Introduction Clive Staple (C. S.) Lewis, known as “Jack” to his friends and family, is arguably one of the most influential writers of the twentieth century. His various writings, which numbered over thirty, ranged from the seven fictional novels known as the Chronicles of Narnia to various theological apologetic writings. In 2005, The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, was made into a major motion picture. It is listed in the top one hundred all time grossing movies at $720,539,572 worldwide. Additionally, the Narnia collection is still being used in classrooms to educate students from the elementary level to collegiate. Lewis’s apologetic writings also affected many authors. As recently as 2013, Timothy Keller wrote, Walking with God through Pain and Suffering and cited many of Lewis’s writings in his theological argument. In his 1940 apologetic, The Problem of Pain, Lewis reasons that suffering and pain in the Christian life has a desired effect. Affirming that God’s instrument of pain “gives the only opportunity the bad man can have for amendment.” Of course, Lewis readily admits that his reasoning is not the work of a real theologian, but rather as “a layman and an amateur.” However, this amateur theologian was clearly able …show more content…
However, his most intimate thoughts, written in his journal, were published in the book, A Grief Observed, under the identity of the pseudonym, N. W. Clerk. Lewis thought that the publication might help others who were in the mourning process. Throughout its pages, Lewis struggles to make sense of his loss through introspective and theological deliberation. In addition, the book serves as a “naked, poignant account of dealing with the hope, misery, determination, and anguish that accompanied the final resolution of his wife Joy’s terminal illness.” Therefore, A Grief Observed offers one of the best illustrations of Joy’s impact on
“I’m tall, fat, rather bald, red-faced, double-chinned, black-haired, have a deep voice, and wear glasses for reading,” C.S. Lewis described himself to a young admirer in 1954 (Dorsett). While this self-description possesses accuracy, who is C.S. Lewis really? For many individuals, Lewis will forever remain the creator of the phenomenal world of Narnia, the author of some of the most famous children’s books of the twentieth century. Even to this day, fifty-four years after his death, Lewis remains one of the most influential authors of his age. Alongside his equally prominent friend and colleague J. R. R. Tolkien, Lewis is widely recognized as a literary landmark.
“I have been asked to tell you what Christians believe, and I am going to begin by telling you one thing that Christians do not believe” (Lewis 35). This quote from C.S. Lewis opens The Rival Conceptions of God, the first chapter of the second book of Mere Christianity. Why would Lewis, a former Atheist, be discussing what Christians believe? Why would Lewis begin his chapter this way? Lewis also gives an answer to the all-important question – if God is good, why has the world gone wrong?
"Lewis was something of a prodigy: he was reading by age three and by five had begun writing stories about a fantasy land populated by “dressed animals,” influenced by the stories of Beatrix Potter, which were being published as Lewis grew up" (“C.S. Lewis”). Beatrix Potter’s stories became the first stories that Lewis thoroughly enjoyed as a child. Her style of bringing animals to life influenced his writing style, especially in his Chronicles of Narnia series. He also always found ways to include various Bible references in his many novels.
C.S Lewis’ most famous works are The Chronicles of Narnia, The Screwtape Letters, Mere Christianity, and The Space Trilogy. Lewis is best known for his books about Christianity and his sci-fi and fantasy books. Being in the war and all of the other hardships in his life had an impact on his
“The Fellowship of the Ring is like lightning from a clear sky; as sharply different, as unpredictable in our age as William Blake’s Songs of Innocence were in theirs.” These were the words spoken by C.S. Lewis for The Lord of the Rings series. Tolkien was a close friend of the writer of The Chronicles of Narnia- C.S. Lewis. They both were part of the informal literary discussion group known as the Inklings. In the early years of their life, Lewis and Tolkien realized that such stories are now counted in Children’s literature and they wanted to create an adult readership for books that teach us about who we really are and what the world is about.
The plot, the setting, and the unique characterization in The Lion, the Witch, and the Wardrobe make it a great book. There are few books I have read that compare to this one’s plot. The setting of the masterwork is the best possible for a fantasy such as this. Its characterization is a masterpiece by author C.S. Lewis. Overall, this book also points us to the main story of the Bible: Christ’s crucifixion and resurrection.
