The God of Small Things by Arundhati Roy depicts the inner lives and hardships women in a patriarchal society face. Roy provides a reflection of the social injustice in India in the form of abusive and tyrannical males who abuse women - both physically and psychologically. The novel is a vehicle for the author to express her disillusionment with the postcolonial social conditions. This response will critically analyse the lives of the female characters in Roy’s novel, specifically Mammachi and Ammu
someone may want versus what their family and society expect from them are decisions that determine character and happiness. In Arundhati Roy’s The God of Small Things, many characters pine over their own satisfaction versus others. The rigid and judgmental structure of the Indian caste system in 1969 separates the protagonists from progression. Specifically, Roy’s character Ammu endeavors to feel content, but struggles in doing so while pleasing her family. Indian hierarchy and social insincerity
tells the story of a ruined love, the story of two lovers in the land of raging violence and hatred. But in this apparently simple tale, the author has infused many problematic issues and questions that reveal themselves in layers. And Pachigam, a small peaceful village in the state, exemplifying repressions and exclusions that the postcolonial nation imposes on its periphery,
declared. Unmindful of the reactionary scathing criticism and shrill abuses he invited for himself, especially from the ever-irritable feminist brigade. The fact and belief that God never ever commits a mistake, brings Nietzsche’s proclamation dashingly down into the dust bin of nonsense. Whatever Almighty God has created is beautiful and useful. His creative powers are fabulous, beyond the purlieus of any kind of fallacy. God created Adam and Eve – both the remarkable assets for humanity. The fault