Contemporary Art 1970 Analysis

Introduction

Contemporary art means "art that has been and continues to be created during our lifetimes." There is a certain amount of overlapping between "Contemporary" and "Modern" art. Thus:

Modern Art: Art from the Impressionists (say, around 1880) up until the 1960s or '70s.

Contemporary Art: Art from the 1960s or '70s up until this very minute.

1970 is the cut-off point for two reasons. First, because it was around 1970 that the terms "Postmodern" and "Postmodernism" popped up. Secondly, 1970 seems to be the last bastion of easily classified artistic movements. If you look at the outline of Modern Art, and compare it to the outline of Contemporary Art, you'll quickly notice that there are far more entries on the former page. This, in-spite

Working in a wide range of mediums, contemporary artists often give, have thought and make point clear on modern-day society. When with attraction with contemporary art, viewers are challenged to put aside questions such as, "is a work of art good?" or "is the work of art aesthetically pleasing?" In-spite of this, viewers take into account whether art is "challenging" or "interesting." Contemporary artists may question traditional ideas of how art is formed, what forms art, and how art is made, while making talk between persons with and in some cases putting back, the styles and movements that came before them.

The term ‘contemporary art’ is indistinct and can be very freely defined, but according to Sameera Raja, a well renowned curator and owner of the Canvas Art Gallery in Karachi:

“Anything that is produced in the here and now is contemporary art because the vocabulary is of today and not of the past. Anything happening in the 21st century as of right now is contemporary art. The mediums have changed so much that it’s not just about painting; it’s about video art, media, installations, etc. So many things we are exposed to which all is coming out now. There is a lot of art that comes under this

Bazaar art features Mughal, Hindu and Sikh themes in a modified miniature style. Company Art, unlike bazaar art, was produced for a European clientele and manifested an obvious western influence. Theatrical companies provided a livelihood for many artists who painted stage scenery and backdrops. Western style dominated the art of the theater as well as calendar and poster art. The Mayo School of Arts, a British government institution started in 1875 in Lahore, was perhaps the greatest disseminator of European aesthetic and artistic technique. The Mayo School fostered western book illustration, western perspective, and drawing from casts It may also have been responsible for popularizing Art Nouveau and oil painting. Still other painters took up Islamic decoration—floral and geometric designs for mosques, guilding and calligraphy—or scenic wall