The Character Clara from “Confessions of an ugly stepsister” by Gregory Maguire is a flat, static, indirectly characterized character. Iris is flat because she always cares about Clara. “‘Mama,” says Iris, “you’re not minding your tongue’” (Maguire 113). In this quote we can now about Iris that she is caring about Clara so much. Even she say to her mom that she need to watch her tongue to Clara. She is static because she is always brave and curious person. This show when Iris talk to stranger, “‘Iris, don’t be forward with the gentleman,’ murmurs Margarethe, readying her latest version of woe. Iris ignores her mother. ‘what are you doing?’ she says through the window” (Maguire 17). When clara meet a man, she talk to him even her mother told her not to do and even he was totally stranger. …show more content…
This is proved when the story states that “‘you little limb of satan, come out; for if you don’t my mother and my sister and I will be thrown from your house for being unhelpful. And yes, my father is dead, and we can’t afford to lose our position here. So if you won’t descend the stairs for your own parents for the sake your future, then do it for me. Am I to be sent back to England there to starve?’” (Maguire 121). In here we can learn that she is very persuasive and insightful person. She using the psychological method to persuade her to come out from the curtains, and she is using her position to persuade Clara. Also she know that Clara’s only joy is Iris so Iris is saying that she will be sent back to England if Clara doesn’t come out to make her come out. Therefore, Iris is flat, static and indirectly characterized
What a lady… and no I did not just spoil the whole paper. Clara spent most of her early years helping out other people as much as they needed. She was always serving other people when they were in a time of need, but for one to know what to do, they must have some sort of calling or dream. Clara first found out how much she
Even though Clara had her own opinion, she was respectful of
In the book Celia Garth by Gwen Bristow, there is an adolescent girl who is battling a “normal life” every teenager is supposedly suppose to live and trying to stay alive while the Revolutionary War is happening. During trying to balance these two aspects of her life she goes through many obstacles, between losing her fiancé, Jimmy, and spying for her new lover Luke. Celia shows attributes for being a exquisite role model, from keeping her faith throughout the book, to being respectful and loving to all the people that came into her life, and being and staying humble. Throughout the hardships and twists of the war, Celia still remained intact with her religion and love for God.
When Clara was three, her and her brother stephen were sent to school. In school, she excelled in spelling and reading. She was only known to have one close friend, Nancy Fitts. Clara was very shy and timid, so she wasn’t extremely social (wikipedia). Clara always wanted to help people, she liked to be useful.
Before her brother can kill her, he eventually falls from his trance and surrendering himself fully. Michael Gilmore says, “[a]dmittedly, the act that Clara contemplates is one of self-defense – but that is precisely Brown’s point. For although any court of law would deliver a verdict of justifiable homicide, Clara finding herself capable of slaying her own brother – has ceased to think in
Her past trauma was concealed inside of her, causing resentment and anger to escape in ways of violence. She let her trauma turn into guilt and her guilt turn into anger. Mariah knew how broken Clara's identity was from the moment she stepped through the door. Shortly after her healing journey began with Mariah, Clara revealed she wasn't only battling with the trauma from the Mission. She was overwhelmed with guilt, guilty for the death of her friend Lily, “Lily.
It is said that because of her father’s courageous acts and stories, Clara changed her field into nursing and later became known as the Angel of The Battlefield. Part of the reason Clarissa changed her idea was when she was only eleven years old, and “her brother David fell of the roof of a barn during a barn raising accident. David was treated by a doctor but needed care around the clock. This in which Clara gave him. She nursed David as though she was caring for a baby bird.
Clara used disciplinary actions without using force. When Clara was younger her shyness was so bad that they had to pull her out of school. Clara was a very smart child but she was so shy so she got sent to boarding school. She was so overwhelmed with her problem because she wasn’t able to make any friends.
She had four other siblings and grew up on a farm in Oxford. Clara had many strong influences in her life from a young age, including her mother who was a firm believer in equal rights for women and all others, her brothers Stephen and David, her sisters Sally and Dorothea, and the environment she grew up around living on the farm. She was expected to complete chores and help around the house as well as do good in school. Early on, Clara was exposed to helping the injured/wounded through taking care of ill animals on the farm and taking care of her brother, David, when he injured himself by falling off a barn roof. After gaining an education and passing the required examinations, she began working as a teacher during the Summer and was asked to work during the Winter, but refused to accept the offer unless the school would pay her equal to a man’s pay.
Aunt Clara is seen as a positive figure at the beginning of the novel because she is a mother-like figure for George and Lennie and provides a further background of their relationship. She signifies that Lennie did, in fact, have nurturing upbringing, despite his mental disorders, as George says to Lennie, “she gave you a rubber mouse” when he kept asking for mice to pet. Although Aunt Clara is seen as a positive authority figure since she is the kin to George and Lennie, by the end of the novel one can note Aunt Clara tormenting Lennie while he is in abject misery after strangling Curley’s wife. In Lennie’s hallucinations, Aunt Clara says, “But you don’t never take no care. You do bad things” and “All the time he coulda had such a good time if it wasn’t for you”.
Her husband locked Jane away in the nursery and forbid her from the rest of the house. Jane also does not believe she fits in well at the mansion just as she does not fit into the role of a wife. Her husband also hides her away from everyone else in the nursery as if he is embarrassed of her. Towards the end of the story Jane even begins to suspect that the room was actually an asylum for adults. The windows of the room are barred up and windows represent freedom in many ways.
Another major character in the book, Sally, marries a man. Sally may think that she has escaped from her dad’s cruel treatment but has not realized that being dependent on another person will only end her up in the cycle of abuse again. For many women on Mango Street, looking out of the window is seen as the last hope of freedom, and her husband even bans her from doing so. “ She likes looking at the walls, at how neatly their corners meet, the linoleum roses on the floor, the ceiling smooth as wedding cake. (102)”.
The story states, “She had big breasts, slim legs, and blue eyes” (Bolaño 1). This relates to today’s misconception of women because when a guy first meets a girl the first thing he does is analyze her appearance and when he sees her again she has gained weight and her face seemed worn this made the narrator view her different He wanted to old Clara back. This relates to to today's misconception because he didnt try and get to know the new Clara and her personality. He was body shaming her.
“Closed up like a pot,” describes Elisa’s feeling of separateness, loneliness, and emptiness, from the outside world. The Allen’s value the simple life of a rural farmhouse, but Elise still seems dissatisfied. Not until the arrival of a stranger who
Her emotions are a dark cloud over her narrative, they blind her to the truth. Her feminine vulnerability is in full view when Pleyel accuses her of being morally loose with Carwin. When Clara takes on a subjective perspective, her narration becomes untrustworthy. Her emotions not only make her blind to the truth, but they are obstructing her rational thought. On many occasions Clara becomes exceedingly emotionally distraught “my terror made me, at once, mute and motionless”(Brown 57), and due to these unnerving emotions, her narration becomes one of storytelling instead of relaying the true events that unfolded.