Every dance is carefully calculated. Everyone looks the same, every move exactly on time, the music synchronized with us. Us dancers try to make it look easy on stage, but what really goes on during the construction of these dances? Choreography began around 6000 BC and it continues to change everyday. By looking at the history of choreography, choreographers that have shaped the dance world, and choreography as a job, we can better understand the art of dance. Choreography is what makes a dance have structure and uniform. The word choreography comes from the Greek root for ‘dance’ and ‘write’. During the 17th/18th century choreography meant the the written record of dance, but during the 19th and 20th century the meaning of of choreography …show more content…
Gage Balanchine change the face of ballet forever. His works are still being performed today. George was born on January 22, 1904 and died April 30th, 1983. HIs father was a composer so george had a big understanding of music. In 1914 he enrolled into Mariinsky Theatre 's ballet school. He graduated 7 years later in 1921. He then attended Petrograd State Conservatory of Music, he left after three years. In 1922, George married 15 year old ballet student, Tamara Gevergeyeva. In 1925, George joined Serge Diaghilev’s Ballet Russe and took over as choreographer. After the collapse of Serge’s Ballet Russe, George created a 50-year partnership with Lincoln Kirstein. Together they made The School of American Ballet in 1934. In 1935 the professional company American Ballet became the Metropolitan Opera’s ballet until 1936. In 1946 Lincoln and George founded the New York CIty Ballet (George). The New York City Ballet is still performing George’s ballets today. He created over 150 ballet pieces including “The Nutcracker”. He served as the artistic director until his death at age 79 (George). Without Martha Graham, modern dance would have never have been created.Martha Graham was born on May 11th, 1894 in Pittsburgh, Pennsylvania. Martha was inspired by her father who was a doctor that specialized in nervous disorders. He believed the body could express its inner senses, this intrested Martha. In 1910, …show more content…
It takes a special type of person who has a passion for dance. I conducted a survey with 5 choreographers asking what it takes to do this kind of profession. Four out of the five of the participants started dancing at the age of 3, the one remaining person started when she was four. When asked how the begin a piece, all five of them responded with the music. A teacher that wishes to remain anonymous said, “My favorite way to work is to let the music inspire the dance and then work out the other details.” Music is one of the most important components of a dance, without it all of the dancers would be on their own counts and every one would look different. Madison Mulnix from Sacred Ground Dance says, “Choreography comes to me similarly to a dream. When I first see it in my mind, it is kind of blurry, vague, and a little hard to piece together. The art of choreographing it is what I call "uncovering" the dance that I can already see in my mind. I will try out the movement in the mirror and see what looks good and keep creating movement based off of that.”. Four out of the five instructors want to be a choreographer for the rest of their life. Elaina Alspach from Dance Integrity is a dance major at Texas Woman 's University and she plans to make choreography her career. However, many of these choreographers do not want to own their own studio. Madison Mulnix, the owner/ director of Sacred Ground Dance, says ,”I own my own studio. But I will
Alvin Ailey was one of the Pioneers of Dance. Alvin Ailey was well respected and cared for. He started off his spontaneous dance career when he debuted on broadway in 1954. It took him 4 years to develop his own dance company in 1958, which helps african americans to start off their massive and successful careers. From how he grew up to his death, in 1989, I will take you on a journey through his amazing dance career.
The Alvin Ailey Dance Theater was created after a famous performance, led by Alvin Ailey and a group of African-American dancers in March 1958, dramatically changed how individuals viewed American dance. The theater’s goal was to celebrate the African-American culture and preserve the legacy of modern dance, which has since, been achieved through performances, “for an estimated 25 million people at theaters in 28 states and 71 countries on six continents[...] (by) more than 235 works by over 90 choreographers,” (Alvin Ailey American Dance Theater). Alvin Ailey, born in Texas, grew up knowing that his experiences living in the South would have some influence on his works later on his life. In Los Angeles, Ailey began to dance when he discovered the beauty of dance by the performances of Ballet Russe de Monte Carlo and the Katherine Dunham Dance Company. Soon after, his friend persuaded Ailey to join a class in one of the first racially-integrated dance studios which existed in the United States, led by Leston Horton.
