In the short stories "Catch the Moon" and "Two Kinds," the main characters Luis and Jing-mei are both alike and different. They are alike in the sense that they rebel against their parents for similar reasons, but their reasons for rebellion differ. In both stories, the main characters eventually accept that their parent had their best interests in mind, but at different times and for different reasons. Luis and Jing-mei both feel that their parents try to control their lives, and don't want to do what their parents want them to. In "Catch the Moon," Luis is troubled by his mother's passing. Instead of grieving peacefully, he forms a gang and causes trouble for his neighborhood. He is eventually sentenced to six months of free labor in his father's junkyard, which he agrees to. Luis is angry at his father because he does not want to work at the junkyard like his father wants him to. In "Two Kinds," Jing-mei's mother wants her to become a "prodigy" playing the piano, but Jing-mei feels that she is incapable of this. …show more content…
Her mother eventually forgives her for what she said in their argument and offers to send her the piano as a birthday gift. After her mother's death, Jing-mei accepts the piano. While looking through her mother's things, Jing-mei finds sheet music of the song she practiced for a talent show when she was a child. She sits down at the piano and plays the song, realizing that it wasn't as difficult as she perceived it to be when she was young. She then realizes that the two sheets of music, titled "Pleading Child" and "Perfectly Contented," are two halves of the same song. This applies to Jing-mei's life because as a child she was the "pleading child," pleading with her mother to give up on her dream of Jing-mei becoming a prodigy. When Jing-mei accepts the piano, she comes to peace with her mother and becomes "perfectly
Jing-mei alludes to the future life and memories the sisters and she will form as a result of this overdue family reunion. In addition to completing her own journey, Jing-mei also completes her mother’s journey. By sharing all the stories and memories from her mother’s life in China, her mother was in a sense, right aside her in
Throughout her childhood life her mother, Suyuan, was continuously pushing her to be her best. Jing-Mei purposely tried to fail at everything to prover to her mother that she could never become a great and famous person. Then after a piano recital that went horridly wrong, her and her mother had an argument and their relationship was never the same. Many years later Suyuan tried to give Jing-mei the piano that she had as a child. She refused the offer, but than a year later her mother died and Jing-Mei was cleaning out her mother’s house and decided to play the piano and she was surprised that she still knew how.
Rhetorical Essay “I am obsessed in becoming a woman comfortable in their own skin”, is something that Hester Prynne in The Scarlet Letter and Janie Mae Crawford in Their Eyes Were Watching God would most likely agree on. Both of these women in their stories were constantly treated differently because they were not men. A major theme in both these novels would be that female oppression is practiced in the society and how the women in these novels overcame the differences that society has thrown at them however, these novels differ from the process that the women experienced to gain their independence. These novels are similar because both women experienced troublesome time while being under the influence of male dominance.
Jing-Mei realizes that her mother gives her two halves of the same song because it tells the story of Jing-Mei’s life. As a kid Jing-Mei was sad and depressed, but as an adult Jing-Mei is happy and free. The purpose for Jing-Mei’s mother to give her the two halves of the piano song were to help Amy realize who she was, and who she is today. In conclusion, Jing Mei learns about her identity through two piano
She then uses these “new thoughts” and ideas to state that she “won’t let her [mother] change” her into the person she seeks her daughter to be. When Jing-Mei experiences a realization that she is her own person and not simply another part of her mother, she can embrace the comfort of knowing that she will not change for anyone, and is simply extraordinary for having her own thoughts and feelings. This reflects how Amy Tan can understand her thoughts and feelings about the hardships in her relationship with her mother as a way to connect more closely to her characters and make them more realistic in her writing (“How Amy Tan’s family stories made her a
At first Jing-Mei grew in her dreams and desirers to be perfect for her family; “In all of my imaginings
One day, Jing-Mei’s family and Waverly’s family meet and both mothers brag about how their daughters are very successful. After seeing her mom brag about her non-existent talents, Jing-Mei is determined to stand in the way of her mother's ambitions. A few weeks later, Jing-Mei participates in a talent show at a church hall, although she hasn't practiced and does not know any of the music. Halfway through the song, she realizes how badly she’s playing. The weak applause and her parents’ look of disappointment revealed the indisputable truth: Jing-Mei is not a musical prodigy.
This disagreement quickly became a source of resentment and anger for both of them, but Jing-Mei and her mother were unable to resolve this conflict because of their different backgrounds and experiences. The story showcases how relationships between mothers and daughters can be strained because of differences in culture and a lack of communication. One of the difficulties between Jing-Mei and her mother is their different cultural backgrounds, which is supported by two points from the story. Firstly, Jing-Mei and her mother both disagreed on the opportunities that existed in America. According to Singer, Amy Tan uses “two entirely
“After losing everything in China…She never looked back with regret. ”(Chunk 1 ¶3). Jing-Mei’s mother is a Chinese immigrant with the typical ‘everything is better in America’ mindset. Jing-Mei, being raised in America, had more of an American mindset. “You want me to be someone i’m not…I’ll never be the daughter you want me to be!”
In the words of Jing-Mei in the last line of the story, “Together we look like our mother. Her same eyes, her same mouth, open in surprise to see, at last, her long-cherished wish” (Tan 159). Throughout her life, Suyuan, their mother, held onto the hope that she would see her daughters again. In this hope, she named Jing-Mei in connection to her sisters, keeping the “long-cherished wish” that someday her daughters would reconcile and complete their family circle. The occasion that
Both her and her mom want her to be a prodigy of Beyonce. Both of their parents want them to become a prodigy of somebody. Jing-Mei’s mom wants her to be a prodigy of Shirley Temple. One other allusion in “Two Kinds” and modern day society is Peter Pan. Peter Pan never wants to grow up and neither does Jing-Mei.
One dynamic that false expectation strains is the relationship between Suyuan and her daughter Jing-Mei. In a vignette told from the perspective of the latter, Suyuan has the notion that Jing-Mei should be able to perform something at the level of a prodigy. She begins
However, some of the things her mother showed and did got her excited to become this. In the beginning of “Two Kinds”, Jing- mei and her mother were watching TV and Shirley Temple was on. Jing- mei and her mother were watching something they thought was magnificent. Jing- meis’ mother said, “ Ni Ken – you watch”, she said this to Jing- mei because she thought they were like training videos to help her become a famous child star.
On the other hand, being born into this country, Jing-mei is against wanting to live up to the expectations her mother sets on her. Two kinds reveal two different sides of the cultural spectrum, and their opposing view towards their values. Jing-mei 's mother felt like an outcast existing in a dominate population. Grasping the same idea, she held onto her hard time back in her home. Jing-mei is her last hope to prove that her homeland can be just as talented as Americans.
Jing Mei, while portrayed as an obedient child, is only willing to listen to her mother to a certain extent. Throughout the story, it is consistently hinted that Jing Mei would eventually explode against her mother as an attempt to free herself from her mother’s chains. In addition, after the fiasco at the piano recital, she eventually derives further from her mother’s wishes as she “didn 't get straight A...didn 't become class president...didn 't get into Stanford...dropped out of college.” (54). On the flip side, Jing Mei’s mother is a stereotypical Chinese parent who is fully determined to ensure her daughter’s success in a new environment.