One simple event or one antagonist can push a good character over the edge into villainy. In Shakespeare’s works, one can argue that everyone has villainy in them; it just takes the right person or event to bring it out of them, even though the evil they spread doesn’t do much to help them in the long run. Shakespeare also looks at how these acts are used to make the enactor happy, but in turn results in nothing but a fleeting happiness. In Shakespeare’s play, Much Ado About Nothing, Don John is drawn to villainy due to his bastard status, whereas Claudio is drawn to villainy due to his fiancé’s perceived loss of innocence. Don John, the bastard brother of Don Pedro, is mad at the world because of the situation his father put him in growing …show more content…
When he is standing at the altar with Hero he says to Hero and her father, Leonato, “There, Leonato, take her back again. Give not this rotten orange to your friend. Behold how like a maid she blushed here…but she is none, She knows the heat of a luxurious bed. Her blush is guiltiness, not modesty” (4.1.31-42). Instead of quietly canceling the wedding like a decent human being would, Claudio waits to shame Hero in front of everyone. He shows no remorse for her and does everything in his power to ruin her life. In this time, being left at the altar and unmarried for a sexual transgression is worse than death. At this point, Hero has no choice. Her life is pretty much over and her family faking her death is her best …show more content…
Hero really had no other choice than to do what her family believed was right for her. Leonato, speaking to the priest, trying to figure out what to do with her says, “Wherefore, why, doth not every earthly thing cry shame upon her? Could she deny the story that is printed in her blood? Do not live, Hero…For, did I think thou wouldst not quickly die, thought I thy spirits were stronger than thy shames, myself would… strike at thy life” (4.1.120-127). No one, including her father, believed that Hero could overcome these obstacles in her life and in a way they were right. In this time, what Hero was accused of and being shamed for was one of the worst things that could happen to a lady. Hero’s own father even believed she was better off dead. This just shows how atrocious Claudio was to Hero and in the end, doing this didn’t bring him much joy. When he truly believed that Hero died and rose back from the dead, after she was found to not be guilty, Claudio still with little remorse for his actions says, “Sweet Hero, now thy image doth appear in the rare semblance that I loved it first” (5.1.245-246). Claudio completely disregards how terrible he was the Hero and how he ruined her life. All of a sudden, Claudio is back to his doting fiancé act and once again loves Hero. Claudio again has the option to marry Hero, when
Do you also think that Benedick is Claudio’s foil? In the play: “Much Ado About Nothing” by William Shakespeare, a villain named Don John tricked Claudio by making him believe that Hero have been cheating on him which resulted in Claudio getting mad and ruining his and Hero’s wedding, accusing Hero that she was being unfaithful. After that, Hero faked her death and one of Don John’s minions admitted that he was paid to make Claudio believed things about Hero that are not true; Claudio married who was supposed to be Hero’s cousin without knowing that it was Hero that he was married to which surprised him and made him happy when it was revealed that it was Hero that he was married to. In this story, I do believe that Benedick serves as Claudio’s
The setting takes place in Messina, “a bustling port city on the island of Sicily in southern Italy” in the 16th century. The Prince and his soldiers are finally coming home from a victorious battle which sets down a mood of merriment and relief. Shakespeare chooses to write that all of the soldiers have come back safe, so there are no public mourning. The characters immediately fall into a youthful bunch that still seek and play around with love. Claudio and Hero fall into a young love that they fall into easily.
All of this makes Antigone a tragic hero as she demonstrates all the necessary characteristics of a tragic hero as demonstrated in the previous paragraphs. Through this proof it is certain she is a tragic hero through the many and often sorrowful events in her life. Antigone died a hero to her city, Thebes, as she sacrifices herself for what she believes is
The audience may understand the concept of love and romance flowing within the characters because it was to portrayed that way but the critics would argue the fact that some of the characters like Beatrice and Benedick were made to fall in love with each other through deception. As simple as the characters were, the situations arousing in the play became more complexed as scenes passed by. What led to the trouble and chaos in the play also led to the solution in the end, when Claudio and Don Pedro were deceived into thinking by Don John that Hero was unfaithful. That very same idea also solved the problem in the end when Leonato, Hero’s father, deceived Claudio by making him believe that she is dead and that it is his duty to clear Hero’s name by reading out on her tomb and marrying the said niece who looks just like Hero. Again the plotting against own is present where the said niece turns out to be Hero and she comes back to life again.
