Citizen Kane Film Analysis

Citizen Kane is directed, produced by and stars Orson Welles and was made in 1941. Citizen Kane does not come under one specific film genre but falls under the heading of several interesting genres, which include biography, narrative, detective and news-paper reporter genre. ‘Film Noir’ is also associated with Citizen Kane as it has many genres but also a very specific style that differs from the classical norm of Hollywood movies. This movie became extremely significant for its time and changed the face of film history. Orson Welles brought about a new way of filming with his use of low angle shots, three point lighting, transition shots and deep focus.

For instance, when Kim goes outside before the Christmas party to find Edward, she sees him carving an ice angel. The ice shavings he discarded floated around and turn into snow, and she starts to dance in it. The sound of angels singing comes in softly, getting louder and louder until it drowns out everything else. The song in this scene shows that while he can be odd and mysterious, he can write sweet scenes, too. It’s an example of his styles malleable

Tim Burton contributes to the world of animation in the film industry and redefined stop motion . Lighting is an important cinematic technique directors can use to set the mood for a particular scene. For instance, high-key lighting is used to flood a scene with light, often making the set and characters appear happy and safe. In contrast, low-key lighting casts deep shadows across the set and characters creating a sense of danger. Burton makes good use of lighting techniques in many of his films.

In the movie of Tim Burton, he uses many different kinds of cinematic techniques, which are shots and framing, camera angles, camera movements, lighting, editing techniques, and sound. In order to set up the mood and tone in the story, he uses those cinematic techniques in the movie. Tim Burton style are more of a dark and delightful childhood experience and that he embraces the dark elements. The movie that Tim’s famous for, have those styles and elements in it. For example, the movie Vincent has element that are dark and a childhood imagination story.

The camera will cut away the action to another action to perform or create interest or excitement to the movie. Parallel editing is used to add interest and excitement to the movie with a boring sequence of events. It is often used to apply or create suspense to the

The element of lighting is a sophisticated element to a movie. It has the power to control what you see and also overwhelm you when it needs to. During my discovery of this movie, I found that colors told the story just as much as the dialogue. It just goes to show that the most significant films cover all the ends of telling a story through the medium of film. Now the fun part, the analyst of The Shawshank Redemption’s use of light and color in painting the picture of its theme of hope.

I’ve touched on it several times so far, but the use of shadows in Out of the Past stands out as a defining cinematic device employed by Tourneur. Obviously, shadows are ingrained in the fiber of any film noir. Deep focus, low key lighting, and expressionistic compositions are standard. But Tourneur goes above and beyond with his shadows. He creates beautiful compositions, but more importantly, he uses shadows to define and redefine the mood, and to tell the story.

Rain Man did a outstanding job showing the characteristics of s type A personality. Even though the movie was just another way to entertain someone, it is always interesting to look up the facts behind a movie, and see how accurately a movie can demonstrate the ideas and principles being used within

The assertion that Tim Burton uses cinematic techniques to control the mood of the scene comes close to identifying a stylistic trait, though it is still fairly general. Extensive use of textual evidence of the effect of cinematic techniques from multiple films is a clear strength of this essay. Well-developed elaboration of the textual evidence and especially sophisticated transitional devices puts this exemplar firmly in the Exemplary proficiency band. The commentary enhances the specific evidence provided and is wide-ranging and insightful, showing a deep understanding of cinematic techniques and how they create specific effects in mood and atmosphere.

Mise-en-scéne is crucial to classical Hollywood as it defined an era ‘that in its primary sense and effect, shows us something; it is a means of display. ' (Martin 2014, p.XV). Billy Wilder 's Sunset Boulevard (Wilder 1950) will be analysed and explored with its techniques and styles of mise-en-scéne and how this aspect of filmmaking establishes together as a cohesive whole with the narrative themes as classical Hollywood storytelling. Features of the film 's sense of space and time, setting, motifs, characters, and character goals will be explored and how they affect the characterisation, structure, and three-act organisation.

From the brilliant work of the Citizen Kane (1941) with all the spotlights to his last work of classic film noir the Touch of Evil (1958). The contributions of Orson Welles (Orson Welles) on transiting the traditional Hollywood film style and developing the film noir in the 1940s is irreplaceable. The genre Film noir was well known for showing a degenerate and dark underground world. The masterpieces of Orson Welles for example the Citizen Kane(1941), The Lady from Shanghai (1948) and The Strangers (1946) all made significant contributions to the styles of American film noir during1940s.