When most people think of monsters, they think of ugly creatures whose purpose is to scare anything that it comes across. In Mary Shelley’s Frankenstein, that is the case. Dr. Victor Frankenstein’s creation is a hideous monster that terrorizes his creator and townspeople. On the other hand, Oscar Wilde’s The Picture of Dorian Gray depicts a monster as a beautiful young man whose painted portrait starts to look more like a monster than his actual self. Frankenstein and The Picture of Dorian Gray both tell stories of monsters who do evil things. Both Mary Shelley and Oscar Wilde believe that what makes a man a monster are his actions and his appearance as demonstrated by Frankenstein’s creation and Dorian Gray.
The way that Victor Frankenstein’s
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The beautiful portrait painted by Basil becomes increasingly ugly as Dorian commits his crimes. The portrait’s “gold would wither into grey. Its red and white roses would die. For every sin that he committed, a stain would fleck and wreck its fairness.” (Wilde). The withering of the painting represents the destruction of Dorian’s soul as he grows more corrupt. The physical representation of his actions through the painting frustrates Dorian, but he sinks deeper into his life of sin. Someone might think that seeing a physical representation of his sin would make Dorian think twice about his actions, but it does not. Dorian continues to commit horrible crimes and his portrait becomes more ugly. Dorian Gray “remains young and beautiful, while the portrait grows steadily older and more hideously ugly, manifesting in its deformity the moral corruption of Dorian's ‘soul’” Dorian Gray in The Picture of Dorian Gray, is a young man who sits for portraits painted by Basil Hallward. The portraits show his true beauty and youth. In the beginning of the novel Dorian, Basil, and Harry have a conversation about the portraits and how Dorian wishes that the portrait would age instead of his so he could keep his beauty forever. While Dorian begins his evil deeds, he notices that as he had wished, the portrait grew uglier as he became more monstrous. Because his body does not age and become ugly, the increasingly ugly portrait becomes the physical representation of his monstrosity. Dorian hides the portrait from everyone because he is ashamed of what he has done. As Dorian becomes more and more corrupt, the portrait grows uglier and a more realistic representation of Dorian’s true
Mary Shelley’s Frankenstein is a piece of classic literature that has lasted through hundreds of years, striking fear into the hearts of readers and warning against the dangers of gaining too much power. One character that stands out in the novel is the result of Victor Frankenstein’s insatiable desire for power, his creation. His monster. Frankenstein’s monster has a reputation as a killing machine, unable to feel compassion or love.
Another theme illustrated through Wilde’s use of motifs and symbols is the theme of superficiality. The theme of superficiality can be understood as a sense of the superficial view of outer beauty that is shown in the work. It relates to the concept of remaining young, which is an important factor of what is shown in the novel. This is an important part of the novel because outer beauty plays a bigger role for Dorian, than inner beauty does. In the beginning of the novel, Lord Henry and Dorian have a conversation that focuses on the topic of youth and Dorian 's outer beauty – Lord Henry mentions the fact that Dorian has a beautiful face, and later during this conversation, Lord Henry states that: “youth is the only thing worth having…”
Frankenstein by Mary Shelley is a gothic novel that tells the story of scientist, Victor Frankenstein, and his obsession with creating human life. This leads him to creating a gruesome monster made of body-parts stolen from grave yards, whom upon discovering his hideousness, the monster seeks revenge against his creator, causing Victor to regret the creation of his monster for the rest of his life. Shelley uses the literary elements of personification, imagery, and similes to give a vivid sense and visualization of Victor Frankenstein’s thoughts and feelings as well as to allow us to delve deeper into the monster’s actions and emotions. Throughout the novel, Shelley uses personification of various forces and objects to reflect the effect in Victor’s actions.
If he were to have Dorian’s handsome stature with his own intelligence and kindness, the creation would resemble a positive figure, but that was not the point of Shelley’s and Wilde’s argument. They propose that people should look beyond a pretty face or an ugly one to truly see the man
In Frankenstein, Shelley presents two characters who represent the different sides of the same character. The monster was a clear reflection of his creator because; they had the same development, same pain and suffering, and were recluses. Victor and the monster did not physically resemble each other, but they had the same personality and traits, therefore,
Mary Shelley’s novel Frankenstein, shows how a character who is portrayed as a tragic hero, in the beginning, can become the monster in the end. Victor and the Monster in Mary Shelley’s captivating novel showed how rival enemies share striking similarities. The similarities between the two tragic characters are driven by their dreary isolation from the secluded world. A large difference is that they were both raised in two completely different environments but understood the meaning of isolation. Physical differences are more noticeable rather than their personalities.
