Confidence and Othello’s Destruction Society often perceives confidence as a positive trait. However, in Othello, Shakespeare examines the theme of confidence in Desdemona and Othello’s characters and how their varying levels of confidence cause their downfalls. Through the results of the tragedy, Othello demonstrates that having an excess of confidence, whether based on truths or lies, can be dangerous. Desdemona is confident that she can persuade Othello on Cassio’s behalf, and her persistence is one aspect that leads to her death. After Cassio gets into a fight and Othello strips him of his title, Iago suggests that he goes to Desdemona to win back Othello’s favor. Cassio takes Iago’s suggestion, and when he comes to Desdemona to ask her …show more content…
Desdemona asks Emilia if women who cheat on their husbands actually exist. When Emilia replies that she would consider doing it if she got enough out of it, Desdemona says, “I do not think there is any such woman” (4.3.83). Despite the evidence right in front of Desdemona that people are willing to have affairs, she still holds her belief that no one would ever do such a thing. Desdemona tells Iago and Emilia that, “Unkindness may do much, / and his unkindness may defeat my live, / but never taint my love” (4.2.159-61). She even admits that she may end up dead, but that it won’t affect her love and trust in Othello. Even up until she dies, Desdemona believes in her husband, referring to him as “my kind lord” and refusing to blame him for her death. While her death can’t be blamed directly on her confidence, if Desdemona had been more doubtful towards Othello, she may have been able to escape before he killed …show more content…
A quick search of an online text of Othello shows that Othello refers to Iago as honest fourteen times throughout the play, and each time, he has no hesitations in assigning this trait to Iago. For whatever reasons, which are probably depicted before the span of the play, Othello is entirely confident of Iago’s honesty. This belief is what allows Iago to turn his mind so easily. Iago even admits in a soliloquy that “The Moor is of a free and open nature / That thinks men honest that but seem to be so; / And will as tenderly be led by the nose / As asses are” (1.3.391-4). The fact that Othello truly believes Iago is honest, coupled with the fact that he has no reason to be suspicious of a plot against him, especially from Iago, is what lets Iago’s plan become so successful. While it is unclear why Othello automatically believes Iago’s insinuations—perhaps because they have known each other longer than Othello has known Desdemona, or because he doesn’t believe Iago would gain anything from lying, but Desdemona would gain a lot from lying about an affair—Othello does almost immediately conclude, solely from Iago’s reports, that Desdemona is cheating on him. This conclusion would be almost impossible without Othello’s confidence in Iago’s
Iago knew that Othello trusted his character to the point that he would believe essentially everything Iago told him. "I will in Cassio's lodging lose this napkin, And let him find it. Triffles light as air are to the jealous confirmations strong as proofs of holy writs. This may do something. "(III.iii.320-324).
William Shakespeare, the 16th to 17th century English playwright, dwelt on themes dealing with human nature: love, hate, power, jealousy, humour, discrimination and self-respect. He made the often-quoted observation that “our doubts are traitors, and make us lose the good we might oft win by fearing to attempt”, voicing the danger of doubt which could ultimately lead to loss of self-esteem. In his play, Othello, the moor, who was perceived as a courageous military hero, met his downfall due to the erosion of his self-esteem, and as a result, tragedy ensued. In the play, Othello trusted Iago unconditionally, to the extent that he came to seriously question himself and the trustworthiness of Desdemona, his wife, whom he genuinely cared
Desdemona is a white, Venetian debutante that chooses to marry a black man, a Moor, over the wishes of her father. At the beginning of the play, merely six hours after being married, Desdemona’s father attempts to stop her from accompanying Othello on military duty. He relents when Desdemona pledges her allegiance to Othello by telling her father, “But here’s my husband, And so much duty as my mother showed to you, preferring you before her father, so much I challenge that I may profess due to the Moor my Lord”
One of Iago’s plans to cause Othello to take action was the day of Othello’s wedding. After Othello and Desdemona were married they went to go consummate their marriage. Iago plans to get Cassio who is already drunk, to drink even more and causing him to do something that would ruin his reputation. “I know, Iago, Thy honesty and love doth mince this matter, Making it light to Cassio. Cassio, I love thee
Even after all the change they had gone throuhg, when he is about to kill her, the audience sees hints of what they used to have because it is the first time they are talking with the connection that they had. It is in this short episode before her death where it is shown that Desdemona truly knew who Othello was and that Othello just wants the best for Desdemona. “Some bloody passion shakes your very frame,” (V,ii. 53), Desdemona says this to Othello, which shows that she knew that there was something wrong with him and that it was his passion that ate him up. We see that he loves her and wants the best for her because he insists that she pray before he kills her because “[Othello] would not kill thy unprepared spirit,” (V,ii. 36). Othello is a different man and can no longer give her the love that she deserved.
