The influence that Ernesto "Che" Guevara (1928-1967) had in the political ideas and events in Latin America during the last half of the 20th century is undeniable. However, the interpretation of his historical figure has caused controversy, and much of the myths surrounding his biography have replaced an analysis of his real work and the historical context of the continent at that time. Guevara's political thought addresses real social problems, seeking a way to confront them and engage in all consequences. Walter Salles’ Motorcycle Diaries tries to show a personal portrait of this young Ernesto Guevara, situating the spectator in the geography and social issues in Latin America. In Motorcycle Diaries, situated in the 1950s, Walter Salles …show more content…
According to Bueno “In this way, "Motorcycle Diaries" presents successful strategies of the style Salles developed in previous films: they are road movies with spectacular photography (Eric Granier for ‘Motorcycle Diaries’); which makes nature another major element in the écriture of the narrative” (Bueno, 2007, p.109). One must note, for example, the way the Brazilian director structures the film's editing. In the first part of the trip, the sequences are short; the cuts, dry, as if Salles wanted to close the meaning of each scene within himself. The director also knew how to avoid the temptation to explore in too much the magnificent rural landscapes of Argentina and Chile, which could give a sense of transcendence to Guevara's journey. In this sense, the film moves away from traditional road movies. In the second half of the film, however, the situation is reversed; the scenes are long and the movie more contemplative, which communicate to the viewer an essential change that operates deep within the soul of the protagonist. It is a change that reaches a perfect climax in the scene that marks the farewell of Guevara of the leprosarium of San Pablo,
Critical Analysis Rikers High is published by Paul Volponi and the book is about how a kid named Martin Stokes is challenged with many tough opticals while he was in jail. Stokes was arrested on his own front stoop for steering an undercover cop to a drug dealer. After getting arrested he is sentenced to 5 months in the jail. The 5 months turned into several years of being locked up. While in jail he was hurt by another inmate so then gets put into another part in the jail.
This text scratches the surface of the real issues in Latin American history but does not help the reader take the next step in understanding it. The UNC scholar falls flat in organizing the mess that is Latin American history but does an admirable job in setting up readers for more advance text
In Medranos biography on Americo Paredes he argues the three world’s that Paredes lived in during his years on the border, his years of World War 2 in the Far East, and his scholar years at UT Austin. He uses events that happened in Paredes life from a small child all through his professional career as a professor in several universities across the country. He inspired many to do what he did and gave hope to all the Latinos/Latinas in this country. Medrano uses evidence in his book by beginning with Paredes life as a small child living in the border between Brownsville, TX and Matamoros, Mexico. Paredes was a very intellectual young man who loved his community and his people of Brownsville and Matamoros, he loved to tell stories of the life on the Mexican border.
In his work “The Underdogs”, Mariano Azuela is able to master the spirit of villismo regarding both its theoretic, underlying principles as well as the movement’s subsequent physical manifestations. Though significant characters conduct themselves in a manner consistent with the humble agrarian spirit central to villismo’s origin, characters in this text also exhibit the disruptive, callous behavior that is more characteristic of the federalist forces and dictatorships they aimed to unseat. Moreover, Demetrio’s degenerating understanding of the reason he’s fighting, coupled with his few instances of immorality, symbolizes the collapse of villismo morality into its culminating bandit-ridden reality. Cowboys, farmers, and other agrarian people suffering from land and labor oppression united together as the diverse “pieces of a great social movement [to] exalt their motherland” . Demetrio and Solis embody this original character of villismo revolution, as they maintain a moral, humanitarian compass throughout the novel.
He proudly starts losing his Spanish accent and starts correcting his parent’s speech. The second turning point in the narrative is when he is in third grade and completely devotes himself to his studies and sacrifices family time. One important thing I think Rodriguez learned is you cannot balance an education and family life without making sacrifices on both sides. 2. What incidents or insights did you find most interesting?