The researcher decides Oscar Wilde’s The Picture of Dorian Gray and Fitzgerald’s The Beautiful and Damned to be the objects of the study on inferiority and superiority complex causing hedonistic lifestyle in main character. The first reason, both of literary works cover the changing of each life of the main character, society and ultimately the individual. Second, they both share the same social background of the main character in The Picture of Dorian Gray, Dorian, displays a well-respected young man. He doesn’t recognize his own beauty until he sees it reflected in Basil’s portrait, and, once he does, it’s all too late. While Anthony in The Beautiful and Damned is illustrates reaching pleasure as the lifestyle and it becomes a habit.
In The Picture of Dorian Gray Oscar Wilde uses the beauty of Dorian to communicate appearance is meaningless when it comes to monstrosity. Mary Shelley utilizes the actions of Victor and the creation to equally judge monstrosity rather than have the appearance of one cloud it. In the book when the creation discovers that victor abandoned him because of his appearance he realizes that he will never be loved. After the monster’s failed attempt at making friends with the people in the cottage he becomes vengeful. Because of the creation’s relentless rejection he declares; “If I cannot inspire love, I will cause fear!”(Shelley 17).
As soon as Dorian enters in Chapter 2 of The Picture of Dorian Gray, Oscar Wildes’ one and only novel, its is evident that there will be a battle between who will have the most influence on his pure, untouched soul. Basil Hallward, a painter and worshipper of art is an optimist and sees only the good in even the wickedest of people, such as Lord Henry. Lord Henry is a charming, self-indulgent aristocrat that shapes and molds Dorian to lead a life devoted to pleasure. Both Basil and Lord Henry represent two important opposing forces in the novel, good and evil. The greatest struggle in The Picture of Dorian Gray is inside Dorian; he himself embodies both pure good and pure evil.
Lord Henry’s painting showed Dorian the reality of life and all the sins he had committed. With the picture, Dorian destroyed it plus his own life because he could not bear the fact that his beauty was going to fade. In addition, Henry influences Dorian by manipulating him because; he carries on with his idea of remaining youthful. This is evident when he says, "To get back to my youth, I would do anything in the world, except take exercise, get up early, or be respectable" (Liebman 300). Lord Henry had everything to do with Dorian’s obsession of wanting to remain young especially with the picture and his philosophy.
The genre of the novel is a terror, drama, psychology, humanitarianisms, romance and paranormal components. The Picture of Dorian Gray begins on a beautiful season day in Victorian-era England where Lord Henry Wotton, a determined man, is observing the sensitive artist Basil Hallward painting the painting of Dorian Gray, a handsome young man who is Basil 's ultimate inspiration. Though sitting for the painting, Dorian listens to Lord Henry adopting his hedonistic worldview and begins to think that beauty is the only aspect of life worth trying. This encourages Dorian to wish that the painted image of himself would age in his stead.
Mary Shelley (1797-1851) born as Mary Wollstonecraft Godwin, the daughter of philosopher William Godwin (1756-1836) and well known feminist Mary Wollstonecraft (1759- 1797), is credited as a great revolutionary in the field of literature. With influences of family guests such as Samuel Taylor Coleridge (1772-1843) and William Wordsworth (1770- 1850), and access to an extensive family library, Mary Shelley is believed to have developed great imaginative skills and fondness for literature at a very young age. She went on to marry the famous English romantic poet Percy Bysshe Shelley in 1816 after his first wife committed suicide. During her lifespan she went through the tragic death of her infant son, suicide of her half-sister and the drowning
The reader gets the impression that the portrait is a representation of Dorian 's inner self, and how it becomes uglier and more disgraceful as time gradually passes and with every horrific crime that he commits, as can be seen in the following quote: “The picture had to be concealed. There was no help for it.” (Wilde 113). The portrait serves as an image of Dorian 's true nature and the relationship between how his soul progressively becomes more nefarious, and how the evil of his soul becomes visible on the painted surface of the canvas. The way Wilde uses the portrait as a motif throughout the story helps the reader to see and understand how Dorian himself is not yet entirely unfettered by the influence of the portrait.
As years pass the picture ages like a real person would age, but it not only grows older, but uglier because of his actions. The picture is the mirror of Dorian 's soul, as he commits terrible actions the picture becomes
These three main characters had different personality that made the story more interesting. Dorian Gray was full of himself wishing to remain in youth, in return, he was willing to sacrifice his own soul and unfortunately his wish came true. Thus, this makes Dorian Gray commit all the sins he wants and only the portrait got affected as he become immortal and not aging, not a single wrinkle in his face. Second character is Lord Henry which was Basil’s friend when Dorian Gray first met him. Lord Henry enthralled Dorian Gray with his world view, which was an extreme hedonism form as he assumed that the only worthwhile life of a person spent was by pursuing beauty and satisfaction for the senses.