Michael created his own ballet, "On Stage," (1945) this was his first and only work for Ballet Theatre. His outstanding work landed him an opportunity with Broadway. Although he won a Tony Award for his choreography in E.Y. Harburg 's "Finians Rainbow," this was Michael 's first and only Broadway production. "I wanted a more rounded, more outgoing career than I could have with ballet." http://www.fulcrumgallery.com/Finians-Rainbow-Broadway_604761.htm http://www.pbs.org/wnet/broadway/shows/guys-and-dolls/ Michael Kidd won his first Tony Awards for "Finian 's Rainbow" and went on to win four more for "Guys and Dolls" (1951), Can-Can" (1953), "Li 'l Abner" (1959) and "Destry Rides Again" (1959).
The Alvin Ailey modern dance company is known internationally for their works and dancers but how they began is a very interesting story. The company formed in 1958 and just two years later one of the most memorable and notable performances of the company was created, “.Revelations”. Although Alvin Ailey was the creator and director of this company, Ailey’s style and the technique he used and that the company still uses stems from Lester Horton. Horton was a pivotal teacher for Ailey and inspired him to create a company and carry on this technique from Horton. This paper will illustrate the beginning influence Horton had on Ailey and how the company has grown overtime.
His choreography was like nothing the world has seen as it has popularized multicultural modern dance for the world. His most famous piece is called revelations and is being performed to this day by his school of young students and it has been performed for people globally. Since his theatre was founded his students has performed for more than 20 million people not counting tv viewers. Last, ailey’s achievements has earn him the number 4 spot on the list for best choreographers in
Messages can be conveyed in many ways including through movement. A dancer knows how to use their facial expressions, combined with the dynamics of their body, to get their message across. A choreographer knows how to structure a dance to communicate a message through body in motion. Alvin Ailey choreographed his dancers and used this form of communication to create many powerful dances.
I have been dancing for four years now and know for a fact that dancing is a sport. Dancers practice everyday to improve like other sports. I have danced before but it was not as serious until I joined Color Guard my freshman year. Color Guard was mainly contemporary and ballet.
In her article, Embodying Difference, Jane Desmond argues that dance offers important insights into the ways moving bodies articulate cultural meanings and social identities. In other words, she explains the importance of studying the body’s movement as a way of understanding culture and society. She has two main arguments. First, she argues for the importance of the continually changing relational constitutions of cultural forms. Desmond further explains that the key to shedding light on the unequal distribution of power and goods that shape social relations are the concepts of cultural resistance, appropriation, and cultural imperialism (49).
After a few years, Alvin made his debut in the Broadway musical House of Flowers and in The Carefree Tree. He also had the opportunity to study with Martha Graham, Doris Humphrey, Charles Weidman, and Karel Shook. He achieved fame by creating his own dance company called Alvin Ailey American Dance Theater. The company first began with seven dancers studying and dancing modern dance. Ailey
“Power is at the center of dance's position in culture.” (14). Often times, dance is overlooked as a powerful form of expression. Choreographer, Alvin Ailey, has been greatly influential in both the dance world and society. He surpassed what he had hoped to accomplish by creating a unique style of movement, having a resounding impact on the world of modern dance, founding his dance company and accomplishing praiseworthy works that has inspired many to carry on his legacy.
To dance is to be knowledgeable about the stories of the ancestral heroes. Dancing, unlike painting and singing, is learnt at an early age. This allows large groups of people to demonstrate their clan rights in front of an audience. Dance is also seen as an occasion to entertain and to be entertained and through the work of dance to show their love for families and kin. It is for this reason that dance may be performed at the end of every day in some communities.
There are many other aspects of dance then just learning the “moves”. A dancer must have well trained technique, flexibility, muscular body, know terminology, memorize steps and so much more. There are so many important aspects of dance most people do not realize. If dance was given more publicity, more people would view it as a
“What is going on in these pictures in my mind?” (Didion 2). Joan Didion’s “Why I Write” provides an explanation to her perspective om writing and why she writes. Later on, she states that she writes as a way to discover the meaning behind what she is seeing. During this past semester as we wrote about dance, a heavy focus was on description and interpretation rather than contextualization and evaluation.
Lester Iradell Horton was born in Indianapolis, India on January 23,1906. Not very much was known about his early life. Horton studied ballet for two years with a local teacher in Indianapolis. He was also taking classes at Herron Art Institute and worked with the Indianapolis Theater. Not very long after he began to work for sculptress Kathleen Stuberg.
• He was born on 22 January 1904 in St. Petersburg, Russia. • The son of a composer, Balanchine studied piano from the age of five and had a robust understanding of music. • In 1914 he was accepted by the Imperial Ballet School in St. Petersburg at the age of 9.