Compare And Contrast John Muir's Views On Nature

In his passage from “Last Child in the Woods,” Richard Louv uses various rhetorical strategies in order to make his audience more supportive of his argument. The passage discusses the connection, or really the separation, between people and nature. On this subject, Louv argues the necessity for people to redevelop their connection with nature. His use of tone, anecdotes, rhetorical questions, and factual examples all help develop the pathos and logos of his piece.

Romanticism in the early years of America explored contrasting interpretations such as insight and feeling over rationalist views consisting of science and civilization. American Romantic writers reject rationalism due to the fact that they believe that intuition and imagination yield greater truths. Specifically, Henry Wadsworth Longfellow and Ralph Waldo Emerson, being two of the many writers that demonstrate romantic ideas, incorporate the fundamentals of nature into their works to display themes about life that they suppose the rational mind fails to detect. Longfellow as well as Emerson utilize the power of nature in order to illustrate distinct truths regarding life.

Naturalistic writers capture the powerful and beautiful essense of the natural world. Through naturalistic writing, authors convey their abstract perspectives and beliefs in order to illuminate the profound benefits that nature holds. Naturalist philosopher John Muir put forth the belief that a connection with nature is integral to the discovery of one identity and that only through nature is one able discover the extraordinary in the ordinary in the existence of life. Muir’s philosophy complements the ideologies of fellow naturalist activist Edward Abbey who accentuated the benefits of isolation through nature. The idea that isolation frees the human conscience was a belief that was steadfast to Abbey’s perspective of the world as the constructs

Begin essay here: The poets Pat mora, Mary Oliver, and Lucille Clifton use personification to create a message about nature in the poems "Earth is a Living Thing," "Sleeping in the Forest," and "Gold." In "Earth is a Living Thing," Lucille Clifton shares an example of personification that says, "(the earth) feel her brushing clean." The universe is the parent to the earth, so the earth is getting its hair brushed clean. In nature the universe is giving wind to the earth to make the people and animals feel fresh. The poem "Sleeping in the Forest," written by Mary Oliver shows an example of personification that is "(the earth) her pockets full of lichens and seeds." This is showing how on earth the ground is full of these things. So the

Protecting the nature and preserving the forests was a vital part of countless environmentalists in the past. From the godfather of environmentalism, to the woman who pioneered the study of chimpanzees in the wild, many scientists and environmentalists have shown significant importance towards the nature and the beautiful world around them. To name a few, John Muir, Jane Goodall, Ansel Adams, and Rachel Carson are examples of inspiring people who gave importance to forests and natural landscapes for America.

There's nothing more wonderful than the outdoors, this was very important to John Muir and President Roosevelt. We all have a love for something, whether it's to save forests. Like Theodore Roosevelt and John Muir both love and care for Yosemite. Or how Theodore Roosevelt loved the outdoors. Or how they both wanted the forest to not be cut down.

John Muir was an environmental philosopher and passionate advocate for the preservation of wilderness in the United States. His childhood in the wilderness and his deeply religious upbringing helped shape his vision for the future. His primary focus was to preserve land from human use. He often clashed with conservationists, who felt human interests and needs were more important than the value of nature. Muir’s passion and enthusiasm for nature was evident in his writings. His impact is still felt today, as his books and articles continue to persuade Americans to consider wilderness areas as natural resources that must be protected and preserved.

Our attachment to nature is represented in significant interactions that occur through events and situations. An individual’s value of nature may be challenged through their experiences and the obstacles they have encountered throughout their lives. Alain De Botton’s philosophical text The Art of Travel explores our attraction to nature and how it affects our inner being. This is also highlighted in Albert Namatjira’s painting Ljalkaindirma which conveys the artist’s links between his Aboriginal heritage and its culture. Both these texts explore humanity’s connection to landscapes and our own lives through their personal and imaginary insights which reflect their unique methods of representation.

Thomas Cole was in influential painter during the Romantic art period and who, with his love of nature, established the Hudson River School. His landscape works encompass a theme of the beauty and wildness of nature. Cole created several paintings and also some series of paintings. His work focused on the Catskill mountains and surrounding areas, where he lived. Many allegorical and symbolic references are found in his paintings because his art tells stories.

