In William Shakespeare’s Much Ado about Nothing many characters are compared and contrast as many are paired up. Two characters in particular who could be contrasted and compared are Hero and Beatrice. Hero and Beatrice are cousins and a very different from one another. However, as the play progresses and the characters begin to develop, some similarities between the two begin to show up. Leonato is Hero’s father while Beatrice has no parents. As a result of her not having any parents she has more freedom. Beatrice is best described as cynical and sharp while Hero is very quiet, respectful and gentle. The ways the two react and don’t react to things creates a very huge difference between them and it reveals a lot about who they are. Shakespeare constant use of dramatic irony and contrasting plots show just how easy it is for Hero and Beatrice to be compared on contrasted.
In the first scene of the play, Beatrice makes a joke about Signior Bendick’s fighting abilities by comparing him to Signior Mountanto which can be translated to as “Fancy Fighter”. Hero, knowing the kind of person Beatrice is and knowing that she admires Signior Benedick more than she makes known, explains
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This is shown with their views on marriage. Hero is willing to marry whoever her father asks her too and when Leonato finds out that Don Pedro seeks marriage with Hero, he encourages Hero to marry and says to Hero, “Daughter, remember what I told you. If the prince does solicit you in the kind, you know your answer” (II.i.57-58). Beatrice, however rebels completely against marriage and says “If he send me no husband; for the which blessing / I am at him upon my knees every morning and evening” (23-25). This shows how she isn’t willing to conform and be so respectful of what people think. Hero however is very conforming so it shows the difference in just how they go about certain
Much ado about nothing by william shakespeare. Benedick doesn't love beatrice only because he does not to be hurt or hurt someone. Benedick is one of the handsome men in the land. He had fought a lot of wars. When benedick came back from war he saw beatrice immediately and they started arguing because they do like each other because before the war they were dating and things did not work out so they hate each other now.
In William Shakespeare’s play, Much Ado About Nothing, Benedick and Beatrice relationship’s represent the most realistic relationship in terms of today’s society compared to Claudio and Hero relationship because Benedick and Beatrice got to know each other before being a couple, they argue
During the renaissance era, women were expected to be “seen and never heard in public” (Hull 15). From the moment we meet Beatrice, through her interactions with men, we get a strong sense that she is not the typical woman of her time. In act 2 scene 1 of Much Ado About Nothing¸ Beatrice says, “He were an excellent man that were made just in the midway between him and Benedick. The one is too like an image and says nothing, and the other too like my lady’s eldest son, evermore tattling.”
Shakespeare has a way of making his plays have a whole array of themes and perspectives to see the story from. One can argue that the main theme can usually be something along the lines of Love or Deception or even Honor. In particular, looking at Much Ado About Nothing, you can apply the same. I would argue that shakespeare chose to develop the theme of deception throughout this play. In particular, the way that Beatrice and Benedick end up falling in love is all thanks to deception.
In my opinion, I think that the movie version and the play version, of Much Ado About Nothing by Shakespeare, are not very different. They have a lot of similarities for example; Hero and Claudio met and thought they should be together, Claudio thinks he saw Hero cheating on him with another man. So therefore at their wedding he demanded for her to die because of her relations with another man. Claudio realizes he was wrong about what she did and he had to marry her cousin without seeing her at all till they’re married.
Although Hero is an appealing character, her decisions and inability to stand up for herself reflect that she is not a role model to follow. Hero’s inability to be verbally assertive is shown by her actions throughout the play, especially by her weak response to Claudio’s accusations. Throughout the play, Hero is acted upon rather than acting herself, which reflects a flaw in her character. An example of this is seen at the beginning of the play, when Margaret, Hero, and Ursula plan to gossip about Benedick, and Hero directs Margaret to fool Beatrice, “Whisper her ear and tell her I and Ursula/ Walk in the orchard…”(III.I.65-70), instead of doing it herself.
While they are conversing, Beatrice plainly states that she wants Benedick to “kill Claudio...a villain, that hath slandered, scorned, dishonoured [her] kinswoman (Shakespeare 74-75).” Beatrice makes very bold actions, and she is not afraid of doing so. This shows how Beatrice and Hero are foils of each other because Hero takes actions that are safe and pleasing to others, while Beatrice does what she wants and doesn’t care about what others think of her actions. Another example of this occurs during the Masquerade Ball. Beatrice talks with Don Pedro and is quoted to have said, “My cousin tells him in his ear that he is in her heart (Shakespeare 27).”
This juxtaposes Claudio and Hero’s relationship is based on purely on physical looks, which are not always truthful. In an opposing manner, Benedick and Beatrice’s relationship was not started from a completely dishonest place. Over years they had built a relationship through passive aggressive remarks rather than physicality, thus ensuring that they would know each other at their core. Therefore in order to move the relationship along it only took light coaxing of the small truths to progress their love. For instance, in Act One Beatrice and Benedick’s “merry war” of arguments is viewed as a type of flirting instead of actual anger or annoyance towards each other (1.1.50-54).
Though Hero does not say much throughout the play, her external and physical appearance clearly represents her pure heart, and sacred morals.
Beatrice needed a man to get revenge and get back Hero’s honor because she knows that she will not be able to do anything herself. She doesn’t have enough power to do so, but if Benedick would kill Claudio, the people would not think much of
In Much Ado About Nothing, the relationship between Benedick and Beatrice develops throughout the course of the play. As their relationship develops from hatred to friendship to romance, these characters are forced to make sacrifices in order to make room for the new love in their lives. Benedick, in particular, makes a sacrifice out of love that shows the powerful impact of love on his life. Benedick’s willingness to sacrifice his friendship with Claudio for Beatrice demonstrates the emboldening, life-changing impact that love has on a person’s values and loyalties. Benedick’s loyalties completely shift from his fellow soldiers to Beatrice after he and Beatrice profess their love for each other.
Beatrice has the more chances of being full of bitter feeling and not readily controlled in the direction of Chief family man led society development from the very start, and so it is Benedicks over-coming of his one giving much attention to points different between sexes point of view that becomes the axis 1 on which the rest of the play turns. He starts off made long, deep hole in earth in a society development of deadly, full of poison masculinity, but once he gives credit his love for Beatrice, and after he sees one respected for great acts shamed and left for dead, he becomes sickened by the views he once kept. Beatrice flies into a violently angry state at her son or daughter of ones father's or mother's brother or sister process, and in no uncertain terms rails against misogyny and the patriarchy and the society development that nearly put to death one respected for great acts.
Hero’s father, Leonato, makes Claudio marry his niece and then Hero reveals herself as the masked woman and Claudio becomes joyous. Benedick asks Beatrice to marry him and she happily agrees. The play ends with them all dancing before the celebration of their weddings.
Relationships based on love, like Benedick and Beatrice 's, have a strong foundation that will stand the test of time since they are rooted in love. Benedick and Beatrice 's relationship showed that love and friendship being involved in a relationship is both healthy and necessary. True love involves more than just the physical attraction Hero and Claudio experience. Without being able to relate to a person on an intellectual and emotional level, there 's no way the relationship will be able to overcome any problems. Despite Beatrice’s request for Benedick to challenge Claudio and Hero’s shame weighing heavily on them, their relationship still prevailed.
Beatrice had also tried to write a poem professing her love to Benedick. They are so compatible that they had the same idea to profess their love. In Shakespearian times, the man could just choose a wife to marry, they did not have to be compatible. In a modern context, people in relationships have to be compatible, making Beatrice and Benedick an ideal