In the pieces “Siren Song” by Margaret Atwood and “Where Are You Going, Where Have You Been” by Joyce Carol Oates, the authors play on the idea of how a hunger for lust can be a hunt and turn the character into a predator. In order for the predator to achieve this, they must know the prey and it’s weakness very thoroughly. In “Siren Song”, the predator is a siren who attempting to attract men to her position. On the contrary, in “Where Are You Going, Where Have You Been”, the hunter is Arnold Friend, who tries to appeal to Connie’s weaknesses. Both characters have a firm understanding of the prey they are hunting, In “Siren Song”, the speaker of the poem seems to be the siren referred to in the piece’s title. A siren is a seductive and beautiful
“Where Are You Going, Where Have You Been,” written by Joyce Carol Oates is a story briefly filled with love, crime, and violence. Joyce Carol depicts serial killer Charles Schmid in her story. The character Arnold Friend lacks the potential to kill that the real life serial killer had. In the story Connie’s wild, carefree attitude draws the attention of Arnold Friend. He watched her from aside for a while but Connie was so caught up in what she was doing that she didn’t notice him until.
The word ‘prey,’ a chilling noun used to represent one being hunted. The word ‘prey’ is an obvious “it depends how you use it word, but how Bram Stoker uses it in Dracula is truly evil. Although Bram Stoker uses the word ‘prey’ figuratively through Dracula, when used literally it is at its most chilling. Stoker is using ‘prey’ commonly like anybody in our modern times would. Saying that something is “preying at one’s mind” or like a nag in more subtle terms.
Both Being Prey and A Sound of Thunder are similar and different in multiple ways. The conflicts provide many reasons that these two stories are similar and different. Also the setting of these stories compare and contrast. Last of all the foreshadowing of Being Prey and A Sound of Thunder prove that these two stories are similar and different.
. come over here. Let your ship pause awhile, so you can hear the songs we two will sing.” (lines 150-153) Romare Bearden’s artwork shows yet a different intention, by the connection between the Sirens and the man on the boat. Next, the physical traits of the Sirens change between pieces. Margaret Atwood’s poem depicts the Sirens as inhuman by stating, “will you get me out of this bird suit?”
This poem dramatizes the struggles and fear that a hostage faced when in captivity. The poem titled “Captivity” by Louise Erdrich, is about a woman reflecting on her times when she was held captive and the anxiety that she felt. While she eventually is rescued, the speaker notes that her time spent as a hostage took a toll on her life as she no longer finds purpose and does not know what to do with her life. The poem is about how fear and terror changed the mindset of this captive.
Another portion of the text that is worth analyzing is whether or not the poet is a real person or a generalization about all or most poets. All of the lines in the poem use general text and never label a specific person. What’s interesting about the text is that without the title it would be nearly impossible to distinguish whether or not the person the poem is about is a poet or not. The way the text allows the reader to find a figurative meaning to the poem is by being vague enough and
The transition to becoming an adult is a somewhat magical experience in many ways. An awakening of the senses, the ability to detect and verbalize deeper emotions and the new and exciting responsibilities of the adult world are just some of the new experiences individuals journey through while growing older. However, as we examine two short stories, Where Are You Going, Where Have You Been? By Joyce Carol Oates, and The Man Who Was Almost a Man by Richard Wright, we see that perhaps this fragile stage of life isn't always meant to be taken lightly. The main characters of these stories, Connie and Dave, are examples of how exactly the transition to adulthood and maturity should not be welcomed before its time, and the dangers of attempting to grow up too fast can bring.
In the painting Ulysses and the Sirens, John William Waterhouse use the image of the sirens all in Ulysses and his men faces to show that no matter how intimidating a person feels about others bad intentions, people should just push through it and ignore it, while in her poem “Siren Song”’ Margaret Atwood uses the same scene to show how sometimes people make another person feel special for they can hoax someone into doing something. In the poem “Siren Song”, Margaret Atwood uses the tone of bitterness and scornfulness which demonstrates the idea that humans will do things if they feel special even if the task is dangerous. The poem displays a group of women with bird bodies, singing a beautiful song to a group of men on a boat to that “forces men to leap overboard in squadrons even though they see the beached skulls” but it is also “the song nobody knows because anyone who has heard it is dead, and the
The poems Spinster and Siren song may appear quite different when they are first examined because of their diverse plot lines. The themes of the poems seem to be quite contradictory to each other. However when they are fully analyzed they begin to reveal themes that tie the two of them closer together than it might first seem. The protagonists of the two poems seem to have very different approaches in dealing with men that they encounter in their lives. The spinster, although very alluring to the men in her life, chooses to live a life of solitude.
Instead of realizing the danger that she was in, Connie was focused on what Arnold Friend was wearing and how attractive he was. Connie’s obsession with finding her own sexuality overpowered her gut feeling of danger. In an analysis of “Where Are You Going, Where Have You Been”, Barbara Wiedemann discusses how the antagonist Arnold Friend is based upon serial killer Charles Schmid, who murdered several young girls during the 1960s. In the analysis, Wiedemann
Sirens: How they are used as an allusion in modern poems The idea of Sirens are alluded to in the poems “Carolina” and “Sirens Song” as intoxicating and distasteful. Eric Church stated, “Sayin’ honey I miss ya like crazy,/ Like the sound of a siren song” in “Carolina” (Church). The idea of the siren song serves as a comparison between the yearning to get home to his significant other and the yearning to swim ashore to the Sirens in Homer’s Odyssey.
Imagine darkness, sin, and the desire to keep it all hidden from yourself and the outside world. Together Poe and Hawthorne paint this picture of traits which consist of suspense and darkness. Within the stories “Tell Tale Heart” and “Ministers Black Veil”, the two authors writing styles are vividly comparable. With the comparison of these short stories, it becomes more than feasible to feel the true emotion and movement that Poe and Hawthorne wished to give to their readers.
Within both melodies of “Sirens Song,” written by Miss May I and “Song of the Siren,” written by Tim Buckley, the Allusion incorporated with the Sirens effects the ways the Sirens interact in the pieces. The prior knowledge associated with the mythical Sirens of ancient Greece with the two lyrical pieces, “Siren Song” and “Song to the Siren,” both provide the reader with an insight on how seductive and manipulative the divine creatures can be; Furthermore, the insight in this case especially focuses on innocent and naïve mortals such as humans. The deceptively luring Sirens tempt the humans into danger without much true effort as they have done on so numerous occasions. Due to the allusion referenced with the creatures of trickery within the songs provided, the Sirens cause their
In Joyce Carol Oates’s short story “Where Are You Going, Where Have You Been” the main protagonist finds herself in a very hostile situation. With an all most fateful encounter with a man known as Arnold Friend. Forcing her to choose whether to run off with him or taking her by force. This man known as Arnold Friend to the reader comes off as almost a demon. A person who uses many temptations, word play, and threats to take advantage of the young protagonist Connie.
Often fairy tales, or fantasy stories in general, share a similar formula. A beautiful princess and a handsome prince to sweep the princess of her feet and save her from an evil individual, and they’ll have a happy-ever-after, right? The metaphors used by Gwendolyn Brooks in A Bronzeville Mother Loiters in Mississippi While a Mississippi Mother Burns Bacon, brings out a more meaningful image when one read it between the lines,and the way Gwendolyn Brooks uses them, more specially the “Prince” isn’t the prince, but is a darker man, a murder, helps creates emotion in the poem. The poem depicts a female narrative and her interaction with her prince, her husband.