Conflict In Antigone And Creon

Mistakes in Thebes In the classic play Antigone by Sophocles, two characters are established, Antigone and King Creon. When the two characters are juxtaposed due to Antigone being loyal to her family and Creon being loyal to his state leads to fatal consequences. The tragic hero depicted in the play is Creon due to the fact that he is a man of high noble power and his epic and tragic downfall is foreshadowed after the conflict between his rule and Antigone’s beliefs.

In the distinguished play Antigone, there is argument over who the tragic hero is, Antigone, or King Creon. A tragic hero must meet certain specifications, which include having a great influence, being essentially good with good intentions, having a weakness in them that leads to their fall, they must commit great sin which leads to conflict, that their story begins in relative happiness and ends in utter disaster, and that the hero commits their actions of their own free will. In this play, I believe that Creon is the real tragic hero and that Antigone sparks the reaction to his downfall. Creon’s position as king gives him great influence over the people of Thebes, allowing him to create laws to restrain, abstain, and assist the citizens.

William Shakespeare writes Twelfth Night a play known for its numerous humorous parts, satire, love, uncertainty and foolishness lurk the pages, creating a comedic value. The sub plot present in this piece opposes the traits listed above. Malvolio, the character that makes up Shakespeare’s sub plot, is known for his pompous personality. A series of events in Malvolio’s life, relating to women’s and acquaintances, lead those around him to plan a number of tricks to fool him. The debate surrounding Malvolio’s role in the comedy, has been up for debate for quite some time.

Shakespeare uses the idea of hubris, or tragic flaw, as the defining feature of his major characters in the play “Julius Ceasar.” The Greek word hubris refers to impertinent pride as a sense of security. Because of pride and arrogance, the character who personifies hubris always has a tragic downfall. William Shakespeare expertly portrays the tragic downfall in a character by thoroughly exposing their tragic fall. In “Julius Caesar,” both Caesar and Brutus suffer from hubris – both of them are filled with a sense of overconfidence and arrogance that leads to their tragic downfall.

Ophelia suspecting the cause of Hamlet’s madness to be his love for her is a clear example of dramatic irony as it shows her not grasping what is the real reason for him acting in that way. The conversation between Ophelia with Laertes and later on Polonius in Act 2 scene 1, leaves the audience with tension as Polonius says “This is the very ecstasy of love, / Whose violent property fordoes itself / And leads the will to desperate undertakings / As oft as any passion under heaven / That does afflict our natures.” (2.1. 102-106) The audience knows that the real reason of his madness is to distract attention from his investigation of the murder by leaving everyone concerned about his mental state.

In Romeo and Juliet, there are many complex characters that make this play more dramatic and interesting. Romeo is clearly one example of a complex character, where his romanticism blurs his sense of reality. An example of where this is seen during the play is when he falls for Juliet even though he declares that there is no one better than the woman he previously loved, Rosaline. Another example is when Romeo realizes that because of how he has lost his sense of reality, he has let his friend Mercutio die to one of their enemies: Tybalt. These two instances show how complex a character Romeo is and this shows how people in the real world can be similar to him by being complex and difficult to understand.

In the play The Crucible by Arthur Miller, the town of Salem is afflicted with hysteria, intolerance, and accusations that lead to death. According to philosopher Aristotle, a tragic hero possesses a tragic flaw, excessive pride, and an inevitable downfall. Protagonist John Proctor illustrates a tragic hero because he is presented as happy, powerful, and privileged, which later leads him to suffer because of his own actions. First of all, John Proctor possesses a fatal flaw, pride, which is a characteristic of a tragic hero. Proctor’s fatal flaws includes honesty and pride.

Othello by William Shakespeare is a tragic romance play that involves humor and jealousy. The comedy in the play diminishes the seriousness of the plot and stresses the development of its

Beneath his high class physicality, Lear struggles to maintain his confidence within himself because he depends on the constant admiration from others to feel content with who he is. One who leads with counterfeit beliefs and unstable values is bound for failure. Shakespeare designed this playwright to display the tragedy of a King who slowly goes mad, however in order to reach sanity sometimes one must go completely out of their mind to gain the wisdom in telling the difference. (David Bevington 1988)

Regarded as one of the greatest writers of his time, Playwright William Shakespeare used characters in his tragedies that represented an Aristotelian tragic hero. The definition of an Aristotelian tragic hero is a literary character who makes a judgment error that inevitably leads to his or her own destruction. In the play Macbeth, Macbeth portrays an Aristotelian tragic hero in many ways. He begins as a character with great stature, and many other characters approve of him. Throughout the play, Macbeth portrays his tragic flaw of vaulting ambition.

He takes Haimon’s well-spoken remark, and turns it into an insult against his son’s age. This is something that a character lacking self-confidence would argue as soon as their motives are challenged. Confrontation should not insight insult, it should insight intelligent and respectful conversation. It might be slightly more normal to argue with your family over serious issues, but Kreon upholds his undesirable traits even when speaking to the world’s most renowned and respected seer of the future, Tiresias. Tiresias, old and blind, has a guide lead him to Thebes to tell Kreon that his actions have upset the gods, and that he must free Antigone and allow her to give Polyneices a proper burial (998-1032).

Given the strength of religious values at the time of the speech’s deliverance, the idea of an inescapable wrath brought upon by sin would undoubtedly draw the colonies away from worldly matters, and instead towards the olden values which the colonies had been founded upon. As mentioned previously, Edwards possessed a remarkable reputation as a minister and orator at the time of the deliverance of Sinners in the Hands of an Angry God. Through the establishment of credibility through ethos, Edwards allows his reputation to support his argument and convey validity to his audience. With these

Emotions are feelings that come naturally to a person. These feelings may come from a significant event, a sudden change in mood, or even the actions of an important person. In William Shakespeare’s play, Julius Caesar, Brutus is a leading figure who induces an incredible sense of emotion in not just the citizens of Rome but also the audience. As the defining feature of a tragic hero is to inspire catharsis, Brutus definitively plays the role of the tragic hero in the play. Brutus is the true tragic hero as he evoked a great deal of emotion in the audience through an extremely impactful peripeteia, a wide extent of suffering, and a significant anagnorisis.

Thus, Oepidus the King is the true definition of a tragic hero, because of his excessive pride and self-righteousness that led him to fulfill his destiny. Oepidus the King is a very interesting play that I would definitely recommend to other people. The fact that it uses ancient tragedy really pulls it all together. Oepidus was just trying to do right by who believed was his father and mother but ended up making the gods mad. The Oracle told him it is not possible to Johnson 3 escape his fate and although Oedipus believed he could, he was wrong in the long run.

Benvolio: Out of her favor. (1.1.163-166) In the play, Romeo was experiencing a one sided love, and to protect his heart, Benvolio told Romeo to look for a new companion. Though this may be a heartfelt and sad scene, Shakespeare used the pun to inject humor.