Comparing My Zombie, Myself

Emily Dickinson’s poetry is an essential part of American literature. Firstly, Emily’s style of poetry is largely influenced by her childhood. She grew up with her parents, a brother, and a sister. Her mother was aloof and quite possibly depressed, so Emily was closer to her father and siblings than she was to her mother.

“You can't judge an album by a single song; it's like judging a book by only reading a single chapter” Trevor Rabin. Although the short stories Cathedral and A Rose for Emily have completely different plots, they both have morals that are described in this quote. Cathedral follows around a blind man named Robert visiting an old friend and her husband, who does not care for the Robert. A Rose for Emily is about Emily, a woman who is perceived as a local oddity but soon the townspeople realize she is not just odd, but also a little bit crazy. Both Emily from the short story, A Rose for Emily by William Faulkner, and Robert from Cathedral by Raymond Carver, portray characters that become of the targets of premature assumptions, but

Marxism, capitalism, hegemony, classism, sexism, and racism among other things, all make this show seem real and appealing. Analyzing the show can teach viewers a lot about society and the factors that contribute to some of the disadvantages that people

When one compares two monsters such as a zombie and a vampire it is easy to see the differences between them. Zombies and vampires have more differences than they do similarities. With one being a walking corpse only seeking the consumption of flesh, and the other being a blood sucking un-dead creature with some human qualities. These monsters also represent specific fears that people have, and in return make the people of today so much more drawn to these movies. People like things they can relate to, and people can easily relate to a zombie. Even though many people love both of these monsters, more people like zombies because they are easier to relate to.

Peter Weller once stated, “Television is an isolating experience, sadly enough. But as good as it ever gets, it’s still isolating. You sit in your home and visit with no one.” Staring into the television screen, zoned out and mesmerized, our minds are living the life of the characters in the movie or TV show. In today’s society, people obsess over there shows instead of there family, friends, and children.

Ozog suggests that the media we consume is correlated to "what we believe, fear, and love" (2), and the rise in demand for zombies is connected to our cultures fears and anxieties. To support this, I will discuss the characteristics we fear about zombies, starting with Platt 's idea that zombies represent "the anxieties associated with nuclear radiation and the possibility of an apocalyptic future." (552). In today 's society, we live in a world where we are constantly fearing the potential of a terrorist attack, another world war that will cause many deaths, or even the next big pandemic. Like Birch-Bayley states, zombies act as the standard for western culture 's "crisis mentality" (1137) to express these anxieties.

Walt Whitman and Emily Dickison shared some similarities they often dealt with the same kind of theme. Whitman and Dickison has had their own unique styles of how they would write. Death was the topic that both writer had a strong connection with. Religion was another common topic these two had in common. Beyond the themes they also were so well known for their unique voice and style Both poets also lived and wrote in the northeastern United States in the later half of the nineteenth century..

Reality TV has proven to be popular and influential amongst the populations of several nations but the reasoning behind it has yet to be concurred by sociologists. By utilizing symbolic interactionist perspective, functional analysis and conflict theory individuals can create reasoning behind why reality TV receives such positive response despite the deplorable deeds being presented. Symbolic interactionist perspective is the social process where people create symbols amongst each other. Reality TV gives a false image of typical social life for the majority of societies by taking select groups of individuals and recording their interactions.

in Froula 200) in movies are common stages as excuses for important and current socio-political issues. The zombie, as the all-time omnipresent monster of American popular culture is flexible and able to fit in common patterns and to represent these problems. According to Rikk Mulligan, “stories of the zombie apocalypse correspond to historical notes of social anxiety: nuclear weapon tests, race conflict during the fight for Civil Rights, the riots and assassinations of the 1960s, the mid-1980s and the AIDS epidemic, and

Nevertheless she maintained toward his morose man an attitude of teasing affection. “He buys me many books- but begs me not to read them- because he fears they joggle the mind.” Her father was regarded as a tyrannical Puritan who controlled his daughter’s life and lightened it (Benfey 27). Moreover, in her late twenties or early thirties, Dickinson had a very shattering and emotional experience as she faced many disappointments relating to love; because of this she spent a great deal of time alone in her Amherst home. Furthermore, in 1854, Dickinson met with Reverend Charles Wadsworth in Philadelphia, and he could have possibly been the “inspiration for some of her love poems” (Emily Dickinson Biography).

Although there are many differences between these two gifted authors, similarities can be discovered as well. The background of Walt Whitman is enormously different from that of Emily Dickinson. Because Walt Whitman was such an under privileged kid and rose from his struggle in avery romantic life style, we see this slight bit of romanticism in his writing, like when he says, “ But O heart! heart! heart!/O the bleeding drops of red,/Where on the deck my Captain lies,/Fallen cold and dead” (Whitman).

Emily’s poems are often stressful and depressing while Whitman’s poetry is graceful and candid. In addition, Whitman’s poetic style is opened while Dickinson is rather private and

Religion is undoubtedly something that is incredibly important for many people. It at times serves as a source of comfort, a sense of purpose, or even a sense of belonging. Because of this, it has been a common origin of inspiration for many poets regardless of origin and time. Anne Bradstreet and Emily Dickinson are no exception. Both reference religious beliefs and God numerous times throughout their works, but they do so in different ways.

Emily Dickinson and Walt Whitman are the most representative and brilliant poets of the nineteenth century and in the American literature in general. However, we can also say that, between them, they have the most different styles of writing they can have, just as well as their lives. For example, as Christenbury (n.d.) stated, firstly that Walt Whitman was someone “[…] who struggled to get his poems published and who developed a broad admiring audience during his lifetime. In contrast, the reclusive Emily Dickinson died unknown to the world of poetry, leaving a box full of unpublished poems”. Nevertheless, we can find some similarities in their lives, for example, both of them lived in a difficult historical period: on the one hand Emily Dickinson, who was born the 10th of December of 1830 and on the other hand, Walt Whitman, who was born the 31st of May of 1819, lived the period of the American civil war.

Emily Dickinson lived during a time when many would become very well acquainted with death. As such it would become a specter that was feared as it could make an appearance at any time. So looking at Dickinson 's work it seems rather interesting that taken as a collection there seems to be the tale of one character that comes to view death in a multitude of different ways throughout their life. First is the feared figure that leaves them restless, then death comes as something numbing but leaves the living to celebrate the life of the one that has passed, life as a story that is completed and finished upon death, and finally coming to see death as kind figure that takes one to a new home. this finally view is what paints death as something that is not to be feared but rather as something natural, it is the next