When an academic work establishes the use of the cultural analysis approach, we obtain as a result that the concept of "cultural interactions" entails the idea of negotiation, tensions and competing forces that pursue the establishment of a common pattern of exchanges in a specific society. At the same time, this common pattern of exchanges that is in constant tension, which is dynamic, shapes the identity of individuals, and from that identity they react, make decisions and construct their vision of the world. But how many tensions can an individual tolerate? What impact do these tensions have on the construction of 'social normality '? This essay will explore these issues through the film Carmín Tropical by Rigoberto Perezcano, a film made
In “Our America” Marti warns the Latin American people of the ferocity and greed of U.S. imperialism and the U.S. politicians’ ignorance toward the Latin American people. Throughout the essay Marti preaches tolerance, justice, and respect while attempting to maintain Cuba’s
During the Chicano Nationalist Movement, a well-known speaker, Rodolfo ‘Corky’ Gonzales, delivered a speech titled Chicano Nationalism: Victory for La Raza. In this speech, Rodolfo Gonzales tries to unify the Latin American people within the United States by using the idea of a family and to create a new political organization for the Chicano people. This speech was a cumulation of various ideas which stemmed from his own life, the experiences of the Chicano people, and the Chicano Nationalist Movement in general. Each of these factors contributed to the context of the speech and how the ideas within the speech are presented by Rodolfo Gonzales. Rodolfo ‘Corky’ Gonzales was born to Federico and Indalesia Gonzales, two Mexican immigrants, on June 18, 1928.
In order to write this book, the author clearly uses different manuscripts and papers that helped him to explain and show the situation of this social movement. He also uses and gets information from people that were living those situations, for instance in Chapter one, he mentions a note from Journalist Ruiz Ibañez: “Contrary to the common belief that those groups are composed of “punks” and hoodlums….”1. Related to him, he is an American historian and sociology that obtained his sociology and political science degrees in the University of Texas at Austin and Yale University, as well. Currently, he is a professor of Ethnic Studies at the University of California, Berkeley and he is president of the Center for Latino Policy Research. He wrote not only Quixote’s Soldiers but also, Anglos and Mexicans in the Making of Texas, 1836-1986.
I see Ernesto changing throughout the Motorcycle Diaries, even though he is just traveling throughout South America. Ernesto came from a wealthy family and had never left Argentina before so he did not know how other people live. The changes become apparent when they meet the couple with nowhere to go and you see the sadness on their faces. Ernesto gave them his $15 which shows his compassion. When they start to travel by foot they start meeting other indigenous people.
Carlos Fuentes applies a cyclical view to Mexican history using Felipe and Llorente, and Consuelo and Consuelo. The first
The film Bicycle Thieves (1949) directed by Vittorio De Sica, is an Italian Neo-Realistic film set in post-war Italy. The film follows Antonio Ricci and his son Bruno on a quest to retrieve his stolen bike in an attempt to remove himself and his family from the cycle of poverty. Bicycle Thieves (1949) discusses themes of struggle and desperation causing one to sacrifice their morality and become the evil they initially fought. De Sica expresses such themes to the viewer through the culture of poverty and the continuous pain that poverty is capable of inflicting. De Sica also employs simplistic narrative, dramatic sound, and mise-en-scene that highlights the depressing nature of poverty.
Many of the more unrealistic parts of the essay can be seen as less of the ideological musings of one man and his hope for a united future and more the reflection of a colonial and racially charged violent past, disunity of Latin America and failure of Simon Bolivar's dreams, and the corrupt rule of the
Octavio Paz, a Mexican poet and essayist, is one of the many philosophers with a written piece regarding his understanding of Lo Mexicano. Paz’s “Sons of La Malinche” was first published in the Labyrinth of Solitude in 1950 and is a rather grim interpretation of the Mexican character, however, it captures the crisis of identity that Mexico was burdened with after the conquest. Paz uses the Spanish term “chingar,” (when literally translated means “to screw, to violate”) and its associated phrases to understand the conquest and the effect
Gabriel Garcia Marquez, writer of No One Writes To The Colonel focuses on a retired military colonel living in Colombia during La Violencia. Throughout the story the Colonel is battling with being able to collect his government pension as he and his wife are struggling to make ends meet and are having to make tough decisions on how to make the little money they do have last them as much as possible. Throughout the story we see the impacts of the Violencia on the everyday citizen. Marquez was born in Colombia in 1927 and he lived through the Violecia time period in Colombia, having lived through this time period Marquez knows exactly what was happening during this time from a first hand experience which means that while the story is fictional