The narrator begins to change as Robert taught him to see beyond the surface of looking. The narrator feels enlightened and opens up to a new world of vision and imagination. This brief experience has a long lasting effect on the narrator. Being able to shut out everything around us allows an individual the ability to become focused on their relationships, intrapersonal well-being, and
Raymond Carver is said to be one the most influential American writers and poets in the 20th century, especially in his works of short stories. One of his most famous pieces is “Cathedral.” This well-known short story is the final piece in Carver’s collection Cathedral published in 1983. Carver includes much symbolism through the story’s plot, structure, point of view, tone, and character build. The depictions of each character’s experiences, the irony in the story, and hearing the narrator’s point of view in “Cathedral” work in harmony to support its themes that prejudice and ignorance as well as the nature of reality are present and change throughout the course of the story, and all lead to a strong character development by the close.
Within modern day society, there are many people who have eyesight cannot “see.” This sad truth is reflected within the husband who cannot connect with his wife because he displays a lack of insight. As the protagonist of the short story Cathedral, the husband had to undergo a certain change within the story in order to connect with his wife, who actually tends to be the antagonist. Through the usage of the husband’s language, behavior, and interaction with other characters–the author, Raymond Carver proves that it is possible to “see” once one accepts change.
Sometimes they were led by seeing- eye dogs” (137). The husband built his idea of blindness from movies and he based it to reality. We call the husband blind because, he didn’t know anything about blind people. Also, the thought the blind people are different from the people who can see. In addition, what explain that the husband was blind, when he asked the blind man foolish question
The narrator then proceeds to show Robert what a cathedral looks like by taking his hand and drawing a cathedral on “a shopping bag with onion skins in the the bottom of the bag.” (Carver 110) . Through this bricolage, the narrator closes his eyes and has an epiphany, for in this moment where his eyes are closed, hands intertwined, he truly sees, and “ ‘It’s really something,” (Carver 135). It’s the minimalistic approach that prefaces this big event that really showcases the theme. Carver’s use of colloquial language, in creation of an increasingly relatable scene allows for the reader to empathize with the narrator, allowing for a much stronger impact when the epiphany occurs and the story’s theme has been
The narrator had never meet a blind person before and believed in the stereotypes. The narrator said “A blind man in my house was not something I looked forward to” (Carver 331), in the last sentence of the first paragraph. For the narrator, there should be no problem letting a blind man into the house. Throughout this short story the husband continues to make short remarks to the old blind man, as well as keeping a routine for making comments to the blind man. For the reader it is really easy not to pay attention to the story and instantly get annoyed.
The protagonist in Raymond Carver’s essay “Cathedral” is the husband of the wife in the story. From the start he was never too thrilled to be having the blind man stay with him in his home. He felt uncomfortable and he also had no idea what to expect because he had never been around a blind man before. After his wife falls asleep the man seems to slowly start to have a more open mind when it comes to the blind man. They start to talk and connect.
However, the story takes an unpredicted and meaningful turn at the end when the narrator see things from a blind man’s standpoint. Since the beginning of the story, the narrator does not like the idea of having in his house a blind man. He does not know how to socialize with blind people because his idea of blindness came from the movies. He thinks blind people move slowly and they never laugh.
The narrator makes clear his annoyance with the fact that his wife’s friend is blind. He tells us “…his being blind bothered me” (261). He wonders how a woman could love a blind man and how terrible it must have been to not be able to see his own wife with his eyes before she died or that his dead wife’s
“His being blind bothered me” (Carver 1). In Raymond Carver’s short story Cathedral, Carver establishes an ignorant narrator, who is dependent on alcohol and fixated upon physical appearance; he juxtaposes the narrator to a blind man who sees with his heart rather than his eyes. Through indirect characterization, Carver contrasts the narcissistic narrator to the intuitive blind man while utilizing sight as a symbol of emotional understanding. He establishes the difference between looking and seeing to prove that sight is more than physical.
Although Robert is blind, he is very attuned to that deeper level of seeing that closely resembles what having faith is like. Likewise, he sees things others, such as the narrator cannot, and has great wisdom that we see has helped the narrator’s wife. Robert is trying to help the narrator begin to see on that deeper level when he says, “That’s all right, bub,” the blind man said. “Hey listen.
Narrated in the first person, Raymond Carver’s “Cathedral” is bound to unfold due to the thoughts and feelings of one of the main characters, the husband. Expectedly, the conflict revolves around him and the way he responds to the conflict leads
An old friend of the narrator "Robert,'' is the blind man in the story. When the sighted man tries to explain what a cathedral is like to the blind man, his words fail. One man relies on vision to communicate, the other does not. It was like they spoke different languages. At the end of the story when the narrator says "My eyes were still closed.
In “Cathedral” by Raymond Carver, the narrator struggles with an internal conflict that involves him never being able to be in a vulnerable or sensitive state, especially when he is with his wife. The narrator creates suspense by having the reader wait until the end to realize what the blind man was referring to when he states, “From all you’ve said about him, I can only conclude—” (Carver 35). The reader can observe that the blind man was explaining that the husband was missing out on all aspects of life and the little things the world has to offer. The husband was so closed-minded, that he was missing out on having a deeper connection with his wife.
Conflict, defined as the opposition of two or more forces, remains the key ingredient in great stories. Conflict can be conveyed through an internal or external source, as well as one of these following forms: man vs. man, man vs. nature, man vs. supernatural, and man vs. himself. In Raymond Carver’s short story, Cathedral, the conflict is clearly man vs. himself. The narrator severely lacks sensitivity and can best be described as self-centered, superficial, and egotistical. While his actions certainly speak to these points, his misunderstanding of the people and relationships presented to him in this story present his biggest flaw.