Charlie Chaplin: The Great Dictator's Controversy

That’s why I found myself cringing at some of “The Obsolete Man”’s writing. I understand that the unique political climate of 1961 undoubtedly played a large part in the sledgehammer-like way the Chancellor’s touting of Hitler’s eugenics and Stalin’s anti-religion practices were handled. Within the context of the episode, it might have even been normal for a person say such things. However, outside of the narrative it comes across much like the viewer being picked up and shaken. There is a nice bit of repeated dialogue later given new meaning, but that too is quickly overused. The opening and closing narration are particularly obvious on this occasion, telling the viewer exactly what the themes are and what they have seen, respectively. Overall, the State is written as, for lack of a better term, blatantly evil, so the message that ‘we should be careful lest this happen to us’ is muddied. There is little room left for viewer opinions or to mull over what they’ve seen. It reads more like a series of scare tactics than a recreation of what could happen.

The American people prefer to live together, but they also love individualism. This paper looks at how Robert Ray explores enduring people’s thoughts about society and how to balance community and the individual. Ray’s model was designed to use as a guide in Hollywood movies. Ray combined academic study from history to look at scholarship, and psychology as well; he didn’t end there, but he equally explained how written works have repeatedly been used in worldviews about the community behavior in trying to avoid breaking the law or to weaken the American film industry. Ray’s “The Thematic Paradigm” considered persistence in approach which has been used in the worldviews and tradition as the two reasons why the American people have not avoided

The mass media have enormous influence of the perceptions in the United States of America. It effects our decisions in one day or another through commercials advertising their products, our thoughts on what is considered “beautiful” and shift the interest of social issues from one point to another. Films are no different in this case when it comes to adapting historical events—the message, themes, and overall tone and structure of the film can contribute Americans into thinking one way about certain events in American history—regardless of whether or not the accuracy of those events is consistent. Although there are positive outcomes of films dealing with topics because it brings forth conversation, negative outcomes drives from the inaccuracies

Casablanca is one the classic Hollywood movie which is one of the most critically acclaimed Hollywood movies of all time and also very famous. Casablanca is a romance story that happens during World War II but the question is does it end there? Is Casablanca just a Romance movie? In this essay, I will be discussing how the movie Casablanca which is one of the most famous and critically acclaimed films of all time is a propaganda movie and what message is sending and the effects that propaganda movies make and why it’s important for governments.

INTRODUCTION QUOTE OR FACT. The Breakfast Club was a film produced in 1985 by John Hughes in Shermer, Illinois, that involved 5 different stereotypical teenagers in detention who were assigned an essay to tell his or her story. When the day ends, they all queried if they were all somehow the same. The experiences they had throughout the film made them question the stereotypes given to them. The purpose of The Breakfast Club is to inform teenagers and adults of the negative effects that stereotyping and parental pressure has on young adults. Through the use of a younger cast and romantic relationships, the target audience was definitely reached and moved by this film. By effectively using the rhetorical appeals, the audience was able to relate to some of the ideas shown and look at their community through an entire new lenses.

One of the most valuable aspects of personality is humor – we value one’s sense of humor and make friends often based on finding certain things funny. But how and why do we consider things to be funny at all? Human beings have strived to uncover fundamental truths about human nature for centuries – even millennia – but humor itself is still yet to be pinpointed. Henri Bergson is only one of many who has attempted this feat, and his essay Laughter: an essay on the meaning of the comic from 1911 breaks down comedy into what he believes to be its essential forms and origins. While Bergson makes many valid points, Charlie Chaplin’s film Modern Times that was brought to screens only twenty years later seems to contradict many of Bergson’s theories, while Bergson seems to contradict even himself over the course of his essay.

of the Classical Association of Canada, vol. 7 no. 3, 2007, pp. 213-245. Project MUSE, doi:10.1353/mou.0.0029

1. The film Casablanca was released during World War II in 1942. Some have argued that some of the themes and plot points of the film can be read as propaganda. Do you agree or disagree? Does Casablanca have a political message? I could agree with both, the reason why i could do so was because maybe the one who had the idea of the movie was touched by what was happening in those years and felt that creating a movie within that era could be of a symbol. I also think that the director was trying to tell people or show them that this is what life looks like, giving them time to think of what 's really happening.

