Comparing Film Mad Max II: The Road Warrior And Cumpston's
The Australian landscape has been an interrogated site for uncanny imagining for director George Miller and photographer Nici Cumpston. Both Miller’s feature film Mad Max II: The Road Warrior (1981) and Cumpston’s photographic series Cultural Landscape – Nookamaka Lake (2008) & Bonney Lake (2010) describe a national connection to an austere landscape that resinates repetition and singularity of adjunct repressed histories. These depictions of dystopian Australian narratives radiate ideas of tenuous futures of the land, highlighting a concern for emerging tensions of climate, nomadism and isolatedness, labelled as sublime issues for man dating back to settler culture. Instructively Sigmund Freud describes the uncanny as encompassing tendencies of reoccurrence; “The frightening element can be shown to be something represented which recurs. This class of frightening things would then constitute the uncanny.” On another …show more content…
The same can be said for Miller’s film Mad Max II: The Road Warrior produced in 1981 which offers a narrative of main character Max and his struggles to overcome intense pressures of degenerative madness of an indivisibly anarchic world of futuristic wasteland. A primal Australian outback characterized by straight endless roads inhabited by lawless gangs of bikers and petrol heads. Extensive sequences car chases down highways come to symbolize an uncanny gothicness that overarches the harshness of Australia’s landscape amounting to a horror of the road, linked precisely to its never-ending, reoccurring emptiness. However as never located as being Australia in filmic space, the narrative becomes a manipulated allegorical microcosm, whereby the uncanny landscape becomes a space for revised nightmares of settler mythology and fears a nuclear
Krakauer's Account Of The Journey Of Chris Mccandless
200 Words | 1 PagesJohn Krakauer’s account of the journey of Chris McCandless has inspired many other people to seek out the beauty of nature. Why would a story with such a tragic ending cause others to do exactly what in the end killed McCandless? Perhaps it’s because Krakauer depicts Chris as a hardworking honest young man, who throughout his journey uncovered many truths about life. Maybe it’s because Krakauer includes so many passages talking about the beauty and simplicity of nature. Possibly this inspiration is contributed to because Krakauer chalks the death of McCandless up to chance.
Review Of Artist Brook Andrews Loop. A Model Of How The World
878 Words | 4 PagesThis disregard of culture is accomplished through the use of Appropriation. Appropriation in Andrews’s artwork leads to irony. Irony is found through the form of cultural patterns, traditionally placed on natural walls, found on a new medium of a man-made wall. The patterns references Andrews’s historical culture of his mother’s tribe of the Wiradjuri people, which, when placed onto a man-made wall loses its cultural significance, symbolising the suppression of Aboriginal culture. Andrews exposes Australian society’s forgetfulness of the basic foundation of Australian art and history in favour of the current art and political scene.
Judy Watson Flame Tree Pods Analysis
780 Words | 4 PagesThis proposes that Watson is bestowing the audience with an exploration of the world she personally connects with. Whereas, with the usage of natural materials and the positioning of them this also creates a representation of fragility and temporariness, once again suggesting that what is depicted is fugitive, reminding all of us about the beauty and delicacy of the environment. Something that stands out about this piece is the cotton tree leaves that have been used, they have been marked with intricate patterns consisting of both lines and dots. The markings symbolise traditional ceremonies held by Indigenous Australians who make scars on their skin, demonstrating that Watson has used the cotton tree leaves metaphorically to represent the scarring Indigenous Australians have faced from
Comparison Of Jeffrey Smart And Russell Drysdale's Man Feeding His Dogs
1051 Words | 5 PagesDrysdale’s surrealist work was indicative of the Australian Modernist movement which either worked to portray the ugly nature of the urban landscape or showing the countryside as mythical and land of freedom. Similarly, Jeffrey Smart was also influenced by this movement depicting the apparent ugliness in the urban environment but in a highly detailed way. Both works develop the idea of isolation and alienation is present in society however differ in the way in which it forms. Drysdale had a deep emotional attachment to the land and depicted this through his work in a dark desolate sense conveying the suffering of the country and its inhabitants from fire and flood. It is common for rural areas of Australia to be lowly populated creating a sense immerse isolation for residents due to a lack of human interaction which may effects ones mentality, however Drysdale implies the resolution of humanity in the face of such remoteness, a testimony to strength of the Australian people who choose to survive in such areas.
