The Jurassic Park Franchise has been beloved and wildly successful since the premiere of its first film “Jurassic Park” in 1993. Grossing $1,029,153,882 world-wide it is still one of the highest grossing films of all time
(BoxOfficeMojo.com, n.d).
My research topic will be a comparative analysis of the 1993 Jurassic Park trailer (the first in the franchise) and the more recent 2015 Jurassic World trailer.
Since, there is more than a 20-year gap between the release of both movies it is not only important to analyze how the franchises trailers have evolved from a narrative and technical standpoint, but also to consider globalization and changing marketing goals for both films and how these
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With the goal of better understanding the impact of
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Narrative analysis is a form of qualitative research because it “record[s] and analyse[s] talk and actions, or analyse[s] text that someone has written” (A.P. Kelly, 2016, p.19). For this major research paper, an audio visual analysis of the narrative structures used in Jurassic Park’s and
Jurassic World’s trailers will be analyzed. Branigan’s framework will also be supported and analyzed through a global lens, specifically, Arjun Appadurai’s
(1990) five scapes. Appadurai’s framework will explore how marketing teams promote blockbusters, films designed to appeal to a global audience.
Film Analysis
The study of film is a widely known and researched academic field. Over the years, many scholars have contributed academic works that addressed theoretical, technical, historical, global, etc. factors involved with financing, shooting, distributing and marketing a film. This section of the literature review will only address the technical aspects of creating a film through Bordwell and
Thompson’s (2008) work as well as other authors that have made significant contributions to the academic field in terms of studying and understanding the role of a trailer’s narrative in promoting a film.
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Marketing Analysis
This major research paper will delve into the marketing strategies behind the Jurassic Park franchises trailers. According to The American Marketing
Association (2013), marketing: is the activity, set of institutions, and processes for creating, communicating, delivering, and exchanging offerings that have value for customers, clients, partners, and society at large (p.1) Based on the AMA’s definition, marketing spans across many fields. However, for this major research paper it will focus solely on the marketing strategies for the Jurassic Park franchise trailers. Since, direct communication with the marketing team is not possible this research paper will use works from Gray (2010), Kernan (2004) and
Kerrigan (2009) to make inferences on how marketing strategies influenced the narrative structures of both Jurassic Park’s and Jurassic World’s trailers.
According to Branigan (1992) there are two ways a narrative can be interpreted. The first, is defined as “a material and social object, [that] must respond to an agenda of community issues...these labels are the pathways in which it moves through society by being bought and sold, or exchanged
During World War II the Tuskegee airmen also known as “Red Tails” were the first African-American servicemen that served as aviators in the United States armed forces. They were officially known as the 332nd Fighter Group and the 477th Bombardment Group of the United States Air Forces. The all-Black, 332nd Fighter Group consisted originally of four fighter squadrons, the 99th, the 100th, the 301st and the 302nd. The 332nd Fighter Group of the Army Air Corps was sought to be one of the best units to ever fly in World War II.
The concentration is on comparing and finding the changes that history made to this movie genre, especially considering the gender roles. Results will clearly explain the psyche of society in two different periods, which confirms that people reflect the movies as movies have an impact on people. The Introduction It is often said that the element of surprise makes the movie more interesting and leads the plot. There are many masters of storytelling
The most successful artists often employ tropes during the creative process. Tropes are the devices and conventions that a writer can reasonably rely on as being present in the viewer's minds and expectations. The famed director Steven Spielberg utilizes multiple common tropes in his 1981 film Raiders of the Lost Ark. The most pertinent tropes Spielberg included that most viewers will recognize are The Quest for Lost Treasure, The Evil Empire, and Paranormal Prophecy. The usage of such tropes may be primarily fact-based, but how meticulous the director is about purely relaying facts in the film is a question open for debate.
There comes a time in everyone’s lives when freedom is highly sought after. As people strive for their freedom, there are many factors that can change their mind about the coveted independence that they seek, on of which is other people’s opinions. In Jon Krakauer’s Into the Wild, Henry David Thoreau’s Walden, and Werner Herzog’s Grizzly Man, each protagonist has to deal with opposing opinions while making their decision to live outdoors. Although it is important to listen to other people’s opinions, an individual’s ultimate decision should not be swayed by others.
“The screen is a magic medium. It has such power that it can convey emotions and moods that no other art form can hope to tackle.” The written word and the moving image have always had their entwining roots deeply entrenched in similar narrative codes, both functioning at the level of implication, connotation and referentiality. But ever since the advent of cinema, they have been pitted against each other over formal and cultural peculiarities – hence engaging in a relationship deemed “overtly compatible, secretly hostile” (Bluestone 2).
