Elizabeth Woodruff
English 221, Friday 2:00 Section
Professor Bovilsky and Lizzy LeRud
Close Reading Assignment
2/3/2015
The sin of self-love possesses his eyes, soul, and every part. the eyes indicate how self-love controls the way he sees himself in relation to the world around him. By saying it possesses his soul, he is showing how thorough self-love influences him--so that he accepts it as part of his inner core. Every part emphasizes further how complete the self-love is a connected to him. By saying self-love is grounded in his heat, the speaker is claiming that self-love is so intertwined in himself there is no distinction between himself and his self-love.
The first quatrain neither assigns nor absolves responsibility for the sin of self-love. Possesseth is meant to show the powerlessness of the speaker to resist the self-love. This does not mean the speaker feels completely comfortable with the self-love, as he does refer to it as sin.
The tone is matter of fact on the surface. It is relating unavoidable, if unfortunate facts about the speaker, Though he does refer to it as a sin, any shame or desire to change is not focused on in these
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The speaker feels it destroyed his mental and emotional well-being, and even uses figurative language to link it to physical destruction. This is meant to give a sense of how love changes this person. The speaker, in a moment of presumed self-awareness, is bitter about the change he has experienced due to love. Though the beloved character is mentioned, he or she is not seen as the cause, or even the object of this bitterness. It is the condition of being in love the speaker finds abhorrent, because it degrades the speaker, and fills him with regret and disgust. He splits the condition of being love into various progressive states, each being worse than the last, and uses various structures of the poem, such as verb tense and strong language to mimic these
Instead of trying to make the whole poem rhyme he used a mixture of words so that the poem was easier to read, and the flow of the poem was more relaxed. Then in this poem, Gascoigne uses imagery to describe the pain of being hurt by love, and never trusting love again. " The
The characters perceptions of the meaning of love differ vastly, leading them to lose sight of love’s meaning or purpose.
The love is categorized as a deeming and damning affection therefore mastering the hardship of what love is or is perceived to be. Looking at the first stanza, one is able to notice that it starts off very romantically. In line 1 the poet, Cynthia Zarin, refers to her man as ‘My heart’ and ‘my dove’. ‘My heart’ indicates how much the poet’s lover means to her as a heart is sustenance for life. The poet also makes it clear that the love is pure in line 1 by referring to her lover as
Love, too, but it was a hard hating kind of love” (O’Brien 2651). Lieutenant Cross’s innocence was burned with the letters. He realized that Martha truly did not love him, he learned hate in that moment, he hated her for not loving him back, he hated that she consumed his mind and that now one of his friends was dead and he could not do anything about it. His realization that Martha did not truly love him back and it was silly to hold onto her was a moment of clarity of Lieutenant Cross. In this instance Cross’s loss of instance can be
.From this time/Such I account thy love. Art thou afeard/To be the same in thine own act and valour/ As thou art in desire?. . .”
“Love led us on to one death” says Francesca (). She portrays herself as helpless and defenseless against the power of love. Furthermore, she says “love…swiftly kindled in the noble heart…still injures me” (). Her repeated usage of love shows that she believes that she did nothing wrong. Love is an implacable force and thus, it overpowered and seized her.
He refers that god is punishing the two sides, by killing their joys, which in this case is Romeo and Juliet. This quote significantly shows the theme of
At last but not least, the author employs negative diction, such as: “vexed” (1.1.199), “madness” (1.1.200), and “gall” (1.1.201). “Vexed” denotes annoyed, and “madness” denotes insanity. Since Romeo is referring to love in such a negative way, this shows that Romeo is pessimistic about love. In this passage, the metaphors demonstrate that love is short-lasting, depressing, and conflicting. Due to the metaphor and negative diction in this passage, the author characterizes Romeo as a person who is conflicted and frustrated by love.
Desire is a consuming force that causes the body to act without consulting the mind. Anne Carson’s translation of Sappho’s fragments in, If Not Winter, creates experiences in which, eros produces a gap between the subject and the desired object. With the use of vivid imagery and overt symbolism within fragment 105A, Sappho allows her readers to experience the uncontrollable forces of desire and attraction which govern a person who is in love; even if such feelings are irrational. This ultimately creates a tangible distance between the subject and the object she desires. In this paper, I will argue that longing after an unattainable person becomes so consuming that it eventually produces madness within the desiring individual.
No matter the strong pull of love though, Meursault escapes its grasps though his lack of empathy and basic human connections. This ideology is shared by those around Meursault: such as how Salamano lost his wife and “He hadn’t been happy with his wife, but he’d pretty much gotten used to her (1.5.44).” Meursault knows that love is only temporary and knows that love means nothing in life and cannot change anything: “That evening Marie came by to see me and asked me if I wanted to marry her. I said it didn’t make any difference to me and that we could if she wanted to (1.5.44).” He does accept that love is something tangible but understands that there is no significance to it, how it has no reason, and is not required for living.
Love can cause illusions and false realities that enhance the idea of perfection that does not really exist. Juliet’s idea of Romeo being a man of wax is questioned when Juliet learns that Romeo killed her cousin, Tybalt. She is conflicted as to whether she should hate Romeo or not for killing someone in her family. She exclaims, “Oh, that deceit should dwell/ In such a gorgeous palace!”
The individuals possessed by ideal love are not the only ones who are affected by it. In Romeo and Juliet, Friar Lawrence’s first reaction to Romeo’s drastic change of “love” was shocking : “Holy Saint Francis, what a
In the play “Othello” by William Shakespeare showed how the lies and the jealousy of others can ruin a relationship . Throughout the history of this play people have understood it as a “triad of nobility,purity, and villainy.” A literary critic, Michael Andrews noted the significance of the handkerchief that was used in the play. “Othello tells Desdemona that the handkerchief is a love-controlling talisman his mother received from an Egyptian "charmer.” The gift that Desdemona receives is used to represent a symbol of Othello’s love.
Edward Estlin Cummings is one of the most famous American poets of the 20th century. He uses words to “point[] to a reality outside themselves” and on the contrary claims “the only reality is language itself” . He is well known for his disregard of traditional poetic expression, and tendency to invent words. The poem Love is more thicker than forget has 16 lines, which are separated into 4 stanzas.
Love at first sight, a concept overused in every romantic comedy. It is the instant connection between two soulmates. It is the idealistic perfect love. This phenomenon of true love has been around since the Elizabethan Era, preserved in the writings by some of the greatest poets of all time. “Sonnet 116” written by Shakespeare and “A Valediction; Forbidding Mourning” by John Donne both strive to express their version of Neoplatonic love (an immaculate love).