(Golding, 77). Although the boys laugh at Simon’s idea, his belief conforms Golding’s idea that inner evil exists. The boys develop into the beast when they kill Simon. Simon was desperate to explain the unidentified creature on the mountain but the boys weren’t in the mood for listening to him. With his brutal murder by the other boys, chaos takes over civilized order on the island.
Much like the rest of the human race Ralph can be a savage, controlled by his id. All the remaining boys, except for Simon are gathered around a fire chanting about the beast and acting like savages. Simon, meanwhile is investigating the parachutist that has fallen from the skies and is perceived by the boys as “the beast,” a monster that they believe inhabits the island. While a physical beast my not occupy the island, a more potent and omnipresent threat is lurking the island. This threat is the beast inside the kids that all of them possess, some are just more expressive than than the others.
Lord of The Flies “Lord of The Flies” by William Golding is a novel with a key incident. Goldings shows the significance of the key incident through use of characterization, plot, language and exploration of themes of innate. Savagery, civility, fear, violence and murder. The novel features a group of boys who are marooned on a tropical island. The main characters are Ralph, Jack and Piggy.
The characters are frightened of the alleged beast, but only Simon reaches the realization that they fear the beast because it lives inside all of them. As the characters. As the boys grow more brutal, their belief in the beast grows ever stronger.. At the closing of the novel, the boys are abandoning the sacrifices and treating it as a spiritual god. The boy 's personalities is what carries the beast into reality, so the more brutality the the boys act, the more realistic the beast seems to manifest.
Jack speaks up for Percival, who is trying to speak but can’t, and says “He says the beast comes out of the sea” (Golding 96). Golding shows the boys perception of this as he states that the boys “considered the vast stretches of water, the high sea beyond, unknown indigo of infinite possibility” (Golding 96). The boys are slowly changing as shown in this quote, they are all scared of the beast and all over the place. This is followed by the sighting of the beast from the air. Sam and Eric were the ones to spot the beast and “They became motionless, gripped in each other’s arms, four unwinking eyes aimed and two mouths open.”
Now stranded on an unknown island, the boys must govern themselves. Soon the burning desire for power overthrows their civilized approach of leadership as a deciding factor tears the boys apart. Golding effectively uses the symbolism of the conch, the beast, and painted faces to reinforce the theme of how difficult situations reveal the demons inside of everyone. Together these symbols are applied in order to lead the reader to the suspenseful end.
Being on the island everyone is contsantly faced with the fear of the unknown the younger boys need someone to protect them from the fears on the island. Although nothing manages to scare the boys as much as the beastie does. When a little boy with a mullberry birthmark informs everyone that he has seen a beastie. The older boys emitiatly belive its his imagination but even later in the novel the boys start to question the exsitance of the beast. After the killing of simion, jack is belives ut was simon disguised as the beast, and that the beast is not dead.
At first, the beast is nothing more than a product of the boys ' imaginations. The smaller boys are afraid of things they see at night; rather than be blindly afraid of The Great Unknown, they give their fear a name and a shape in their minds. The boys fear the beast not even realizing that the are committing the evil actions of the beast. Only Simon reaches the final realization of what the beast for what it truly is, their own evil existing inside of them when he says “Maybe there is a beast… maybe it 's only us.”.
So watch; and be careful” (177) Jack not even saying he was at fault in Simon’s death, instead says that Simon was actually the beast, to keep the boys under control with fear. Jack is a devious person who goes into the deep end of savagery after having no rules to follow and becomes a pseudo
However the beast truly is only within them, Golding uses the beast to symbolise and show the reader the evil within everyone including a pack of young boys, the concept the boys have of the beast begins to break down the order on the island.
In the book, Jack represents the primal aspect of humanity and is shown to be both bloodthirsty and power-hungry. When Jack and Ralph begin to duel with wooden spears on top of the mountain, Jack attempt to kill Ralph by, “with full intention, he hurled his spear at Ralph. The point tore the skin (Golding 163)” The ferocity and desire for power of Jack makes him kill the person that he once worked with. The charisma and power of jack begin to transmit the “it” amon the kids.
Power and manipulation takes over people’s minds and turns us into egotistical people without even knowing and the sense of having control or authority can brainwash us into the people who we despise. William Golding fabricates his ideas around the time period 1933 after he received his English degree where he mostly wrote poems. Golding’s world consists of writing novels, pulling ideas from the real world into his own creative words on paper, this is where he developed his most famous book, Lord of the Flies, throughout 1954. The perspective of Lord of the Flies is through the eyes of the Second World War and since he was in this war, his point of view on violence changed and gave him a different outlook on society. In the Lord of the Flies