In Recitatif, Morrison introduces her readers to an approach to the initial interpretation of racism made by the readers. By contrasting Twyla and Roberta's appearances, social lives, and occupations, the readers are able to grasp on to the differences of the two characters. After finally meeting since their last encounter, the readers can depict the tone of tension between the two ladies, hinting that the protagonists have changed overtime. Toni Morrison challenges the initial assumption made by the reader on race and racism through the literary device of foil, contrasting the protagonists, Twyla and Roberta. Morrison compares and contrasts the appearances of the characters, making the readers assume the race of the characters. When Twyla …show more content…
When Twyla approaches Roberta and her two male friends at the restaurant, she describes them as "two guys smothered in head and facial hair" (Morrison 110) who were "smoking" (Morrison 110) with Roberta. One can come to the conclusion that Roberta involves herself with troubled adolescences. Society usually depicts troubled teens as people who have undergone much struggles throughout their lives which causes the readers to believe Roberta is a person of color since minorities face much more hardship in contrast to those of non-color. On the contrary, Twyla surrounds herself with her husband's family, who are evidently older than Roberta's friends. Instead of finding joy in being with friends, like Roberta, she finds comfort in being around her husband's "big" (Morrison 111) and "loud " (Morrison 111) family. The setting of this excerpt takes place during a time where minorities has faced much discrimination and hardships due to their race. Twyla does not face as much trouble as she expresses how she finds peace in her "home" (Morrison 111) whereas Roberta feels pressured to act tough around her troubled friends. Morrison's use of foil of the two protagonists' social lives causes the readers to differentiate the characters based on their hardships due to …show more content…
The excerpt starts off at Twyla's workplace "Howard Johnson" (Morrison 111) where the readers are introduced to Twyla as a waitress. The readers are instantly informed that Twyla has an occupation where as simultaneously Roberta is introduced as a carefree individual who is on her way to attend a concert. During their reconciliation, Morrison reveal the contrast of the protagonists as Roberta is revealed to prioritize her social life. This is evidently shown though Roberta's interest in "Jimi Hendrix" (Morrison 111), a famous African American musician. This reveals that she is involved and up to date in society. Through her interest, the readers are compelled to speculate that Roberta is of color due to her likings towards African American music. In societal stereotypes, it is common for people of the same race to develop a compatibility and understanding amongst each other. Furthermore, Twyla's "uniform" (Morrison 111) can be used to symbolize order within her life as she is committed to her occupation. However Roberta is found "smoking" (Morrison 110) outside of the restaurant with her friends, revealing her irresponsible personality and social life. Roberta's actions resemble of a troubled teen, causing readers to assume that she is a minority since minorities face the most struggles in society. Through Toni Morrison's use of these
In Song of Solomon, Toni Morrison uses the character traits and names of her characters to connect them to real human beings. Several of the characters from the book bear exact similarities to those of their counterparts. In the novel, Morrison displays the Byrd family as a racist family who Milkman is tangentially related to, the Butler family as an oppressive and murderous family that ultimately dies out, alone and listless, and Guitar as the exemplar of prominent black revolutionaries, namely Malcolm X. Through her usage of the Byrd family, the Butler family and the symbolism of Guitar’s character, Morrison blurs the line between what is real and what is so fantastic that it can only be discussed in a work of literature. Late in the novel, Milkman travels to Virginia, attempting to find his family.
It is often impossible to truly understand the extent of a person’s character. Consequently, the generalizations that other people make, abstract a person’s identity. These issues and many more are discussed in Toni Morrison’s novel Sula, which follows the lives of two best friends and how their actions ultimately lead to the demise of their friendship. In between this plot, the characters find themselves and their actions misconstrued to what their community wants to believe, bringing about Morrison’s overall message of her text. Through her novel, Morrison states that once a community has an idea of an individual, it can be difficult for them to believe something that contrasts their ideas.
In society, oppression and societal norms dictate the rules of survival, which draw out the most prominent traits that individuals use to their advantage to survive and grow. “A Worn Path”, written by Eudora Welty, represents this dynamic food chain built on the contrasts of white and black, or young and old, that motivate Phoenix, the protagonist, to find her true motivation and reason for living. To highlight the theme of being perseverant despite the encountering the clashing struggles in society within “A Worn Path”, Eudora Welty establishes and analyzes through symbols, the character Phoenix Jackson, an old and feeble colored woman oppressed by the obstacles of race and societal norms but achieves her life’s purpose by battling and accepting the conflicts on her path, displaying her trait of perseverance. Phoenix Jackson, despite being old and worn-down, displays her willpower of bringing medicine to her grandson by constantly going back and forth to town. The reoccurring symbol of time presents itself throughout the story to highlight Phoenix’s mechanical routine of trailing on the path full of obstacles.
Toni Morrison 's Recitatif is overall quite a puzzling short story. It is not only on the accord of its inconsistent storyline, which concentrates on the moments when the main character, Twyla, interacts with the girl that she met at St. Bonaventure shelter, but the main reason of confusion is Twyla herself. Throughout the story she remains almost numb, not even once showing any type of a fierce emotion or deeper feeling. Twyla is mildly disgusted when she meets Roberta for the first time. She recalls: “I got sick to my stomach.
The main raison that she did not want to share the room with her was because she is "a girl from a whole other race" (Morrison, 1983, p1). At this time, there was a particular conflict between people for different races, more precisely black and white peoples. That is why Twyla judged her without even knowing more about her personality. Twyla's mother also told her bad things about people from Roberta's race. But after spending sometimes together, they were closer because they had similarities.
