Accompanying Charles Kane success, failure, and death the music in “Citizen Kane” is an indispensable factor for its triumph. Citizen Kane is one of the greatest films to ever be produced believe many critics. Well, it is definitely a 1941 American Masterpiece attributed to Orsan Welles. In addition to directing the film, Welles produced, co-wrote, and starred in Citizen Kane. It is praised for its innovation in visual techniques, narrative methods and of course music. In this paper I will examine the treatment of the music in “Citizen Kane” and highlight all its special aspects in order to answer this proposed question: would have the greatest movie of all times been so great without its extraordinary music ? The music of Citizen Kane was …show more content…
Carringer (1996) the author of “The making of Citizen Kane” asserts that the music in the film was used to highlight scene changes. Sometimes the transition of music from one scene to another was shocking and sudden while others it was gentle and continuous.. The choice of the music transition pace was dependent on the reaction Welles and Herrmann wanted to trigger in the viewer. In fact, one important characterization of the music in Citizen Kane is its shocking transition declare many critics. An example of such a transition is evident in the early scenes of the movie specifically in the newsreel shot after Kane’s death scene. The end of Kane’s death scene was accompanied with a calm and slow-paced music that gradually fades but was followed with a fast-paced and lurid music of the newsreel to shock the …show more content…
The music did not accompany every scene but was only used when needed. It was used only in places where it is useful and influential in order to highlight specific emotions of love, tension, or power. Mrs. Kane had an intense blank expression when she stands at the window looking at Charles playing in the snow after she signed the papers for Thatcher. “Mrs. Kane's seemingly blank expression draws significance from the music, somber chords in the low register of the strings” says Leff (p.14 , 1985). The music emphasizes the sorrow Mrs. Kane experiences when sending her son away. The previous scene had no music accompaniment ,thus, Herrmann has wisely chose to have the music when Mrs. Kane expressions are shown at a closer range in order to heighten the scene’s dramatic
Photographically, Kane ushered in a revolution ‘challenging the classical ideal of a transparent style’ that doesn’t call attention to itself. In Kane, the ‘style was part of the show’. The lighting in the movie is generally in mostly high key in those scenes depicting Kane’s youth & dealing w/his years as a crusading young publisher (the happier part of his life). As he grows older & more cynical, the lighting grows darker, more harshly contrasting.
The camera focuses on Kane in a sort of triangular shot as he is in between Leland and Bernstein as they discuss Kane’s tactics in succeeding. The nature of the discussion between Bernstein and Leland and the way the frame is shot leaves Kane as an outsider, despite them being in physical proximity. Eventually both Bernstein and Leland leave Kane, resulting in Kane barricading himself in his estate with
Like music in a movie, as the action increases, the music increases, we can relate this to the story as well, as Connie begins to become nearer to adulthood, the more clear the music becomes.. The common occurrence of background music occurs frequently throughout the story, which keeps adding integrity to the motif of the story, once you have it, there’s no turning back. In this story, music symbolizes the suspense of adulthood. Jane went out on the town with her friends, “her walk which could be child like and bobbing, or languid enough to make anyone think she was hearing music in her head”(318) bringing to the reader’s attention that Jane wants to be perceived as mature and adult like in this scenario hence the author's addition of music to this scene. “ Her face gleaming with a joy that had nothing to do with Eddie or even this place; it might have been the music”(318).
The music feels like it can be used in a Charlie Chaplin movie, and with the music and high-speed the scene feels like a slapstick. The music is again used in this scene and the following scene with Dim and George, ironically and turned the scenes into a comedy. In the scene of the woman with the cats, we see a combination of number of themes such as music, sex, art and violence. We hear Rossini again in an ironic use, the fight between the woman and Alex seem like a dance and the death of the woman projected like a comedy with exaggerated faces of actors and moves of the camera.
The Film Citizen Kane was a groundbreaking film in the 1940’s, the way Orson Wells depicts his film with different lighting, cinematography, choice of camera shots and mise-en-scene throughout this movie truly showed the masterpiece that this film is. In the Film Citizen Kane, it was the first movie that went against true Hollywood cinema by introducing flashbacks throughout the movie to show us how Charles Foster Kane changes throughout the movie. Throughout this movie the audience can see how Charles Foster Kane undergoes a variety of physical and emotional changes from when he was just a young boy all the way until his unfortunate death. Power, that’s all that Kane wanted in the start of the film. In the beginning of the film Kane gets ownership of the struggling New York Daily Inquirer, Kane suggests that he wanted to use journalism to apply to the public and protect the interest of ordinary people.
