Chicano Art Movement Analysis

This poem is about a Mexican-American speaker informing the reader about the struggles in which people from different ethnic backgrounds

Many stories embody the cultural aspects of Mexican-Americans and their struggles with living in a discriminatory society. Stories like With

Analysis of Caged Bird by Maya Angelou In the midst of the 20th century much of America was challenging the views of society. People from every corner of America were demanding for their rights of freedom and their goal to end legalised racial segregation and discrimination. Before this, men and women of African descent were racially discriminated and oppressed. However, during this time, their dreams that were once crushed, arose again, and the cries of hope were turning into realities.

Racism is a prominent issue or a serious problem in the American society since the beginning and the Americans are still struggling to eradicate this problem from their land. American soil has witnessed civil rights movements concerning this issue in the past. However in 1920, a movement got initiated to promote black identity known as Harlem Renaissance. It was also a fine arts movement that led to an increase in black confidence, literacy rate, and black culture. Writers wrote about their roots and the current society.

The Harlem Renaissance, also known as the New Negro Movement, is a time period in American history that bred the likes of Langston Hughes, W.E.B Dubois, and Zora Neale Hurston. Despite the name, the Harlem Renaissance is not exclusive to the city of Harlem. The Harlem Renaissance period is an “interdisciplinary cultural movement” (Jones 2008) that unleashed creativity in the African American community and allowed the ingenuity of the community to be shared with the world. The Harlem Renaissance is the beginning of the age of modernism. This artistic movement included creative explosions in the areas of literature, poetry, dance, and music.

The Mexican American society is rich with culture, traditions, folklore, and religion. These major influences are especially seen in the Los Angeles area. This area is rich in music, food, and customs of the Mexican culture. Here is where the majority of the Spanish language is spoken.

One of the consequences of World War I within American and Mexican music industry was prioritizing popular national music over other genres such as Tejano. However, this type of music had a new boom in post-war decades as a consequence of the improvement of socioeconomic opportunities. New music styles such as female-based duet and the orquesta tejana came up as well the re-emergence of conjunto music occurred. Guadalupe San Miguel Jr. discusses the significant role the businessmen Armando Marroquin and Paco Betancourt played promoting Tejano music. Their company Discos Ideal favored Tejano music was recorded by several local artists from Texas such as Valerio Longorio, Paulino Bernal, and Beto Villa among others.

The informative speeches delivered from my peers were about the community as of where the majority of us come from or a place where my peers call home. I learned many interesting things. For example, how El Dia de Los Muertos is a very special event mostly taken in Aguas Calientes or just in general in Mexico but is still celebrated in the United States. I learned how “Papel Picado” is a famous thing they do for El Dia de Los Muertos and how people can decorate Papel Picado such as making skulls or others designs that represent death. Also, how here at Csun they have a Dia de Los Muertos event that takes up to three days in honor to those who have departed.

The immigrants entering the United States throughout its history have always had a profound effect on American culture. However, the identity of immigrant groups has been fundamentally challenged and shaped as they attempt to integrate into U.S. society. The influx of Mexicans into the United States has become a controversial political issue that necessitates a comprehensive understanding of their cultural themes and sense of identity. The film Mi Familia (or My Family) covers the journey and experiences of one Mexican-American (or “Chicano”) family from Mexico as they start a new life in the United States. Throughout the course of the film, the same essential conflicts and themes that epitomize Chicano identity in other works of literature

Section I: Introducing the BDS Movement in the United States The past two centuries have witnessed the emergence and proliferation of domestic and international civil society actors—individuals, organizations, networks, movements, and campaigns—with strategic advocacy and social mobilization capabilities employed to achieve peace, justice, and equality both globally and domestically. Discontentment with the human rights, environmental, economic development, and racial and gender discrimination policies maintained by individual nation-states, businesses, corporations, and governing institutions served as the catalyst for domestic and global civil society actors to protest such policies, reshape them, and advance structural reforms that are

Chicana/o was positioned between indigenism and indigeneity because it emerged from various forms of creativity and political face during the Chicano movement. In addition, it was established following redeployment of different tools from the initiative of the previous indigenism but having different goals and motives as well as the outcome (Rios, 2013). During the late stages of artistic development, pictorial presentations of the indigeneity have been openly embraced by Mexico. It has been widely used as a means of declaring the voice of independence.

The foundations of a U.S. Latino politics has its shared experiences and common interest. There are some political studies from the 1920’s and 1930’s, but the Voting Rights Act to Hispanic communities was in 1975. The VRA was the beginning era of national recognitions, also the beginning of expectations for Hispanics politics other then Mexican Americans, Cuban Americans, or Puerto Ricans. Theres been large changes in the mid-1960’s in the Latino population which created shares interests with Latinos in there ancestries and origins. From all the Latinos as in Mexican Americans, Puerto Ricans, Cuban Americans, and others have to be heard and understood for todays Latino Politics.

De Leon is attempting to demonstrate that Mexican Americans, during the World War I years and the 1920s, expected to become more socially integrated, accepted, and acculturated into American Society, especially Texas, where there were large numbers of Mexican Americans, and an age of modernity was taking place. De Leon, highlights the endeavour that Mexican Americans took to display their patriotism by helping the United States defeat the axis powers during World War I, in order to become more accepted and experience less stifling social conditions in Texas, and also becoming involved and represented in politics and the workplace. De Leon emphasized how Texas Mexicans contributed to the war effort as combatants, by volunteering in the armed

Works of art that relate to what is happening at the time is a way for historical studies to shape the way people studying the time or events taken place. The Creation, by Diego Rivera painted over the span of a year. During which he was representing the religious and political views and outreach in the community. Another work by Rivera, Los Explotadores show the exploitations of government officials, the wealthy, and landowners and how they treat the poor and the indigenous people.

Rudolfo Anaya is a big contributor, as well as many others, that led to a role model any Chicano can relate to. Anaya is New Mexican and puts his background into his Chicano stories. For example, he wanted to include oral storytellers in his book. As a boy he revealed that he listened “to cuentistas, oral storytellers, and wanted to bring their magic into his writing” (“Anaya, Rudolfo A. 1937”). In addition, other Chicanos have thanked him for the exposure.