Ashley McCormack
A Woman’s worth
“Rear Window” and “The Birds” are two films directed by Alfred Hitchcock. Many aspects of these two films correlate and display the occurring themes and motifs presented in films directed by Alfred Hitchcock. However there is one theme that sets the rest apart; blonde women. The blonde women in both of these films are essential in executing the story line. Being blonde is not the only thing the two women have in common; however, both Lisa and Melanie are prestigious, high class, sophisticated, rich, and seductive. These two women know what they want and are determined to get it. In “Rear Window” Lisa is pursuing L.B. Jeffries, the same way Melanie in “The Birds” is pursuing Mitch. Both women go to extreme
In the film Rear Window by Alfred Hitchcock, the relationship between LB Jeffries and Lisa Fremont transitions from a relationship with only Lisa believing that it will work to a relationship where LB reciprocates the beliefs of Lisa. Initially in the story, it is apparent to the viewers that Jeffries is tentative and does not believe that Lisa and he will work as shown by his tentativeness to marry Lisa when conversing with Stella. As Jeffries makes mention that Lisa is “Too Perfect.” (Rear Window White Script, P20) and implies Lisa is too caught up in high society to be with him as he is always traveling for work and has little money. These lines reveal that he views Lisa as someone who enjoys the finer things in life which he believes he
Nat Hawkins ended up protecting his family and fighting for his life as well as theirs in the tragic story “The Birds”. In the story Nat and his family have a little pre-war cottage they reside in. Everything suddenly takes a turn for the worst when birds start attacking them during the night. Nat proceeds to board up all the windows and doors before the next nightfall. Nat lied to his children for the following reasons: they had to stay calm,they were too young to understand, their job as parents to protect them.
Rear Window by Alfred Hitchcock is a fillm full of symbolism and motifs that provides viewers with a bigger meaning. It shows these rhetorical appeals through Hitchcok’s eyes that would not be recognized if not analyzed. Through these appeals I have recognized the window as being a symbol and marriage and binoculars as motifs. After understanding much more than what the eye anitially sees when viewing this film there is a fine line between understanding what is going on in the film and observing what the protagonist Jeff is viewing.
James Thurber’s “The Catbird Seat” tells the story of how Mr. Martin outsmarts Mrs. Barrows. Mr. Martin, however, is no hero, and Mrs. Barrows is no villain; rather, Mr. Martin is a conniving, deceitful little man, with a touch of mental illness, who refuses to embrace change, and Mrs. Barrows is the true victim of his dark, scheming mind. Mr. Martin quite likely suffers from OCD, which affects how he handles life. This in turn also affects his view of Mrs. Barrows and the way that he interacts with her. Originally, Mr. Martin plans to murder Mrs. Barrows.
Hitchcock has been described by many film reviewers as ‘a master of mystery, a connoisseur of compelling cryptic suspense”, however, the manner in which he depicted gender roles was concrete in its rigidity. Having directed and cast over 70 films, Hitchcock has himself admitted that women are often seen as objects and that the only reason they exist in his films is as a supporting role to the male actor. Rear Window’s main three female roles consist of the scantily clad Ms Torso, named only by a body part, and the glamourous Lisa and nurse Stella whose roles are limited to enabling Jeff to follow his pursuits. How can this be
Alfred Hitchcock 's Rear Window explores the lives of those who feel isolated within society. The 1954 film, set in the tenements of Grenwich village, depicts those who are incapable of fitting into society 's expectations, as well as those who feel isolated from common interaction with others. Moreover, Hitchcock displays how its human nature to seek comfort and deeper connection even with those who are surrounded by others. Despite depicting characters as lonely, the progression of the film illustrates how individuals can be freed from isolation. The director asserts the loneliness and struggle that comes from fitting into social mores.
Tracey Lindberg’s novel Birdie is narratively constructed in a contorting and poetic manner yet illustrates the seriousness of violence experience by Indigenous females. The novel is about a young Cree woman Bernice Meetoos (Birdie) recalling her devasting past and visionary journey to places she has lived and the search for home and family. Lindberg captures Bernice’s internal therapeutic journey to recover from childhood traumas of incest, sexual abuse, and social dysfunctions. She also presents Bernice’s self-determination to achieve a standard of good health and well-being. The narrative presents Bernice for the most part lying in bed and reflecting on her dark life in the form of dreams.
“But God made my face; you cannot want to tear my face. Envy is a deadly sin, Mary.” (pg.115). During this time people of the town were easily persuaded to persecute their fellow neighbors, due to their religion and it’s principles. Thirty years before the infamous Salem Witch Trials there was a witch scare in Hartford,Connecticut, resulting in raised tensions about witches, making the hangings of 20 people more of a safety precaution rather than a righteous and fair trial.
Alfred Hitchcock’s Rear Window has several themes. One major theme is relationships. The lead character, Jeff Jeffries, a photographer and committed bachelor, is involved in a relationship with Lisa Fremont, a model, although the relationship has some tension due to Jeff’s lack of commitment. When Jeff is confined to his apartment recovering from a broken leg, he begins spying through his rear window on his neighbors in a nearby apartment. Through her frequent visits, Lisa is drawn into this spying as well.
Rear Window by Alfred Hitchcock depicts men and women in the 1950's and how they are different and the same when representing their gender roles. There are circumstances in the movie where the gender roles change and switch around. When jeff has a broken leg he needs two women to help him around the house. Nurse Stella and his girlfriend Lisa both take pride in taking care of jeff. There were many different roles depicted in the movie, there were happy couples, sad couples, happy singles, and sad singles.
Mockingbirds and Boo Radley Mockingbirds are gray birds with white undersides and wing patches. Unlike most species, males and females look alike. They can grow up to nine inches in length. Boo Radley, whose real name is Arthur, is a middle-aged man who was in much trouble as a teenager.
Comparison of Song of Myself, and Thirteen Ways of Looking at a Blackbird I will be comparing the poems “Song of Myself”, by Walt Whitman and “Thirteen Ways of Looking at a Blackbird, by Wallace Stevens. Walt Whitman declares in his poem that he is celebrating himself, he also invites his soul to stare at a “blade of grass”, he describes it as the “party of the year”. Thirteen Ways of Looking at a Blackbird imagines a blackbird or multiple blackbirds in several types of settings. Each of the thirteen stanzas in the poem mentions the word “blackbird”, but not all of the stanzas are about blackbirds.
Do you know anyone who has Orinthophobia, the fear of birds? Or do you yourself fear the birds? “The Birds”, written by Daphne De Maurier, is a short story that uses various literary terms to make an exceptional piece of writing. The story uses the literary devises such as foreshadowing, imagery, and characterization to create an exhilarating tale. Maurier uses these three components to tell a thrilling story that keeps the reader on edge.
Charles Lutwidge Dodgson, more commonly known by the pseudonym Lewis Carroll, wrote Alice’s Adventures in Wonderland in 1862. Carroll never meant to write a book; initially it was a short tale meant to entertain the three daughters of a close friend of Carroll. Three years later, in 1865, the book was published. Since then it has never been out of print, remaining an acclaimed work of fiction, read by children and adults everywhere. Six years after the first book’s release the follow up Carroll released a follow up, “Through the Looking-Glass”.
Trapped. Nowhere to go and no one to turn to. You sing. But does your song really reach anyone? If you ever felt this way you certainly would have felt like the birds in these poems.