Soviet Cinema were established between the years 1917 to 1953. This was a time of transition and great development in the film industry. Soviet Cinema focused on creating films that dealt with political and ideological ideas that arose during those times. A Man with a Movie Camera was released in 1929. This film became revolutionary in the way it used techniques of film editing such as; constructive/linkage editing and intellectual montage and how it helped narrate the story without a storyline. This essay will discuss how the film uses these two techniques, in reference to the film, and to what ideological and political ends are the techniques used in the films with specific references from the film to support the argument.

The film one has chosen to review and analyse is George Clooney's “Goodnight and Good Luck”. It is set in America in the 1950's, a full decade after World War II ended, a period of economic growth and recovery after the Great Depression. It was a time of revolution in terms of social, economic and cultural advancement. Having said that, it was also a period of political turmoil, paranoia and intimidation under Senator Joseph McCarthy. This movie explores the way journalist Edward Murrow used his position to expose McCarthy and his abuse of power. In simplistic terms this film depicts the war between the media and a politician seeking to destroy the rights and values of the American people by masking it as patriotism. One will analyse the various themes, major scenes, techniques and the impact

The article quotes Leo Strauss saying, "'A view is not refuted by the fact that it happens to have been shared by Hitler.'" It's true that just connecting a similar belief or policy to Hitler's isn't the best of arguments. But rather than worrying about whether or not the argument is solid, people should begin to question why there are still totalitarian government beliefs present in the twenty first century, an age of progressive social revolution. Furthermore, why are they present in a democratic preliminary election for candidacy? Trump has continuously expressed his bigoted views on foreigners. His Social Darwinist disposition and policies are very concerning for everyone not a white male. Trump's policies are reminiscent to preindustrial times, a time before social reforms and societal progress. If Trump somehow does come to power and holds Republican backing through his financial powers, many rights and liberties built up through centuries of work would be endangered. People don't compare Trump to Hitler just for his speaking skills, but also for Trump's highly oppressive policies. Likewise, both Trump and Hitler freely changed their policies to better suit a majority vote. No matter how Lind argues, there are undeniably striking

Robert Crumb, one of America’s most legendary cartoonists, and Joni Mitchell, the Canadian folk-rock singer-songwriter, collaborated on “A Short History of America”. While the short was composed of already published works; the combination of Crumb’s comic, “A Short History of America” and Mitchell’s song, “Yellow Taxi Cab” bombarded the senses of viewers everywhere with literary appeals. Emotional appeals were found in abundance through the visuals and the audio, these appeals further the particular argument this dynamic duo is perpetuating about the destruction of the environment in the way of progress.

I decided to switch my artifact for the research paper from John Erick Dowdle’s No Escape (2015) to Francis Ford Coppola’s Apocalypse Now (1979) because I think this film is more suitable for what I want to research, which is how and why the media actively shapes Americans’ perception of historical events. I am also especially interested in the role Orientalism plays in this process. Unlike No Escape, Apocalypse Now has a lot more historical significance because it came out a few years after the Vietnam War (1955-1975) and is considered one of the most famous films about the Vietnam War. In addition to that, there is more room for debate about the significance of the film and its portrayal of Southeastern Asians. While exploring this topic, I intend to consult Edward Said’s Orientalism, debates about “otherness,” scholarly interpretations of Apocalypse Now, historical evidence about Americans’ attitudes toward the Vietnam War, and biographical information about Francis Ford Coppola.

consequences of a kill by a hit man are many fold. Judah takes away the rest

In most parts of the world, females have always been the victim of oppressive patriarchy and male chauvinism since ages. This problem has been represented by many people through various forms of creations be it art, literature or films. Films are the most popular visual mediums of entertainment through which a large segment of people can be approached. Like literature, a film is also a work of art which mirrors the society, it also depicts the reality of the society though it has some fictionality in it. Being a visual medium of presentation, a film creates an instant, direct and more convincing impression on its audience fulfilling its dual purpose of entertaining as well as sensitizing the audience. A lot of movies based on social issues are now being made to create awareness among people about the issues besides entertaining the audience, which is perhaps the foremost purpose behind the making