The making of film, or the concept of it, has been around since the beginning of the 18th century. The lens of the camera has captured some of the most beautiful things, but also the most prejudice. Stereotypes of races, ethnicities, and gender have always been around but were widely considered acceptable in films of that era. Almost as long as there have been people filming, there have been people fighting for equality to be presented on the big screen. Danez Smith is one of these modern fighters in his free verse poem “Dinosaurs in the Hood.”
Movie posters are important marketing tools used to persuade potential viewers to visit the theater and purchase a ticket to see the film. Posters create a specific feeling about the upcoming film, establish a setting, introduce characters, highlight star talent, and create a perception about the genre. Successful posters inspire me to learn more about the film’s subject matter and potentially visit the box office to buy a ticket. Poor attempts at a poster will leave me confused and disoriented with the intended subject. After seeing a successful poster, viewers can use rhetorical devices to discuss how the poster is attempting to market the upcoming film.
` In May of 1977, Star Wars: A New Hope was released with overwhelmingly positive reviews and marking a new era in cinema. The writer and director of the film, George Lucas, decided to expand upon the Star Wars universe in 1999 by making Star Wars: The Phantom Menace, with a story that took place before the original film’s story. This movie was made with advanced equipment and cutting-edge CGI (for 1999), nonetheless, the movie was panned by critics and enraged an entire generation of moviegoers. The answer to why this happened lies in the differences between the two films: use of special effects, construction of characters, and complexity of plot. “A special effect is a tool, a means of telling a story.
"The Book Thief," a film adaptation of Markus Zusak's novel, is a powerful and emotionally charged movie that captures the hearts and minds of it’s audience. In this rhetorical analysis, I will examine the film's effectiveness in engaging its audience through a detailed exploration of its rhetorical elements, including the writer's purpose, the intended audience, the situation, and the appeals used. The "speaker" or "writer" in "The Book Thief" is director Brian Percival, who brings Markus Zusak's novel to life on the screen. The material of the media object is the film itself, which the audience experiences primarily through visual and auditory elements such as dialogue, music, and sound effects. The film can be experienced in various settings,
•Power of Suppliers Suppliers in the movie producer industry allude to assets necessary to make a movie. This may incorporate innovation suppliers, gear makers, and imaginative ability. The movement from hand drawing to CG/outsourcing multiplies the suppliers required. Nevertheless, bargaining force for these suppliers are controlled in that, in spite of the fact that it is critical and often hard to select the best assets, there are numerous choices accessible for movie producers to
Analysis of the technical aspects of the title sequences 1. Introduction In this essay I will discuss the technical aspects of the title sequences such as the shots, the look and texture, colour, sound, music, texts, motion and aesthetics, among others. We will look at Seven film (1995) by David Fincher and Catch Me if You Can released in 2002, directed by Steven Spielberg as my chosen title sequences. 2.
Over the past century, film has served as a powerful means of communication to a global audience and has become a vital part of the contemporary culture in a world that is increasingly saturated by visual content. Due to the immediacy and the all-encompassing nature of film, the process of watching a film, is widely perceived to be a passive activity by the general masses. However, quoting Smith in his article about the study of film, “nothing could be further from the truth.” The study and understanding of film as an art form enhances the way we watch and appreciate films. It requires the audience's active participation and interaction with the film in order to fully comprehend the directors' intention behind every creative decision.
Companies persuade viewers to buy their goods or believe in what they want us to through rhetorical strategies. Whether by cold hard facts, logical reasoning, or an emotional story, companies rely on rhetorical strategies to persuade viewers to want their product. When presenting consumers with rhetoric for persuasion means, there must also be a framework in how to present these strategies. In the commercial “The Story of Sarah & Juan” by Extra Gum, the company tries to relate to American consumers by telling a story through narration that involves the rhetorical strategies of doxa and pathos in an attempt for us to connect to their product.
theme, which also characterizes another famous Crichton novel Jurassic Park, involves the belief that human beings can always outwit nature due to mankind’s superior intelligence and reason. By thinking they can plan for every eventuality, the Project Wildfire team makes the same mistakes that the Ingen team (scientists in Jurassic Park) commits while planning their dinosaur island. Despite their state of the art technology, the combined experience and knowledge of the scientists, and seeming unlimited resources at their disposal, the Wildfire team is unable to completely control the sequence of events after getting the Andromeda Strain into the
The epic solemnity of the story is replenished with a true-to-life effect of animal movements. To achieve this, animators studied the movements of real animals in order to create a “plausible” screen version. African landscape is “alive” with bright colours, which attract the human eye. The first scene informs us what the whole movie is going to be like.