(Citizen Kane, 1941) Kane’s parents used the power of money as an accessory for giving him away to a billionaire. Since that day, the protagonist went through a traumatizing experience, insecurity and redisposition due to his parents’ actions, which marked the beginning of his tortuous need, to be loved. This unreturned love created a sense of fear and mistrust to love something or someone, only to experience abandonment again was something Kane never got a chance to learn. Citizen Kane broke all the rules because of Welles, there were no
Directed by Orson Welles, the 1941 motion picture “Citizen Kane” is the story of the rise and fall of a great, influential man. The opening scenes of “Citizen Kane” are quite different from what follows during the rest of the film. Fading in and out of different landscapes instilled mystery. This mysterious vibe was carried on during Charles Foster Kane’s death through the use of shadows, quiet music, and close up shots. Isolated in his vast empire of a home, Kane uttered only one word before he passed: “rosebud.”
Welles utilized sound to make the audience feel the mood of the scenes, the soul of the characters, and the meaning of the film. During happy times in Kane’s memory, the music and sounds were of quick and light as in business implying a mood of success and forward motion in life. The sounds used in the movie assisted viewers in many ways; 1) guided attention to certain parts of the scene, 2) helped define the dimensions of where the characters were positioned in the scene, 3) conveyed the mood of the scene and the character’s states of minds, 4) helped to represent time, 5) created rhythm not provided by music, 6) revealed the main characters aspects, 7) aroused expectations about what was going to happen in the scene, and 8) enhanced the overall dramatic effect of the sequence of the movie. These are just a few of the benefits that the newly introduced sounds in the movie Citizen Kane provided. This film was truly ahead of its time and Orson Welles was well aware of that.
There are many things that make “Citizen Kane” considered as possibly one of the greatest films every made; to the eyes of the passive audience this film may not seem the most amazing, most people being accustomed to the classical Hollywood style, but to the audience with an eye for the complex, “Citizen Kane” breaks the traditional Hollywood mold and forges its own path for the better. Exposition is one of the most key features of a film, it’s meant introduce important characters and give the audience relevant details and and dutifully suppress knowledge in turn. “Citizen Kane” does not follow this Classic Hollywood style exposition, instead going above and beyond to open the film with revealing as little information as possible and confuse/intrigue
The movie overlaps the interviews to tell the life story of Kane while the flashbacks are doing the storytelling. The story is not told in chronologic manor, uses several techniques to tell the story of Kane. The angles used to portray certain scenes, getting all of views in, having lighting changes, shadows are all creative to the movie and introducing these techniques into Hollywood
Citizen Kane (Welles, 1941) challenged traditional narrative and technical elements of classic Hollywood cinema through techniques in cinematography, mise-en-scene and lighting. The mise-en-scene build of Citizen Kane is the pivoting point of the narrative forthcoming and Welles uses every technical element encompassed in this build to span his narrative across 60 years of Charles Foster Kane, the main character 's life. The beginning of this build is founded on the black and white shooting choice which sets an ominous almost 'film noir ' lighting and feel of the opening scene of the castle in Xanadu. This where we see end of Kane 's life, but every aspect of the film 's narrative will revolve around these frames and including the questions of 'who has died '?, 'what was the significance of the snow globe? ', and 'Who is rosebud? '. The camera angle in the deathbed scene is deliberately shot from a low angle, which further implies the importance of the person lying in the bed as well as providing mystery as the viewer is not yet privy to whom has just
In the final transition there is a short sound of music that is very humorous. Throughout the film, Welle’s includes these pieces of sound that relate with the dialogue, it is a continuous pattern throughout the film. Welles uses these unusual techniques to create different emotions among the audience. The transition between this shot and the next is characterized by a small dim of the light that darkens and transitions into the next
This is when we find out that the news was screened in a room. Shadowed images are seen in the room. With what is said in the room we get to know that these men are very manipulative and want to know what is meant by Kane’s last word “Rosebud”. Sir Thompson is chosen to reveal to the audience the secrecy behind this word. If we were to view this very carefully, we see that Sir Thompson is indirectly the audience to whom all the facts about Kane is revealed to.
Early in the film, the importance of background music and its use can be seen. The music is used to create the mood, whether it be the eerie violin audio that often can be heard at times where suspense is anticipated or the same music to create sorrow for the overall significance of the film. The film being built upon a murder case creates fury and differing viewpoints between the main characters which often can be related to prejudice. The use of details not only makes the murder more interesting but also the overall scene more intense. The detailed dialogue among the characters is so precise it offers minute details such as the witness statement of the time of the crime, the entry way of the weapon, and the witness testifying without her glasses.
An Analysis of The Sound Track For The Movie Wall-E This essay will give an analysis of sound design used in the movies and how it is as important as the moving pictures to the movie. When you use the processes of recording, editing and mixing of sounds you greatly enhance the quality of the movie. This essay is an overview of producing high quality sound from elements like music, the recording of common every day sounds and the use of hi-tech equipment. Whether it takes place in the production stage or the post- production stage of sound design.