Steinbeck has created contrasting impressions of Curley’s wife.
“Of MMice and mMen” is the intriguing novella, set in the 1930’s, by John Steinbeck. He portrays various impressions of Curley’s wife using a range of literary techniques .
Curley’s wife is first introduced by Candy, the old swamper, who describes her from his view. The fact that Curley’s wife is introduced through rumours gives the reader an influenced opinion of her before she even enters the section. Candy states that she “got the eye” which we perceive as her being dishonest to her husband, Curley, as she is supposedly flirting with other men. The reader is introduced with the title “tart” which is later strengthened in the section when George and Lennie meet her.
Steinbeck creates an aura of Curley’s wife when she first confronts Lennie and George. She is being portrayed as a danger. Before she opens her mouth to speak she is given a perceived judgement. Steinbeck is possibly prejudicing the reader about Curley’s wife. The example of this is “The rectangle of sunshine from the doorway was cut off”. The way Steinbeck has introduced her is very different from how you would typically. Steinbeck has used pathetic fallacy to indicate her danger; using the word “sunshine” he has created an environment of peace and concord but when Curley’s wife
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In fact, Curley regards their marriage more of a trophy rather than love. We can see this as we never learn her true name, but just the title of the wife of Curley. Her association with The Boss and Curley grant her relative power over the ranch, but that in turn brings her social life to a grinding halt. This extreme loneliness causes her to bring it down on others of lower status than her. We can see this when she enters Crooks’ domain and says “they left all the weak ones here” which suggests that she deems herself higher than Crooks, Lennie and Candyie
Lennie and Curley's wife are having a conversation in the barn, after Lennie accidentally just killed a puppy and covered it in hay. All of sudden Lennie got scared and the same thing happened to Curley’s wife after she let Lennie touch her soft hair. John Steinbeck uses imagery and characterization to show how Curley’s wife changed after she was killed.
This is showing the audience that Curley’s wife is trying to show that she wants to be off the farm and on the stage with her unique clothing. This also shows how she doesn’t belong on a farm, or has any care of being on the farm, and wants to be gone. Another way Steinbeck shows how Curley’s wife is hiding the real her by having her say “I tell you I ain’t used to livin’ like this. I coulda made somethin’ of myself” (34). This scene portrays her as a city girl wanting to make it big, and isn’t supposed to at the farm all alone.
“Why can’t I talk to you” shows that Curley’s wife is characterized as someone manipulative by trying to talk to Lennie even though George told Lennie not to. On the other hand, it also characterizes Curley’s wife as someone who just longs for a companion and because no one talks to her, she becomes manipulative. Characterization of Curley’s wife is used to create sympathy for her and to lead her to Lennie which ends up badly when Lennie kills her forcing George to kill Lennie. George and Lennie’s friendship is ended because of the loneliness of Curley’s wife because it leads her to talk to Lennie. John Steinbeck creates sympathy for the manipulative Curley’s wife in chapter 6, however, the more known side to her is when she talks to Crooks.
The first way Steinbeck shows that Curley’s wife is a victim is by showing her dislike for Curley. In the novel, a lot of information was given when Curley’s wife was speaking to Lennie. Steinbeck states, “Well, I ain’t told nobody this before. Maybe I ought’n to. I don’ like Curley.
