After eleven years of an unhappy marriage Myrtle sees her affair with Tom as an escape from the awful like she is living in. The fact that she knows so little about the upper class men and the poor judgement of her character makes her an easy target for Tom to take advantage of her. Although she finally buys everything that she desired for, she never could have Tom’s heart all to herself. Tom would rather not leave Daisy because their marriage represents a larger meaning than only love it almost a symbol that show their social status. "Daisy!
Women have no rights and were under the mercy of her family. Both women look alike but with different situation. They wanted to have the word women to spread out and being heard that women are capable of doing everything a man can do. Two stories make the reader see that they wanted someone to feel them or probably to survive from what they were living with. “The Story of an Hour “ when Mrs.Malled confirm her about the death she goes to her room quite with no one follow her sitting on a armchair in front of an open window thinking that is it true or fiction what happened in order to get out from the shock.
In addition, this gives the overall story a dark tone as the narrator plots to carry out the murder. This differs from the actions of Mrs. Mallard because she is only freed of the burden of marriage when her husband dies in an accident. In fact, she had not even realized that she felt held back by of her marriage until after her husband passed away. This is an important factor to the storyline because the reader is able to witness Mrs. Mallard realizing how unhappy she was when her husband was alive, and how elated she is knowing that she can now live her life on her
Further, situational irony is present through the reaction that Louise Mallard has after learning about her husband’s death. Upon first learning of her husband’s death she is very devastated and distraught. As soon as she is alone in the bathroom however, it is clear to the readers she is not as upset. In fact she is slightly relieved in that “she saw beyond that bitter moment a long procession of years to come that would belong to her absolutely. And she opened and spread her arms out to them in welcome” (235).
"There would be no one to live for her during those coming years; she would live for herself. There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature" (Page 499). Chopin makes her strong statement in this quote from the story. Mrs. Mallard has no one to answer to but herself, and she feels liberated that her husband can no longer control her. During the late nineteenth century, women quite frequently had to suppress themselves to the will of their husbands, or to some other man who had a significant amount of control over their lives.
The Yellow Wallpaper is considered to fall in the genre of realism because it represents the way life was for women during the nineteenth century. Gilman intentionally tried to make Jane a typical woman of the time period. She is economically dependent on her husband, as she does not work out of the house. She is not allowed to make her own decisions, John will not let her out of bed, even though she wishes to do so; and she is often treated like a child, John gives her a dirty look when she expresses that she is still not well when he believes that she is getting
Another factor is that her old husband was healing Dimmsdale, her ‘illegitimate’ lover. Hester and her daughter Pearl lived with mistrust, the townspeople were disgusted by her, and would never trust her even after her sentence was lifted. Relationships can stand on the grounds of mistrust and isolation, but they may never thrive on it due to the fact of trust and companionship being the key factors in a relationship. This was shown throughout both The Scarlett Letter and Ethan Frome in a variety of ways, including the lack of true companionship in both novels and also the complete lack of trust held by some characters in both
Although John Proctor had an affair with Abigail, he still cares for Elizabeth deeply, As a result, Proctor choice to reveal the truth of his affair in order to save his marriage and his loyalty. In act I Proctor states ” I am only wondering how I may prove what she told me…. Elizabeth: If the girls a saint now, I think it is not easy to prove shes fraud, and the town went so silly, she told it to me in a room alone----- I have no proof for it ….. Elizabeth: You were alone with her…… Proctor: for a moment alone, aye. (page 51 ) . Proctor reveals his faults to his wife who he truly respects despite the fact that he had failed the woman he loves but, because of his affair he wants to be trusted, he realized that he is losing respect towards himself due to his
Base on what I had interpret in the story, there was a lack of acceptance and lack of love happened in the marriage of Sayoko and her husband. Because if Sayoko 's husband really love her, he would not mind even if Sayoko will play her mole in front of him because he loves her, but in the case of them, Sayoko 's husband did not really love her and Sayoko was blinded by the hope that her husband would change. As I interpret the story, the mole served as the memory of Sayoko to her mother and sisters. It
She is a tragic character, who is unable to exist in the world which surrounds her so she makes up a better world in her imagination. The world she wishes to live in. People can sympathize with Blanche because of all the tragedy in her life. Susan Henthorne writes in her essay A Streetcar Named Desire, Death and desire bring Blanche to this low point in her life. She never recovers from the devastating death of her young husband, indirectly caused by the nature of his sexual desire.
She is always looking for constant relief that she is unable to find. She eventually unknowingly obsesses over the wallpaper, which is her way of trying to escape her husband. According to Barbra Welter, who published an article for American Quarterly, women of the times did not have the luxury of thinking for themselves, for “when she bestows her greatest treasure upon her husband, from that time on [she] is completely dependent upon him, an empty vessel, without legal or emotional existence of her own”
In the story, the protagonist Louise Mallard suffers from a heart problem which to an extent shows how much she is oppressed in her marriage. Unlike Desiree, her heart is not in the marriage. She takes marriage as a confinement and a battle of will between husband and wife. She is not satisfied with the limitations that are imposed upon her being a wife. She thinks that the end of the obligations of marriage will free her and she can follow her own desires.
Edna has found her new found freedom by moving out of her big house she shared with her husband into a smaller house for herself. She is still trapped by her feeling s for Robert. He comes to visit her for the last time; Edna leaves Robert at her house and told him to wait for her. When she got back, Robert wasn’t there and left her a note, “I love you. Good-by –because I love you.” (Chopin, p148) which caused Edna to commit suicide because she realized she was not happy without her kids and society wouldn’t accept her because she left her husband.
She is ecstatic that she will not have a “powerful will bending her” (556) actions anymore and “her fancy [is] running riot along [the] days ahead of her” (556). Freedom is overcoming her thoughts and feelings. She cannot stop thinking about her future opportunities now that she does not have to seduce to her husband’s rules. Until, her husband entered into their home “a little travel-stained” (566) and stood “amazed at Josephine’s piercing cry” (556) while Richards’ “quick motion” (556) to block the couples view of each other was too late. It is true that her husband had been working, but he had not been anywhere near the accident.