Orson Welles 1941 film, Citizen Kane, depicts the American dream through the protagonist Charles Foster Kane. In the film, Orson Welles relies heavily on his understanding of the audience by using pathos and ethos in order to convince them of his purpose for writing the film.
The Film Citizen Kane was a groundbreaking film in the 1940’s, the way Orson Wells depicts his film with different lighting, cinematography, choice of camera shots and mise-en-scene throughout this movie truly showed the masterpiece that this film is. In the Film Citizen Kane, it was the first movie that went against true Hollywood cinema by introducing flashbacks throughout the movie to show us how Charles Foster Kane changes throughout the movie. Throughout this movie the audience can see how Charles Foster Kane undergoes a variety of physical and emotional changes from when he was just a young boy all the way until his unfortunate death.
Citizen Kane tells the story of Charles Foster Kane, a millionaire newspaper tycoon, who had recently passed away. The story unfolds in a sequence of overlapping narratives told by different narrators, all with different views of Kane. Their opinions of Kane give the audience different perspectives of the man thought to be one of the most powerful figures in America. The events recalled are told by the narrators to reporters trying to decipher Kane’s famous last words “rosebud”, but because of their advance older age they seem to be contradictory and unreliable. Their accounts are out sequence and often coincide with themselves. Kane brings together non-linear and composite storytelling from multiple points of view unlike traditional Hollywood
Citizen Kane by Orson Welles is a cinematic classic, released in 1941. Citizen Kane challenged traditional narrative and technical elements of classic Hollywood cinema. Kane was narrated by several people that include their take on Kane’s life. The story unfolds by many flashbacks and is told by different perspectives over the years through different narrations. Charles Foster Kane was a millionaire, head of newspapers and died saying “rosebud”. The story focuses on telling about Kane but is about a reporter trying to seek what and why his last words meant. A reporter, Thompson was trying to seek why Kane’s last words were rosebud and what it was. The reporter interviewed people such as Mr. Jedediah Leland who was his friend until he was fired from the newspaper after transferring to Chicago to take care of that newspaper. Jedediah was fired after he was found to be face down on his typewriter writing a review of Susan and her horrific performance. Kane’s
(Citizen Kane, 1941) Kane’s parents used the power of money as an accessory for giving him away to a billionaire. Since that day, the protagonist went through a traumatizing experience, insecurity and redisposition due to his parents’ actions, which marked the beginning of his tortuous need, to be loved. This unreturned love created a sense of fear and mistrust to love something or someone, only to experience abandonment again was something Kane never got a chance to learn. Citizen Kane broke all the rules because of Welles, there were no
There are many things that make “Citizen Kane” considered as possibly one of the greatest films every made; to the eyes of the passive audience this film may not seem the most amazing, most people being accustomed to the classical Hollywood style, but to the audience with an eye for the complex, “Citizen Kane” breaks the traditional Hollywood mold and forges its own path for the better. Exposition is one of the most key features of a film, it’s meant introduce important characters and give the audience relevant details and and dutifully suppress knowledge in turn. “Citizen Kane” does not follow this Classic Hollywood style exposition, instead going above and beyond to open the film with revealing as little information as possible and confuse/intrigue
In 1941, Orson Welles directed a movie that many now consider to be the best movie ever made. With eight wins and twelve other nominations, Citizen Kane stars Welles himself, playing newspaper tycoon Charles Foster Kane, who was based on the real-life William Randolph Hearst. The story immediately begins with Kane’s death, and his last word sparks a wave of curiosity among journalists, leaving them to investigate the meaning of the mysterious “Rosebud.” During the film, the audience learns that Kane, although wealthy, was not necessarily happy; he had lost love and respect numerous times throughout his life, and each of those events forced him into a deeper state of isolation. On the other hand, 2010 movie The Social Network, directed by David
Kylie Mawn Professor Rodais CINE 121 Midterm 4 March 2018 Question 1: Citizen Kane (Orson Welles, 1941) is a film that is well known for pushing cinematic boundaries in many ways. One commonly recognized technique in Welles’ film is deep focus photography. Deep focus photography is used in films to allow everything in a shot to be in focus at once. Typical, only specific characters or objects are in focus in any given frame in order to guide the audience’s attention in a scene, but deep focus can bring a new level of sophistication to a shot.
Directed by Orson Welles, the 1941 motion picture “Citizen Kane” is the story of the rise and fall of a great, influential man. The opening scenes of “Citizen Kane” are quite different from what follows during the rest of the film. Fading in and out of different landscapes instilled mystery. This mysterious vibe was carried on during Charles Foster Kane’s death through the use of shadows, quiet music, and close up shots. Isolated in his vast empire of a home, Kane uttered only one word before he passed: “rosebud.”
In this essay I will be comparing the themes and the narrative techniques used in both films. Starting off with the film “Citizen Kane” as mentioned it is a story of a millionaire, Charles Foster Kane. It begins with Kane’s death and speaks a single word: “Rosebud”. The reporters in the hunt to know
Citizen Kane (Welles, 1941) challenged traditional narrative and technical elements of classic Hollywood cinema through techniques in cinematography, mise-en-scene and lighting. The mise-en-scene build of Citizen Kane is the pivoting point of the narrative forthcoming and Welles uses every technical element encompassed in this build to span his narrative across 60 years of Charles Foster Kane, the main character 's life. The beginning of this build is founded on the black and white shooting choice which sets an ominous almost 'film noir ' lighting and feel of the opening scene of the castle in Xanadu. This where we see end of Kane 's life, but every aspect of the film 's narrative will revolve around these frames and including the questions of 'who has died '?, 'what was the significance of the snow globe? ', and 'Who is rosebud? '. The camera angle in the deathbed scene is deliberately shot from a low angle, which further implies the importance of the person lying in the bed as well as providing mystery as the viewer is not yet privy to whom has just
Motifs Isolation The protagonist is continuously isolated from the rest of the world around him, whether it was in his childhood or adulthood. The cinematography in Citizen Kane furthermore demonstrates the isolation he was going through. In one scene, we see Kane his childhood playing alone in the outside; the camera creates a divided shot on him and his mother with Mr. Thatcher, as they plan to send him away from home. Another scene is where; Kane is sitting by himself in the center of a room surrounded by men suited up, watching him as he opens a gift from Thatcher at his office.
Shot Analysis: Citizen Kane Orson Welles, director of “Citizen Kane”, is well known for his unusual directing methods that defied conventional cinematic techniques. Welles provided his audience with original forms of cinematography, narrative structures, and music. The scene I chose to analyze is extremely important to the plot of the film because Kane begins to realize that he is going through some serious financial problems. During the scene, Kane maintains a sarcastic mood, until he finally decides to surrender and signs the papers that transfer the ownership of his media empire to Mr. Thatcher.
The play Macbeth by William Shakespeare and 1941 film Citizen Kane possess many similarities in themes and characters, despite the completely different settings and plots. Both main characters are ambitious and determined to achieve a goal, even to a certain point where they lose everything truly meaningful to them. While Macbeth strives to become king of Scotland, Charles Foster Kane attempts to become popular and influential. Both Macbeth and Citizen Kane desire to be powerful members of their respective societies and receive respect and recognition from their acquaintances. In both works, they acquired everything they thought they wanted, yet realised they could not have what they truly desired, essentially ending up with “nothing of value”.
The concentration is on comparing and finding the changes that history made to this movie genre, especially considering the gender roles. Results will clearly explain the psyche of society in two different periods, which confirms that people reflect the movies as movies have an impact on people. The Introduction It is often said that the element of surprise makes the movie more interesting and leads the plot. There are many masters of storytelling