In the story “Time of Wonder” the writer and illustrator Robert McCloskey creates a mesmerizing picture book. Throughout the book he relates his message to the reader of taking time to enjoy the weather and nature. Likewise, the reader is able to experience these events directly with phrases such as “IT’S RAINING ON YOU” (McCloskey 10). One event the reader is able to conjure up is the ocean in Maine with the taste of salt on their tongue. Moreover, the reader visualizes the calm sea on a sunny day and fears the roaring wind before a hurricane. Yet, McCloskey allows the viewer to feel “…pleased to see that the storm-flattened sunflowers are once more lifting faces to the sun” (McCloskey 58). All things considered, McCloskey writes a story that expresses the enjoyment that readers can feel towards the weather and nature.

Before creating his theme, William Wordsworth crafts a tone that shifts from frustration to anger. To establish his tone, Wordsworth applies two details in the poem. In line 1 of the poem, the speaker states, “The world is too much with us; late and soon”(ln. 1). The speaker feels an infuriating sense because we are too caught up with materialism in the world. It has been a problem of the past and will continue to be a problem in the future as long as we keep giving ourselves to earthly acts. To reveal more aggravation, the speaker states “Little we see in Nature that is ours” (ln. 3). The speaker is emphasizing his disappointment by saying that we are too caught up with our daily habits that we forget to notice nature’s beauty. We hear

Leopold, Aldo. 1949. A Sand County Almanac: With Essays on Conservation from Round River. Ballantine Books: New York (1966)

Growing up with my dad I went on a lot of hiking, backpacking, and kayaking trips to many different places. It wasn’t really about where we were going because I knew, in my mind, that wherever we were going to go it was going to be beautiful. There was one trip in particular where we were kayaking the Colorado River near Hoover Dam and I remember being amazed by the water, vegetation, and how a mountain goat could be at the very edge of the mountain and not fall off. My first instinct was to “observe the landscape, attending for reasons of [my] own to aspects of its appearance and to sundry goings-on within it” (Basso, 1988, 100). However, looking back now at my experience of the trip, I can still recall how beautiful the nature was, but what

The Romantic characteristic known as awe of nature is the amazement people feel from nature based on certain details and qualities is posses. “Young Goodman Brown” is based on awe of nature, as it is centered around Goodman Brown in a dark forest. It creates a darker, more gloomy tone and mood for the entire story. The setting and details of the characters’ surrounding enhance the story by creating the feelings and emotions of Goodman Brown being sucked into his depressing fate. “The blue sky was still visible, except directly overhead, where this black mass of cloud was sweeping swiftly northward. Aloft in the air, as if from the depths of the cloud, came a confused and doubtful sound of voices.” (Hawthorne 3) The nature in this scene represents the conflicting thoughts Goodman Brown is facing. Although he wants to remain a virtuous person, the voices and his curiosity were luring him to the trap that would soon define him. Nature is a clear portion of Romanticism. Prior to the Romantic era, most paintings and literary works were based on important people and ideas, whether they be biblical or political. In the 1800s, this changed, and nature was becoming a more popular focus, as in “Young Goodman Brown.” Awe of nature has immense power over a story because it provides another dimension of depth that enhances the reader’s feelings about a

The setting is set in the outer edge of a forest on a winter night. The trees are tall and large, and the forest seemingly goes for eternity. A lone wandering Chasseur, a designation given to French light infantry, is staring at the elevated trees and the infinite path to his destination. The Chasseur seems to be contemplating his hesitation, and trying to gather to his courage to push forward on his path. The way Friedrich depicts nature in this setting is both eerie and unsettling, but also creates a sense of awe in the masterful surrounding in which this Chasseur finds himself uncertain. The trees could be liberating, but they could also be dark and dangerous. The Chasseur doesn’t know what to expect when embarking on his most dubious obstacle. The entire setting reinforces the authoritativeness that nature exhibits, and how nature enhances the senses and emotions that we as people connect to it. The pure subliming presence of the trees connecting to one another into a black void while progressively getting less and less clear as the eye reaches its peak depth of what it can distinguish. This piece is a prime example of how Friedrich shaped Romanticism’s fascination with the outside world, and how exactly people’s understanding of both their insignificance and nature’s significance is connected to how they perceive the