The concert that I attended was the UIC Wind Ensemble concert on October 17, 2015 at 7:30 pm, in the UIC Theater and was about an hour to two hours long. The fist performer I will introduce is Jose Oliver Riojas, which was also the conductor of the concert. Riojas is the assistant professor of music at the University of Illinois in Chicago and the conductor of the Wildacres Saxophone Ensemble. Some other performers was The New Century Saxophone Quartet, Chris Heming way (Member of the Stan Rubin Orchestra), and Ashlee Hardgrave (“Vocal Powerhouse” Soprano Soloist). This concert was played by UIC students. The Composer, which was a guest, of the concert was James Syler. Syler compositional interests were between orchestra, wind ensemble, …show more content…
This piece had very soft tempo and was speeding up and slowing down, which is known as a tempo rubato. The dynamics of this piece started off piano, then mezzo forte and the gradually went soft again. “The work begins at the bottom of the ensemble’s register, and ascends gradually to a heartfelt cry of hope. The main theme that follows, stated by the horns, reveals a more lyrical, serene side of the piece. A second theme, based on a simple repeated harmonic pattern, suggest yet another, more poignant mood. These three moods; hope, serenity, and sadness become intertwined throughout the work, defining its complex expressive character. A four-part canon builds to a climactic quotation of the Columbine Alma Mater. The music recedes, and an offstage trumpeter is heard, suggesting a celestial voice — a heavenly message. The full ensemble returns with a final, exalted statement of the main theme” (Said on the pamphlet). At a part of this piece I heard a long crescendo moving from quiet lyricism to a powerful optimism. This piece made me almost cry a little bit and was a very sad piece to listen too. This piece reminds me of the 911 victims who passed away and all the innocent victims that I knew who passed away from gun …show more content…
This piece was actually one of the longer pieces that were played in this concert and it had some interesting turning points to the point where I felt like I was in a scary movie. This piece started off with a solo trumpet and drum, sounded like I was going to go to war. This piece had an allegretto tempo throughout the whole piece. This piece also had a lot of minor keys. This piece also had both a crescendo and decrescendo because the dynamics of this piece gradually get louder in the piece then gradually gets quiet has the trumpet
Concert Review 6 This year’s West Bay Community Band concert on December 17th was an excellent concert based on the theme of Christmas music. The performance took place at Mills High School in their own theater and had the new staging previously used in their Winter Concert. The Band, Saxtet, Euphonium Quintet, and the Flute Trio had some individuals with the Holiday spirit. The band seemed pretty relaxed and were at ease when playing their selections regarding A Christmas Festival.
Wachovia Winds ' Wind Ensemble was by far the most challenging musical experience of my life. I practiced the music every single day and worked as hard as I could, having the results to prove it. Being in the ensemble made me a better musician in the long run, and I 'm very excited to be a part of such a phenomenal band again next Spring. Thanks to the amazing direction of Danny Green, being in that band was one of the most worthwhile activities of my life. I enjoyed every performance
The Santa Fe Evening of Jazz was a great concert featuring the Rhythm and Blues, Jazz Combo, and Big Band from Santa Fe College with special guest Professor Scott Wilson from the University of Florida Jazz Studies. This Evening of Jazz was the ninth one to be held and was superbly done; getting a ticket was quick and simple, finding a seat was as easy, and leaving was not hard. The whole performance was led by Doctor Steven Lee Bingham who also played with all the bands on the alto saxophone along with giving information about each band, song, scholarship players, and on Mr. Wilson and his unique instrument called a E.V.I.. The audience had a pleasant feel, everyone was talking and laughing before and after the performance, they also were
The mournful dirge is a solemn and respectful tone for the occasion, and the music changes to a more lively jazz tune, reflecting the resilience and vitality of the African American community in the face of adversity. The music serves as a metaphor for the narrator's journey toward self-discovery, and liberation and highlights the themes of loss, resilience, and transformation that are central to the novel. It also underscores the importance of music in African American culture as a means of expressing emotion,
The day of the concert was on Monday, December the seventh at 7:30, the title of the concert was “A winter Choral Concert”. They had the CSUDH Chamber singers and the University Chorus. Some of the singers in the concert are Emily Chea, Jessica Cara, Garrett Carlson, and Ricardo Alvarado for the chamber singers. For the Chorus singers some of the singers are Illen Barrios, Sad’e Grant, Michael D’Aleo, and Daniel Andrade. The instruments what where played where the Piano played by Neda St. Clair then later by Cory Johnson, the harp played by Marcia Dickstein, the Bass played by Anthony Shadduck, the Guitar played by Jimmy Cheesman, and the Drums played by Angie Tabor.
