaning in Andre Dubus’ “The Fat Girl” In the critical period of forming her identity, Louise battles with her obesity. Criticism from her family and friends cause her to question her body image and consequently, her self worth. Louise is not the only adolescent to struggle with her appearance; with his depiction of her transformation, Andre Dubus addresses those whose view of themselves is marred by society. After years of her weight and emotions fluctuating, Louise realizes a deeper change. Through Louise’s journey, Dubus communicates that the power to change oneself emanates from one’s self control and ability to surpass societal pressure.
Mrs. Bogle’s first husband held her until he finally died just as Jody held Janie captive until he died. Her second husband proved his love and pride to her just as Tea Cake proved his love and pride when he took Janie’s money but gambled it back to spoil her. There is also a stereotypical aspect showing male dominance over females as Janie’s husbands have power over her just like Mrs. Bogle’s
Contrasting careers can call for varying maturity levels. In “Their Eyes Were Watching God” by Zora Neale Hurston, Janie marries two antithetic men. Her first marriage is to Logan Killicks who works laboriously on his farm and does not have a sense of humor. However, Janie’s last marriage is to a man who is relatively the same age as Logan was. His name is Tea Cake and he loves to gamble and go to parties.
The narrator is no longer able to determine the difference from reality from her illusions. Such as seeing the woman in the wallpaper move, which means that the narrator is the touch with reality and wishes to do what she wants. In addition, she also sees the woman not only in the wallpaper, but imagines that the room she is staying in used is meant to be something but in reality, it was a room to keep her. Moreover, the narrator cannot express herself because society will not allow it and is dominated by her role as a woman. People have beliefs that short stories that are deemed reliable.
Because they are married, conflict arises, adding to the plot of the novel as well as the underlying
The Wife’s Story Ursula K. Leguin is a short story describing a wife retrospective of her husband who she thought of as a loving and caring father and husband a somewhat perfect person always gentle. Yet he had a fatal flaw that led to his death that the wife failed to recognize until it was too late. Throughout the story, the wife recounts important events that led to his deaths events that should have been clues to aid her to recognize the flaw within her husband. In the story, Leguin shows us how the wife’s perception was deceiving her. She was looking at her husband but couldn’t see him for whom he really was.
When the argument shifts its setting by moving from the bedroom to the kitchen, Carver’s use of symbolism adds intensity to the story. Too busy with their selfishness, “In the scuffle they knocked down a flowerpot that hung behind the stove” (329). Neither parent stopped to see the broken pot, nor did any of them break focus on their fight with the child. The kitchen is usually a place where a family comes together, but here they were breaking apart at the seams.
In both Japanese and English, there is a word which means “a domineering husband”. A wife of such a husband is often depicted as an obedient stay-at-home wife always showing her gratitude to her husband for working for his family. In Lamb to the Slaughter and Hey You Down There!, two main characters appear to be this kind of wives, but the stories reveal their hidden feelings. Though Mary Maloney and Dora Spender’s attitudes toward their husbands seem similar, how they actually think of / feel about their husbands are quite different. Respecting first impressions of Mary and Dora, both of them are typical full-time housewives who think their bosses are their husbands.