The disapproval Cheryl experienced from her friend Tamara was interesting as well. Tamara accused her of wanting to be white and questioned her pursuit of a “wanna be black girlfriend.” This intracommunity rejection and internalized oppression was evident with the character Bob as well. He displayed a colorist mentality by favoring Annie, a white woman, over Cheryl and Tamara in the workplace. He held the black women to higher expectations and scrutiny while prioritizing Annie’s needs.
They meet in a supermarket in the slightly littler town of Newburgh, and this time, Roberta is excited to see Twyla out of nowhere instead of brushing her off like she did at the restaurant. Roberta is dressed very nicely and has seemed to have turned her character around into someone who has gotten married and pieced her life together. Twyla has also gotten married in their time of being disconnected from each other, and she seems very content with her life as well (Morrison 204-205). It is very interesting for the reader to see how these two ladies have changed since the last time that they had crossed paths, but Twyla also brings up a good point when she asks herself why they once acted like strangers, one black and one white, to acting like long-lost sisters on their way to go and get a cup of coffee and catch up (Morrison 206). While they’re catching up, they have a bit of a misunderstanding with each other about what happened to Maggie and how she fell, and this caused to part ways yet again because of discomfort and contradicting point of
Morrison made it challenging for the readers as well. This way they would get to experience their own preconceived notions. Throughout the story, this idea of who’s black and who’s white shifts from Twyla and Roberta constantly as the writer, very cleverly, drops hints. This back and forth clues about the character along with the reader’s own perception about this two racial background makes the literature more fun and captivating ¬¬
1920’s society offered a prominent way for blacks that look white to exploit its barrier and pass in society. Visible within Nella Larsen’s Passing, access to the regular world exists only for those who fit the criteria of white skin and white husband. Through internal conflict and characterization, the novella reveals deception slowly devours the deceitful. In Passing, Clare and Irene both deceive people. They both engage in deceit by having the ability to pass when they are not of the proper race to do so.
Pauli Murray’s Proud Shoes tells the story of Murray’s family as they developed through segregation. After the death of her parents, Murray is taken to live with her grandparents, Robert and Cornelia Fitzgerald. Proud Shoes focuses on the life of Robert and Cornelia and how they experienced life differently due to their individual situations. This book discusses how race and gender played key roles in the life of Robert and Cornelia. Through this discussion, readers are able to understand a broader American life based on individual experiences and express topics on gender identity and gender difference.
In her teen years, Twyla works at a Howard Johnson’s where she re-encounters Roberta for the first time and thinks to herself that, “She made the big girls look like nuns” (Morrison,35). Later in the story, she marries James Benson, a man she describes as “comfortable as a house slipper” (Morrison,50), and has one child with whom she names Joseph. According to Smith Narrative Journal, Later in the story, Twyla realizes she is not happy with her marriage and according to Litcharts, “She is saddened by the “racial strife” that emerges in Newburgh over the issue of busing, although she does not have a strong opinion on the topic.” Although she seems not to have a strong opinion on the topic she ends up joining the opposing protesters, creating signs based on her and Roberta’s relationship to get her attention which Roberta ultimately ignores.
I will be taking a postmodern approach to the text and supplementing it with modernism and psychoanalytic theories before stating my final stance that postmodernism may be the most appropriate approach. This approach ensures that different perspectives are present in my analysis and ensures that it is not one-sided. The question that I hope to focus my argument on is “Does the postmodernist approach better emerge the idea of self from racism?” Rottenberg, Catherine. " Passing : Race, Identification, and Desire. " Criticism, vol. 45, no. 4, 2004, pp. 435-452.
The short stories, The Wife of His Youth and The Wavering Image, both deal with the issue of racial identity in post-Civil War America. Both of these stories center around biracial characters who struggle with being mixed-race in America. While the two characters face similar struggles, they go on very different journeys. While the protagonist in the The Wife of His Youth, Mr. Ryder, tries to move up the ranks in society by rejecting his blackness; the protagonist in Its Wavering Image, Pan, who had always embrace her Chinese roots, begins to question her identity when she is confronted with notion that she must be either “white” or Chinese. However, both stories end with the main characters embracing their heritage.
Pilate song helps her to maintain her individuality. For two reasons she’s singing literally and figuratively, first, she has a strong personal identity separate from the numbing pressures of both men and society in general and second, she is connected with the spirit world. Two characteristic tendencies that Morrison never averts her eyes from the tragedies of racialism, the most serious problem throughout the history of America, and at the same time she have become persist with great effort an experimental artist of language in her struggles to represent the traumatic effects of racial prejudice on the inner sphere of selfhood, the injurious blows on the identity formation of her characters tragedies symbolize the long-established and unlikely
Confused and hurt, Tituba returns to her small, crooked home, unaware of how those stares of fear would result in her ultimate downfall. This is the first occurrence in the novel in which the protagonist’s identity as a black woman is taken from her, and replaced by an object of fear and awe. Since woman, especially women of color in this era (roughly the mid 17th century onward) were arguably the most marginalized group of people; viewers may find it shocking that she is being bowed to. The protagonist also found the site horrific, not because of her awareness of the status she has as a woman of color—she was alarmed that fellow human beings regarded her as though she were not just like them. This instance is the first of many in which Tituba is seen as the