She then says ‘But while i say one prayer!’ Othello responded ‘It’s too late’ and then he suffocates her. Without guilt Desdemona was killed by Othello’s blindness in falling for Iago’s trap. This would’ve ended up differently if only Othello had just talked things out with
Othello starts to believe Iago’s lies about his friends and wife, leading Othello to change his behavior towards his closest allies. Iago instigates a fight between Cassio and Montano, and Othello must take charge of his soldiers, he says: Thy honesty and love doth mince this matter, Making it light to Cassio. Cassio, I love thee But never more be officer of mine. (2.3.210-213) Othello makes the decision to fire Cassio, and things get worse when Iago makes his wife, Emilia, steal Desdemona 's handkerchief.
Othello talks to Desdemona and asks her to swear that she is loyal and honest, she says that heaven knows she is. Othello responds, “Heaven truly knows that thou art false as hell.” (4.2.47) While confronting Desdemona after she swears she is loyal and he claims that even heaven knows that she is not. Further showing that he truly believes that she is unfaithful because of Iago’s “proof” against her. Othello then tells Iago that he must kill Desdemona because she has had an affair.”
To Othello, Iago is more reputable now causing Iago is, at this point, reputable, meaning Othello will to believe anything that Iago says even if it is a lie. Iago’s psychopathic manipulations of Cassio then ultimately cause his downfall once Othello discovers that Iago has been dishonest, his punishment of torture and imprisonment at the end of the play is his downfall. Iago’s Throughout the play, since Iago is trustworthy to Othello, Iago plants seeds of jealousy in Othello’s mind. In Act Five, scene two, Othello shows the audience how he believes that Iago is “most honest” (Shakespeare 1302).
Othello appeared to have sound judgment, but almost immediately after showing blind trust in Iago he lacked “the judicial temper, and in important crises [did] not observe the judicial procedures” (Martin 47). As soon as Othello shows blind trust in Iago Othello is only nominally “searching for evidence; in actuality he is crying for certainty at any price, and doing so in the office of prosecuting counsel” rather than take his time and make sound rational judgments (Kliger 137). Othello became completely ensnared in Iago’s web and believed Iago’s every word as
Iago’s manipulation has driven Othello insane, leading to Iago’s plans on his last night. Othello tells Iago to go get some poison to kill Desdemona, but Iago refuses and just tells him to strangle her in her bed (IV. I. 223-229). Iago’s manipulation has not only lead Othello to believe the rumor is true, but has lead him to kill his own wife as well. Iago even manipulates Othello to strangle her, which is a much personal and vengeful death than poison. All of this manipulation results in Desdemona’s death,
Iago embodies dishonesty using lies and deceit to entangle everyone in his trap. In Act 1, Roderigo questions Iago’s faithfulness to Othello. Iago answers by saying, “Whip me such honest knaves,” meaning he only pretends to be faithful and loyal to Othello, fooling him into trusting Iago (1.1.49). As the play progresses, people describe Iago as honest; however, Iago decieves everyone into believing his word. Othello frequently describes Iago as “A man he is of honesty and trust” (1.3.284) as well as “most honest” (2.3.6).
Othello’s This rage at Desdemona’s infidelity signals destmetion of his identity as a successful and loving man. It shows that he now completely loses control of himself, he no longer is that gentle man. He has become so poisoned by the manipulation of Iago, he no longer hears out for his “fair
In Shakespeare 's play, Othello, the main character, Othello, displays actions that are classified as weak or strong emotionally. Throughout the play, Othello shows more weakness than strength when he turns over to jealousy, hits Desdemona, and calls her names shortly before wrongfully killing her. Othello’s first action of weakness shows when he turns jealous. Iago, his ensign, convinces him that his wife, Desdemona, has been having an affair with his lieutenant, Cassio. This is Othello’s response to Iago’s mortifying news, “She’s gone, I am abused, and my relief / Must be to loathe her.
Why was it so easy for Othello to believe Iago’s lies that Desdemona was in a web of affairs? Its due to the connotations that have been lingering around women in literature until the earliest twentieth century, and it is until then that these characteristics