In The Yellow Wallpaper we know the story takes place in a nursery, “It is an airy and comfortable room as any one need wish” (Gilman, 95). Gilman uses imagery to describe the room throughout the story. As the story progresses, the narrator becomes more fixated on the wallpaper and the pattern of the wallpaper. The imagery Gilman uses helps show the obsession the narrator has with the wallpaper. The woman believes the wallpaper becomes different at night as she describes “At night in any kind of light, in twilight, candle light, lamplight, and worst of all by moonlight, it becomes bars!
The Yellow Wallpaper In The Yellow Wallpaper written in 1894, Gilman portrays the protagonist as a victim of oppression. Oppression is defined as being heavily burdened mentally or physically by troubles or adverse conditions. Oppression is also a form of authority over someone who is in a burdensome, cruel, or unjust manner. During the 1800’s women were subject to strict laws of society which prevented them from many civil rights and opportunities. The narrator feels oppressed by her relationship with her husband, her house, and the wallpaper.
In other words, Jane imagines the yellow wallpaper as a cage. Her confinement is stressing her and we can see that it is taking a toll on her. She describes the yellow wallpaper as if it was becoming a cage, in which she was trapped in with the girl who in a way is her. Gilman uses imagery by using many descriptive words to enhance the reader 's perception of the setting, making them understand the setting or plot better. The womimagean in the wallpaper is representing the situation that Jane is in, trapped.
The realistic oppressions drive women to the verge of despair and madness. In The Yellow Wallpaper, the nameless narrator image there is also a woman who is bind in the yellow wallpaper and she has a responsibility to help this woman. Therefore, she peels off the yellow wallpaper to struggle injustice. In the end, she continues to creep over her fainted husband. The narrator feels her become the strong female hero and she do liberate herself from oppression and regain her freedom, but her strange behaviors also become a complete crazy and will be sent to the mental
It captures the attention deeply probably because Gilman has gone through the ordeal of insanity as well. “The Yellow Wall Paper”, discloses the struggles that women undertake when they are imprisoned by insanity through symbolism, setting, and characterization. The woman isn’t able to have her own voice in the world. The yellow wallpaper in the room represents that. She uses the wallpaper to symbolize family authority, social standings, and medical practices.
In the short story “The Yellow Wallpaper” by Charlotte Perkins Gilman, the emotional state of the narrator and feelings toward her husband are reflected in her description of the setting through the use of first person narration, imagery to portray feelings of oppression and figurative language to create a consistent tone of isolation and cynical irony. The narrator uses symbolism to portray her connection with her observations and the yellow wallpaper. From the moment they moved into their house, the narrator felt like her husband treated her like a child which was shown when he forces her stay in a nursery. John forces the narrator to repress her imagination. While her "habit of story-making" might have found a healthy outlet in writing,
This narrator soon becomes obsessed with the room's wallpaper. This wallpaper is a shade of yellow which the she first finds repulsive and horrible and then as she goes ‘mad’ she finds what used to be terrible, which is the very wallpaper itself, a very interesting and almost riveting aspect of her own personal hell. When placed in a historical context this personal hell is the confinement women felt when it came to the expression of their very own intelligent thoughts and ideas. On this yellow wallpaper she eventually deciphers an imprisoned woman whom she actually tries to ‘set free’ by peeling the paper off the wall with her very own fingers until her hands are bloody.
Living through a brief, unsuccessful marriage, postpartum depression, and relinquishment of her young child, Charlotte Perkins Gilman uses her experiences to create a revealing portrait of women’s societal constraints in her famous short story “The Yellow Wallpaper.” Published in 1892, “The Yellow Wallpaper” brilliantly represents the plight of women during the Victorian era. The story tells of a woman’s dual confinement, both in a rest home, specifically, and in the society as a whole, more generally. The apparent symbolism categorizes the story as a significant and progressive feminist text. Through exploration of Charlotte Perkins Gilman’s biographical influence and the symbolism throughout the short story, readers will be able to see how
“The Yellow Wallpaper” by Charlotte Perkins Gilman is a story about a woman who, shortly after giving birth to her son suffers from what is now called postpartum depression, is sent with the rest of her family and a maid to a summer home to help her recover. Here she is under a treatment widely known as the rest cure, that the author had personal experience with, requiring the woman to rest and become isolated. Documented in her journal we watch the unnamed narrator descend into madness, conveyed by her interaction with other characters, the symbolism presented, and sentence structure. This story is told in the first person perspective of a woman who is prescribed a rest cure for what her husband, John a physician, refers to as a “temporary nervous depression (The Yellow Wallpaper 376)” and is forced to stay in her room in an attempt to heal. She has nothing to do; there is no one to talk to besides John’s sister Jennie the housekeeper who is content with being as domestic as possible, her husband, who treats his wife like a child, and Mary the nanny who takes care of the baby.
Critical Statement: In “The Yellow Wallpaper”, Gilman employs exclamatory functions within her syntax to display the symbolism of the woman within the wallpaper to illustrate her own constricted freedom due the influence of the masculine dominance. In the beginning of the story, Gilman illustrates the wallpaper as a catalyst for exhibiting the intensity of the narrator’s psychological disorder. After the narrator and her husband settle into their new house, the narrator inspects her room, and begins discerning ominous relations and elements within the wallpaper. “This paper looks to me as if it KNEW what a vicious influence it had! There is a recurrent spot where the pattern lolls like a broken neck and two bulbous eyes stare at you upside