What Is The Physical Setting Of The Novel LOTF And Bluejohn Canyon
769 Words | 4 PagesIn 2003, “I certainly made mistakes” - Aron Ralston, on his miscalculation of the risks and his decision of not informing anyone about his canyoneering trip at Bluejohn Canyon, Utah. From his actions, it transformed a general walk in the park scenario into a fatal journey of 127 hours or five and a half days. This essay will examine how a life-threatening and desperate physical setting of Bluejohn Canyon similar to LOTF can manifest itself within the mind and context of each individual associated, leading them to perform certain actions that will reflect on their background values and identities divergently. Surprisingly, being obscured in a hazardous and despairing physical setting can adjust one’s identity and POV to become harsh and
How Does Max Dupain Explore Australian Identity
898 Words | 4 PagesEvery photograph accommodates a piece of the photographer’s identity within the picture. Photographers explore the Australian identity throughout their photos by using themselves and their own identity as a basis. Ideas of this are outlined in the work of Max Dupain, Rosemary Laing and Trent Parke. They have represented Australian individuality by using various techniques to create their photographs. The artists above and how their work resembles Australia, will be explored within this essay.
In A Dry Season Distinctively Visual Techniques
566 Words | 3 PagesThe provocative vivid image of the Australian outback emphasise the loneliness, solidarity and emotional and mental impact of the bushmen. In ‘the drover’s wife’, Lawson depicts the hardships and isolation of the drover’s wives living in the Australian Outback during the early 1900’s. The distinctively visuals explore the woman’s power and courage developed whilst raising her children in the isolated environment. In Maus, Spigelman exhibits the holocaust memoir by his father and a holocaust survivor, Vladak. The provoking images of the war and survival conveys the hardships and the suffering gained from the
Analysis Of The Trouble With Wilderness By William Cronon
90 Words | 1 PagesIn his 1995 essay “The Trouble with Wilderness,” William Cronon declares that “the time has come to rethink wilderness” (69). From the practice of agriculture to masculine frontier fantasies, Cronon argues that Americans have historically defined wilderness as an “island,” separate from their polluted urban industrial homes (69). He traces the idea of wilderness throughout American history, asserting that the idea of untouched, pristine wilderness is a harmful fantasy. By idealizing wilderness from a distance, he argues that people justify the destruction of less sublime landscapes and aggravate environmental conflict.
Walker Percy The Loss Of Creature Summary
1378 Words | 6 PagesThe Grand Canyon is a remarkably interesting and beautiful place, as Walker Percy refers to in his essay “The Loss of Creature”. How can sightseers hold the same “value P” if they possess “the symbolic complex which has already been formed in the sightseer’s mind” (Percy1)? In his essay, Percy discusses his theory that humans aren’t getting the full value of life because they live off of preconceptions and expectations. Percy provides the reader with a number of examples to help illustrate his point in which he believes to be “The Loss of Creature”. The descriptions of the couple on vacation in Mexico and the difference between the Falkland Islander and the student at Scarsdale High School are two of his more interesting examples.
Death By Landscape Analysis
1072 Words | 5 Pages“Death By Landscape.” Wilderness Tips, Doubleday, 1991, pp. 97-118 Brock, Richard. " Envoicing Silent Objects: Art and Literature at the Site of the Canadian Landscape. " Canadian Journal of Environmental Education, vol. 13, no. 2, 01 Jan. 2008, pp. 50-61.
More about Comparing Film Mad Max II: The Road Warrior And Cumpston's
Krakauer's Account Of The Journey Of Chris Mccandless
200 Words | 1 PagesReview Of Artist Brook Andrews Loop. A Model Of How The World
878 Words | 4 PagesPros And Cons Of The Pigs In The Columbian Exchange
207 Words | 1 PagesJudy Watson Flame Tree Pods Analysis
780 Words | 4 PagesComparison Of Jeffrey Smart And Russell Drysdale's Man Feeding His Dogs
1051 Words | 5 PagesWhat Is The Physical Setting Of The Novel LOTF And Bluejohn Canyon
769 Words | 4 PagesHow Does Max Dupain Explore Australian Identity
898 Words | 4 PagesIn A Dry Season Distinctively Visual Techniques
566 Words | 3 PagesWhat Is The Motive For The Death Of Jackson Longmire Jr
1411 Words | 6 PagesWhy Canada Should Not Follow The Christian Calendar
353 Words | 2 PagesAnalysis Of The Trouble With Wilderness By William Cronon
90 Words | 1 PagesWalker Percy The Loss Of Creature Summary
1378 Words | 6 PagesDeath By Landscape Analysis
1072 Words | 5 PagesCompare And Contrast Abraham Lincoln And Harriet Tubman
391 Words | 2 PagesArgumentative Essay On War On Religion
1569 Words | 7 Pages