Despite the premonitions she felt whenever she was with him, a knowing that could be traced back from her childhood when her father was drunk and beat her mother, Joy loved him and would not let him go. Fear and panic were a third and fourth will in her relationship, yet she still was chasing love. It was not until Joy faced the threat of death that she
In the time of Clive Staples life, he won many different awards, including the Carnegie medal, which is one of the most outstanding awards given to authors. Clive Staples is very well known for his strong faith in God, which later led him to write the chronicles of Narnia series. The time period of Lewis had a great impact on the way he wrote the things he did. Lewis’s college experiences had the most impact on the things he did and the books he wrote. Another experience that impacted his writing was the army.
When people are traumatized by an event they are pushed to experience the five stages of grief. The “Gospel”, by Philip Levine and “the boy detective loses love”, by Sam Sax both use characters that are going through one of the stages of grief. Levine and Sax both explain the thoughts and process of what a person thinks when they go through these stages with imagery. Levine uses symbolism, a sad tone, and a set setting in “Gospel” to illustrate that grieving takes you into a depth of thoughts. Sax uses anaphoras, an aggressive tone, and an ambiguous setting to convey that grieving takes you into a tunnel of anger and rage.
Grief is a hard concept to understand. In this beginning quote the reader is given a pseudo definition of this concept but is left to interpret the rest on their own. In the “The year of magical thinking” is a memoir, written by Joan Didion, that explores this idea of loss and grief over the death of her husband, John. Joan Didion, the writer, portrays this grief and loss by writing down details of how she copes with this in a random fashion but in a strange way connects it all back to the central theme: magical thinking and grief. She uses this term magical thinking as this idea where she believes her husband is still alive and will come back.
Lewis wrote this novel to fascinate children. So, the animals of Narnia have
As we read through an array of short philosophical poems known as elegies, we can observe that many of these poems embody analogous situations, themes, or narratives. These elegies are often written about love and deprivation but despite their similar content, by juxtaposing these texts with one another, we can illuminate certain points and use one text to enlighten our understanding of another. By applying the information gathered on the narrator’s attitude in “The Wife’s Lament”, I will be exploring the effects of physical separation on the narrator’s mentality in “Wulf and Eaducer”. The perspective provided in “The Wife’s Lament” enables us to peer into the mind of the narrator and gain insight on how the effects of loneliness and separation affect her mental state and thought processes. On the other hand, “Wulf and Eaducer” sets up a situation that closely parallels the situation in “The Wife’s Lament”, but it does not offer much explicit information about the narrator’s mental state and mindset.
Further, situational irony is present through the reaction that Louise Mallard has after learning about her husband’s death. Upon first learning of her husband’s death she is very devastated and distraught. As soon as she is alone in the bathroom however, it is clear to the readers she is not as upset. In fact she is slightly relieved in that “she saw beyond that bitter moment a long procession of years to come that would belong to her absolutely. And she opened and spread her arms out to them in welcome” (235).
This book contains some some magic. This is a story about a war between the children and the beast. he Chronicles of Narnia is a series of seven high fantasy novels by author C. S. Lewis. It is considered a classic of children's literature and is the author's best-known work, having sold over 100 million copies in 47 languages.[1][2] Written by Lewis, illustrated by Pauline Baynes, and originally published in London between 1950 and 1956, The Chronicles of Narnia has been adapted several times, complete or in part, for radio, television, the stage, and film. Set in the fictional realm of Narnia, a fantasy world of magic, mythical beasts, and talking animals, the series narrates the adventures of various children who play central roles in the
Within the realm of Narnia, Lewis’ famous novels represent a sense of adventure and chivalry amongst children and creatures in a foreign land. However, whether Lewis had the intentions of surrounding his stories around religious values and the myths of God, is a topic worth noting. Augustinian ideals and views are prevalent and tend to line up with the writings and plot of Narnia. With dramatic climaxes between characters and the sense of religious familiarity with the tone of others, Augustine can be mentioned in the argument towards Genesis relations, Lewis’ attempt at either a supposal or allegory, and Lewis’ authoritative questioning.