In this essay I will be discussing about the art works of Donatello’s David (1437) and Michelangelo’s David (1504) as how they have contributed to the advancement of Western Art in history. I will be explaining my content by laying emphasis on the style of art, innovation, its importance and particular differences between the both art works.
Starting with the style of art of both the art works, Donatello’s David art work of early Renaissance period was under the category of classical style of ancient Rome and Greece art work. Classical style of ancient Rome and Greece art depicts the society that creates them and lays emphasis on the accomplishments of human beings. Donatello featured a young male nude with the slight bent towards hip which gives a real stance to the art in his bronze sculpture thus reintroducing several classical compositions. He depicted the victory of David over Goliath by making him holding a sword, as he stands on the head of Goliath. Whereas, Michelangelo’s David art work of High Renaissance period was under the category of classically inspired nude figures. The High Renaissance artwork usually deals with the closely observed human figures with intricate detailing and creates a balance between tranquility and motion. Michelangelo depicted David as a muscular heroic figure and gave the details to sculpture by raising the brows of figure and
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Donatello’s David made his sculpture in such a way that he made David stand on Goliath’s head reflecting the pride in Florence as they have won the battle whereas Michelangelo’s David portrayed David as a heroic figure who is ready to fight against enemy to protect Florence against its enemies. Both the sculptures at the end gave the message inspiring the people to fight against its enemies for the rise of
The biblical story of David is represented in two different styles of art due to time period. The stories being told differ because of the impression they’re trying to make on the people of their time period. The statue of David by Michelangelo is a representation of the uplifting of the city and it’s political views. The High Renaissance Era was a very political time, so Michelangelo portrayed the . In the Italian Baroque Era, art focuses on movement, determination, and tension.
This means that they can be viewed from all angles and are not attached to the a background (135). In both sculptures there are some very interesting disproportions. Both sculptures depict Mary larger than her son. In Michelangelo's sculpture specifically the way he sculpted her was to symbolized different things.
It is the classic style of Hellenic art. Hellenic art represents perfection, displaying no sentiment and none of the art shows any sort of scars. The Pietà and David are very different in style. The Pietà, although a conglomeration of both Greek periods, would be considered Hellenistic compared to David. The sculpture of David is completely of classic Hellenic style in that it
People have told stories with marble, as well as ink. The focus of the Renaissance was the arts. Artists had evolved their skillsets since the Middle Ages, for example, their paintings weren’t 2D and they focused on people rather than just gods. The detail of sculptures and paintings became more realistic than it had been during the Middle Ages. In Michelangelo's sculpture David completed in 1504, he sculpted an image of David from David and Goliath holding a slingshot, before he kills the beast with a stone.
1.Donatello was the second greatest artist in Florence before Michelangelo. He was a painter and a sculptor, and was apprenticed by multiple artists. Donatello was born in a time of art and change. D.The Renaissance was very different from the medieval times in that the social structure had changed drastically. Instead of having little time to rest, the Renaissance gave many people leisure time, and in return, art became very important.
When another artist remakes the work of a former one it always gives a sense of admiration and gives another point of view on the topic. The two sculptures of David are both breath taking. However, Bernini and Michelangelo achieve this feeling in diverse ways. Bernini’s David gives the sense of a Baroque styled sculpture. Meaning that it expresses a grandiose image that portrays masculinity.
This sculpture is a mixture of female and male traits; its idea is to describe the realism without mythical and big muscles as was found in the Hellenistic period. Donatello’s David shows realism more than it does an ideal condition of man as in the Greek Hellenistic period. There are a few ways to tell. First, David’s skinny body and his arrogant expression reveal a confident man and anon-mythical expression that would not have been made as artwork during the Hellenistic period.
He was armed with a coat of armor, a spear, and a sword, whereas David was armed only with a sling and a stone. David's willingness to face Goliath despite the odds, shows his great bravery and courage.
Michelangelo once said, “I saw the angel in the marble and carved until I set him free”. If Michelangelo actually did this with every sculptor could modern artist be doing the same thing to follow in his footsteps. Michelangelo’s artwork affects modern society by influencing many modern-day artists to become sculptors, painters and more. He also influenced types of art such as frescoes and ceiling paintings. To add to this his sculptures are discussed in today’s conversations.
Michelangelo was the first Italian artist to depict the duo in such a position. Furthermore, Michelangelo differed from previous
In art, it is very common to compare two bodies of work. One example of the comparison of art is the Statue of David by Michelangelo and Donatello. In my paper, I will be comparing the Kroisos and the Kritios Boy. Both of these bodies of work are statues made around the same time period, 480 and 530 BCE. As any normal comparison, both pieces have similarities that are shared and differences that make them unique.
Located in hallway nestled between the Art of Europe and Art of Ancient Worlds wings at the Museum of Fine Arts, Boston is the Italian Renaissance Gallery (Gallery 206). Here, Donatello’s Madonna of the Clouds and Luca della Robbia’s Virgin and child with lilies face one another, competing for museum-goers’ attention from alternate sides of the narrow gallery. Both pieces indulge ingenious techniques, original at the time of conception, to create a completely new visual experience of a very traditional biblical scene, the Madonna with her child, Jesus Christ. This paper will employ close visual analysis of two 15th-century Renaissance reliefs from Florence depicting the Virgin Mary and Jesus Chris in order to show how these artists used innovative
David is a topic from the Old Testament, which is widely repeated and done by many artists. David is a story where it shows that not only does strength wins in a battle but also wits. Each artist depicts David in different views and moments, like Michelangelo who is an Italian sculptor painter, architect, and poet of the High Renaissance, another is Gian Lorenzo Bernini who is an Italian architect and sculptor, and he was credited with creating the Baroque style of sculpture. Although both artists depicted David, but each one had different style where Bernini’s is more expressive then Michelangelo’s. Looking at both sculptures of David, there are some similarities which can be noticed.
Similoluwa Oluwole Professor Bult ART 107 13 November, 2015 Michelangelo and his work: Creation of Adam Michelangelo di Lodovico Buonarroti Simoni, commonly known as Michelangelo, was born on March 6, 1475 at Caprese, Tuscany now known as Italy (Roger 2). Michelangelo, like Leonardo, was a man of many talents; he was a renowned Florentine sculptor, architect, painter, and poet. He is credited as the founder of the high Renaissance style and considered the most influential of late Renaissance artists (Houston 16). His works exhibit his remarkable understanding of human anatomy and muscular structure, a skill which he used to incorporate emotion and liveliness into his works. He rarely painted landscapes; his subject matters were mostly human,
Another reason for decorating Florence however, was so that the citizens could show their solidarity towards their community and give back to city which they so dearly loved. Such civic values not only inspired the citizens, but also the sculptors, especially Donatello, with his creation of David. He stood for Florence and her liberty. For triumph over tyranny. However, the fight was not over yet, as Florence would have to face off against tyranny once again in the next