Despite being the only female on a ranch full of foul-mouthed men, Curley 's wife exploits both her sexuality and her status to demonstrate power throughout the novel. For instance, when first meeting Curley’s wife she attempts to enhance her body for the new men: “She put her hands behind her back and leaned against the door frame so that her body was thrown forward” (31). From Curley’s wife’s actions we learn that since the beginning she finds it necessary to flaunt her body, instead of showing her real personality. Furthermore, she is using her physical attraction to portray an appearance that is automatically seducing in hopes of placing herself above the newly arriving men. After Crooks tells Curley’s wife to get out of the barn, she erupts
John Steinbeck describes her in a negative way by only telling us the bad things she does and only other people’s opinion of her which are negative. John Steinbeck also uses pathetic fallacy to describe Curley’s wife. He explains that ‘sunshine in the doorway was cut off by Curley’s wife’ then at the end of the novella when she dies the sunshine in on her dead body the quote that tells us this is ‘ and the sound stopped and movement stopped for much more than a moment’ Curley’s wife is also presented as sexually promiscuous we knew this by the quote ‘ she put her hand behind her back and leaned against the door frame so that her body was thrown forward’ Steinbeck encourages us to think that she is unhappy with her marriage also he puts comments off other characters in the story, for example Candy refers to their marriage by saying ‘They have only been married two weeks’ and also says I think Curley has married a tart’ which shows other characters don’t like
Curley’s wife is one of the most alienated characters in the novel Of Mice and Men, if not the most alienated and isolated character as it is displayed through her being nameless, being very flirtatious, and the perception of her by the men on the ranch. Indeed, the author constantly is showing that how regardless if you are amongst people or have company, but however there is no sensation of love what so ever, it is just as equal to living a life through despair and desolation. Whenever Curley’s wife appears in the book she is either looking for her husband or other company to converse with, however it has a reverse notation and it pours out of her in resentment and disillusion as she states, “Why can’t I talk to you?I never get to talk to
Two weeks prior to George and Lennie’s arrival at the farm, Curley’s wife married Curley to escape her family and gain wealth after meeting him at the Riverside Dance Palace. Due to all the hardships she endures at the ranch, Curley’s wife is the loneliest and most alienated character in the novella. In fear of repercussions
Finally, Steinbeck dehumanizes Curley by the negative criticism that always pursues her and her loss of identity when accompanying someone or something. This is why she is always commonly known as “Curley’s Wife”, proving that she is an unimportant and insignificant character in this book. Plus, everybody in the book says that Curley’s wife causes trouble for everyone; as George says, “She’s a jail bait all set on the trigger,” (Steinbeck, 49) and is constantly getting blame for all that goes wrong in Soledad; as Candy says, You God damn tramp. You done it, di’n’t you? I s’pose you’re glad.
Curley’s wife is flirty, powerful, and lonely which leads her life to be self-destructive. Curley’s wife starts off being flirty in this novel. Evidence shows that Curley’s wife is flirty is stated in the novel when Steinbeck states, “She puts her hands behind her back and leaned against the door frame so that her body was thrown forward” (Steinbeck 31). This shows how flirty she is at the ranch as she has met with all the working men at the ranch.
They finally find a ranch, which was filled with men except there was one girl, Curley’s wife. The men had her labeled there as tart. She tried talking to Lennie because he was different than everyone else, but little did she know that caused her death and the leading to his. Steinbeck uses dialogue, characterization,
Curley’s wife is portrayed to be a “tart”, someone who is always flirting with other people. When she is first introduced, Steinbeck writes “ The rectangle of sunshine in the doorway was cut off”, which gives the impression that Curley’s wife is ominous and perilous for Lennie and George. The imagery implies that Curley’s wife is the darkness in their lives and that she is the obstacle in the journey of accomplishing the American Dream. During the climax of Steinbeck’s novella, he writes “ The light was growing soft now” represents the slow release of her soul and that darkness slowly filling the barn and their lives. It also indicates the gradual discharge of hope and belief from the minds of Lennie, George and Candy.
Surly is defined as being “bad-tempered and unfriendly” (Google definition). This is the perfect definition for the curly-haired antagonist of Of Mice and Men. Most will say there is no justification behind Curley's hostility. He is rude to Lennie upon meeting him, is controlling over his wife, he attacks Lennie, does not mourn his wife's death, and arranges for Lennie's murder. There is speculation that Curley is an ill tempered guy and deserves punishment, yet upon further analysis there is some humanity or reasoning behind Curley's actions.
She walked around the men working, avoiding her husband at all costs. She used manipulation to get into the men's heads, especially Lennie’s. The author makes the reader assume that Curley's wife does not have any worth to anyone by not even revealing her name. Although throughout the novella, Curley’s wife is looked at as a bad person, Steinbeck tries to change the
The couple fails to admit to each other that they are not in love for fear of losing their power and status as individuals. Curley’s marriage is revealed to be a sham through his wife’s conversation with Lennie, “Well, I ain’t told this to nobody before. Maybe I oughtn 't to. I don’ like Curley.” (pg. 89 Steinbeck)