Claudio, Hero and Don Pedro all realize how perfect Beatrice and Benedick are together and so they set up a plan to deceive the two of them into falling in love. Don Pedro comes up with the plan to be having Benedick eavesdropping on Don Pedro, Leonato and Claudio chatting about how much Beatrice is secretly in love with Benedick. Just as they expected , their plan goes off without a hitch. After the group is done talking and they all leave, Benedick comes out of hiding and start talking about what he just heard and realizes that he is in love with Beatrice. “I will be horribly in love wit her.”
Claudio shames Hero during their wedding ceremony, publicly lambasting her for her supposed infidelity, and how she has apparently misled him and everyone else in regard to her maidenhood, “She knows the heat of a luxurious bed; Her blush is guiltiness, not modesty” (4.1). Likewise, Sullivan scolds her ex-lover for deceiving her, confronting him in regards to how he has double crossed her and not been truthful, “You see you can't just play with people's feelings/Tell them you love them and don't mean it” (Sullivan). Indeed, both Claudio and Sullivan voice their grief upon learning about their partner's lies, and how they feel that their feelings have been blatantly disregarded. The two characters also condemn their partners for being two-faced, as they didn't even have the tact to lie by omission, but rather told them things that were the antithesis of the truth. Both feel disrespected in that their partners didn’t have the decency to be honest about their wrongdoings, and instead went behind their backs, concealing their true actions and nature behind lies and falsehoods.
Hero had chosen to accept Claudio’s proposal and claimed to have fallen in love with
Meaning she directly tells Benedick to physically prove his love for her. Hero on the other hand, settles for Claudio without as much as a proper conversation. Even after Claudio publically shames her and calls her “... an approved wanton”(Shakespeare 154). Claudio calls her a glorified slut. Even after Claudio ruins her life, and forces her to go into hiding,
In the play Much Ado About Nothing by William Shakespeare, Don Jon and Don Pedro’s deceit are not only told for positive and negative reasons, but have calamitous outcomes on other characters. In the play, The bitter Don John has learned of the upcoming marriage of Claudio and Hero, and desires a way to prevent it. Don John’s servant Borachio devises a plan for Don John to go to Claudio and Don Pedro and tell them that Hero is not a virgin but a whore, a woman who has willingly corrupted her own innocence a day before her marriage and at the same time chosen to be unfaithful to the man she loves. In order to prove this accusation, Don Jon brings Don Pedro and Claudio below the window of Hero’s room on the night before the wedding, where they
Claudio constantly chooses to act disrespectful and petty towards those he has issues with. Instead of acting like a grown man, he acts like a child, which is why his relationship with Hero will not
This limits women to find the confidence to stand up for their beliefs. As Claudio falsely degrades Hero’s character, Hero accepts these accusations voluntarily and remains silent about the issue. Claudio stands up in public and proceeds to call Hero slanderous names such as, “thou pure impiety and impious purity” (IV.i.109). Hero again does not object, though she falls due to complete shock. Once her father hears these accusations, he commands to “let her die” as a result of the crimes she committed (IV.i.163).
Claudio falls in love with Hero upon his return to Messina. His unfortunately suspicious nature makes him quick to believe evil rumors and hasty to despair and take revenge. Hero - The beautiful young daughter of Leonato and the cousin of Beatrice. Hero is lovely, gentle, and kind.
This is shown with their views on marriage. Hero is willing to marry whoever her father asks her too and when Leonato finds out that Don Pedro seeks marriage with Hero, he encourages Hero to marry and says to Hero, “Daughter, remember what I told you. If the prince does solicit you in the kind, you know your answer” (II.i.57-58). Beatrice, however rebels completely against marriage and says “If he send me no husband; for the which blessing / I am at him upon my knees every morning and evening” (23-25).
Shakespeare reveals the theme that people deceive others out of love, embarrassment, and hatred. All evidence comes from Much Ado About Nothing. Love makes people act less rationally than they would normally behave. In this case, Claudio has fallen in love with Leonato’s daughter, Hero. In this love-dazed state, Claudio seems thoroughly confused at Don Pedro’s plan to win Hero over on his behalf, due to being lied to about the actual plan by Don John.
Shakespeare’s ability to illustrate the battle between good and evil is arguably one of his best skills as a writer. Incorporating the art of the morality play, he shows the battle of these two forces for a man’s soul. But the beauty of his writing comes to light in how he shows this process. In both Macbeth and Othello, Shakespeare portrays evil as corrupting, while the source of evil differs.