Concert Report For my concert report I chose to attend my first symphony! My friend plays the violin in the Utah Symphony and told me that she was playing and I figured it was the perfect opportunity to attend. I attended Carmina Burana on Friday, October 23rd at 7:30 pm at Abravenal Hall in Salt Lake City.
This paper is a reflection on the Redlands Symphony Concert that occurred on Saturday, February 11th, under the direction of Maestro Ransom Wilson. The rehearsal schedule was somewhat normal, or what I understand to be “normal” in the professional field, with about two and half hour sessions on Wednesday, Thursday, and Friday. However, the Thursday time was reserved for just the strings, giving wind players only two rehearsals before the concert. The amount of time allocated for specific pieces also felt normal, with more time spent on the bigger work, in this case Beethoven’s Symphony No. 7 in A Major, moderate amount of time on Bruch’s Violin Concerto No. 1, and the remaining time on Beethoven’s Fidelio Overture. I was able to take part in this
The piece had a very dramatic start with a quick tempo and forte dynamics. The tempo remained fairly quick throughout the performance at about allegretto, but it did occasionally slow down to moderato. The dynamics of the piece hovered on forte with the intermittent slowing down to a mezzo-forte level. Throughout the piece, there were instances where the
The introduction of the piece is the same as that of “The Raiders March”, but with strings playing in the background. The A melody begins with the trumpet as the strings fade out (0:07). The first minute and a half of the song is played the same as that of “The Raiders March”, though due to differing sound equalization, some parts stick out more or less than they do in the original. For example, in the third repetition of the A melody, one can more clearly hear the xylophone accompanying the melody here than in “The Raiders March”. The piece begins to differ more significantly after the break following the third repetition of the A melody when the piece modulates down a half step instead of up like in the original (1:37).
From beginning to end, I am captivated by the music. Each element brings a unique character to the overall piece. The music takes the listener on a suspenseful journey. The arrangement of the song gives me a visual of someone stumbling upon a dark forest and begins to hear the fast-approaching movement of something behind them. The pairing of several melodic phrases throughout the composition adds to the sense of chaos and turbulence.
The dynamics for “Caravan” is mostly mezzo forte, and there does include sections of the song where the trumpet builds up and is full forte. The Tempo of this song is 118 BPM metronomes and in the key of C Major. A soundscape of unprecedented exoticism is the texture of this piece that invokes feral
The opening piece for the evening was “Entry of the Gods into Valhalla” written by Richard Wagner. This specific song was taken from Das Rheingold and was written in the Romantic Era. “Entry of the Gods into Valhalla” starts with deep mysterious music
In the beginning the piece starts off in Allegro Agitato which translates to Allegro with agitation (Fast but agitated) and we can see the Alla breve in the time signature spot which tells us it 's in 2 2 which also leads us to believe it 's quite fast paced. On the right hand of the piano we see semiquavers being played quite consistently throughout which plays an important part in setting the scene at the end of the piece. In the beginning we see the first note of the third bar come in at forte then the piece uses an diminuendo to take it down to piano for when the right hand enters the piece. This causes the piece to have a suspenseful sort of build up as the very first
First of all, the piece is quite interesting as a prelude – an introductory piece of music as it start off with dynamic and vibrant sounds that include the whole ensemble. This piece is structured as a three-part or ternary form which consists of ABA’ form. The idea of this piece is mainly act as an introductory of a story because this piece is only an excerpt from a bigger orchestral performance. From what I have heard, the solo performance is mainly comprise of the woodwind instruments in part B that indicated the slight sign of relief and calmness. The piece has a lot of variation where the composer include different timbres and dynamics such as the high dynamic structure during the first and the last part with the associating crashes of cymbals.
The music recital took place on April 12, 2017 at 12 pm, in the Morrison Fine Arts Building. The recital was help in the choir room, many attended. The show start with a short piano performance by Frederick Walker. I was very impressed I never seen somone play the piano without a music sheet. He performed a piece called L’Arabesque by Fredrich Burgmuller .