This could be a symbol of the discrimination that women go through, and that it can only be seen under particular circumstances, and during certain times. When the story mentioned the main character’s destroying the wallpaper and walking over her husband, it most likely symbolizes as freedom. Even when she broke the glass ceiling it can be seen as women trying their best to break free, and away from the discrimination. There is a line in the Yellow Wallpaper that states "But I know she was studying that pattern, and I am determined that nobody shall find it out but myself!" I feel like in this part of the story, it’s trying to explain, how other people are seeing that women are trying to step up and change everything, and the women in the story is trying her best to find the best possible solution in order for men to realize women should have the same choices and rights.
It would drive any person insane. To tell someone to just let it go is impossibly naive. Beth Jarret was a strong character all the way to the end. Her choice to leave must have been difficult on her, but it takes courage to leave. Some may say that it was fear that drove her away, but she had the strength to make the decision.
Femme fatales are usually destroyed in the end, either by being killed or being domesticated, as though they are being punished thinking they can compete with men. Male dominance is always restored by the end of the film. In established film noir, the new economic, social, and sexual freedom that women experienced during the war years as they joined the workplace was quite unsettling to many American men. This fear of strong, independent women and the need to show the danger of this independence was shown, whether consciously or not, in most film noir. The Maltese Falcon, like many films of its era, joins in the distrust of all things foreign.
Ideas such as women working daily jobs or women in positions of power would have been completely laughed away when this story came out, which I believe goes to show just how far we have come as a society in breaking down those gender roles and norms. That being said, these gender expectations are what made the narrator ill in the first place. Over the course of The Yellow Wallpaper, the narrator’s mental health is in a consistent downward spiral. At the start of the story, she already has an illness called “Nervous Prostration” which she has as a result of these extreme expectations put on her simply because she is a woman.
She begins to see strangles heads in the wallpaper, which can be a symbolic representation of the patriarchal order that stifled women. The bars on the wallpaper that cage the imaginary women are a reflection of her own situation where she is confined in the old mansion. Even the smell of the wallpaper, which she describes as being ‘yellow’ and present throughout the house, is a reflection of the mental repression that is always present in her life. She is so consumed by the smell that she thinks about burning the old mansion just to cover it
Reading The Great Gatsby has opened my eyes to see the truth behind people’s actions and how to see the characters beyond the page. Not only do we see Daisy transform from a cynical, depressed wife, to a life-loving women, we also see that your happiness can not depend on who you are around but it does affect your thoughts, words, and deeds. We learn throughout the novel that Daisy is a conniving, deceitful, cowardly woman afraid of her own shadow, but we also learn that she doesn’t know how to be anything else because of the way she was raised. Daisy incapability of learning to let go and be who she wants to be, is the reason why Gatsby, the man she loves, and Wilson, the husband of Myrtle, die. In the novel, Daisy is the villain, she takes people’s lives, turns them upside down, blames it on someone else, and walks away unharmed and unscathed.
Abigail Williams accused lots of people in Salem, even people with a good reputation and good souls; she wanted to save herself so she did wrong things. In act III, she pretend that she was possessed by Mary Warren, repeating everything Mary said. How we can see, she was not a sane woman; after being the good niece from Reverend Parris to being a horrible and pitiless woman. She started the rumors of witchcraft in the whole Salem just to stay with John, doing impossible things to keep herself saved and to keep John. Also, Abigail was one rebel, she confronted God with all her acts; people in Salem fear of doing certain things like that.
In a panic, Mary hysterically turned on Hale, probably for the sole reason that he was the first person she saw when anxiety clouded and took over her thought process. “You are the Devil’s man! He come at me by night and every day to sign.” The only reason she had started to go after Proctor was to save herself from Abigail, who was acting like Mary was possessing her by mocking everything she said. The only reason Abigail did this was because she was scared, as well.
Thus, we find that Jocasta’s character is quite an interesting one in the play and it is a central one as well. She is depicted as a very complex and complicated character, who is stubborn and in denial, as she is not able to face her fears at first. However, when she finally accepts the truth, her guilt gets the better of her and she is unable to live a normal life after that. She ends up killing herself after she finds out that she inadvertently married her own son, and it shows her vulnerability, as it is depicted that she took her own life out of guilt for ruining her family and her
In the plays Trifles and A Doll House the reader can see the portrayal of a male society and the way women are where dominated and abused by their husband in the nineteenth century. In A Doll House Nora’s Husband Treats her as if she is and absent minds doll wife that is incapable of thinking for herself. In Trifles Mrs. wright is a woman that have been oppressed and abuse by her husband for so many year that she need to escape one way or another. The woman in the play both took steps to gain there independence in society by any means
The story “The Yellow Wallpaper” by Charlotte Perkins Gilman deals with the narrator’s insanity as she identifies herself completely with the woman in the wallpaper. This made her believe that both she and the women have liberated themselves from masculine oppression by tearing out the domesticated prisoner in the wallpaper. Also, with the narrator being diagnosed with postpartum depression after her pregnancy, she finds herself isolated from society under the treatment of her husband who is a doctor and prescribes her not to do any form of duty/work. However, she is not the main reason to blame for her insanity because she had no chance of expressing herself but rather doing what her doctor “husband” says which lead to her inner destruction.
The Yellow Wallpaper In “The Yellow Wallpaper,” written by Charlotte Perkins Gilman, a married couple is getting their house renovated, and they rent a spooky house for three months. The wife believes she sees creepy things happening in the house but the husband disagrees and says everything is fine. During the short story, Gilman vividly describes the setting of the house to be a gloomy, mysterious place that she calls a “haunted house.” Gilman is trying to show that the woman is not allowed to present her expressions of the house to her husband, and she does not get to show her feelings, because he shows authority in the marriage.