As defined by Steinhardt NYU “Contemporary art is the art of today, produced by artists who are living in the twenty-first century. Contemporary art provides an opportunity to reflect on contemporary society and the issues relevant to ourselves, and the world around us.” Although Jane Alexander’s surreal artwork, The Butcher Boys, is dated 1984, but is still relevant to all of us living in the twenty first century. Although the apartheid era has been called to an end, many - if not most of us - are still living with the aftermath of Apartheid. Many South Africans are still carrying some kind of emotional burden, whether it being anger, hurt, resentment or empathy as a result of the circumstances they had to endure during that period. Although the Apartheid era has been declared as ‘over’ – In the twenty first century, we are currently still struggling to correct the inequalities that were inflicted during Apartheid regime. A large proportion of South Africans are still living in the shadows of apartheid, whether being white or black due to poverty, prejudice and injustice caused by the despotic dictatorship. The “aboutness’’ of Alexander’s artwork is very real and truthful and confronting in a sense that it demands interpretation because of the artwork’s surrealistic and bold appearance and the way in which it is very unusual and probably makes most people feel uncomfortable at first glance. This refers back to the uncomfortable and somewhat ‘awkward’ topic of Apartheid, and
In Chapter 1 and 2 of “Creating Black Americans,” author Nell Irvin Painter addresses an imperative issue in which African history and the lives of Africans are often dismissed (2) and continue to be perceived in a negative light (1). This book gives the author the chance to revive the history of Africa, being this a sacred place to provide readers with a “history of their own.” (Painter 4) The issue that Africans were depicted in a negative light impacted various artworks and educational settings in the 19th and early 20th century. For instance, in educational settings, many students were exposed to the Eurocentric Western learning which its depiction of Africa were not only biased, but racist as well.
ARTS & LITERARY ARTS RESIDENT FELLOWS PROGRAM 1. What is the purpose and goal of your project? (250 words) During my Bellagio Residency, my goal is to examine formal and informal aspects of this creative relationship during the 1961-71 period, when Baldwin and Delaney intermittently lived together in France and Turkey. Focusing on shared characteristics of their work, I will explore similarities in their creative practices.
Obama creates a neural link for his audience between the misfortune of the black community, and puts his audience in its shoes to see the dark world they face, all the while, familiarizing them with a small portion of the torment his Reverend faced in his fighting youth. The imagery describes how oppressed the black community has been in regards to quality of life, and thus gives insight into what
Black South Africans made up almost 80% of South Africa however, they were majorly oppressed. They were forced to live in camps, have labor job options, and had little to no resources. In the 1950’s black South Africans started to fight against this oppression leading to the recent end of apartheid. They have been able to reclaim their narratives and express
A political cartoon in Document R depicts this hunger with a white man and a black man both raising their arms in victory. This image is meant to symbolize the freedom that both races would receive once South Africa became a democracy. Martin Luther King Jr. shared Nelson’s dream, going on to speak of true equality in his “I Have a Dream” speech, hoping for black and white men to “sit down together at a table of brotherhood” (Doc Q). The hospitality of white and black Americans did not fail to amaze him either (Doc N). By including people of so many racial and ethnic backgrounds, the leaders in nonviolent freedom fighting were able to show that their fight wasn’t just about one particular group.
Although the incident occurred long ago, it can be connected to happenings of social injustice today. The Red Summer influenced and inspired African
A call to stand up against the white men who oppress African
Thus the reader is once again let down, and left wondering whether there is anyone in Africa who can fit the mold of the leader required. Midway throughout Stephen Kumalo’s journey, the reader is told about a young man named Arthur Jarvis, a staunch opponent of South Africa’s racial injustices who was shot and killed. Much to the reader’s dismay, the more they learn about Arthur Jarvis, the more they mourn his death as Arthur Jarvis embodies all the qualities needed for a
In this art piece, Kara Walker uses emotion, posture, symbols to indicate about how the low class people raise power against horrible slavery regime and social discrimination. When I first see Kara Walker’s art pieces, the first thing that
Jonathan is able to overcome the stigma and stereotype that come with being dark skinned and African American. Within the discussion Jonathan states “If you don’t understand the culture, you can offend someone” referring
In Basil Davidson’s video, “Different but Equal”, Davidson examines ancient Africa, and how Africans were perceived in ancient and modern times. Davidson discusses pre-colonized Africa and its history, and how racism prevailed in the past and in modern day. By discussing early civilizations, as well as modern day perspectives, Davidson allows the viewer to have expansive information on how individuals view Africans and their culture. In Davidson’s video, he discusses how people in the past have viewed Africa and African culture, and how that relates to our perception of Africa in modern times.
The world cannot appreciate the African identity unless they don 't embrace it themselves. It is also a message for non-Africans to remember their privileged histories and acknowledge its part in their social position in the present world as the issues of identity can not be addressed unless they look at the African community from the lens of their
Entering a conversation about literature ‘Once upon a time’ a short story by Nadine Gordimer transports the reader through the narration of an interpretation of Apartheid in South Africa. The author used the story of a white family whose members at first “Loved each other very much and were living happily ever after” (Gordimer, 1). Yet, at the end trying to find more happiness away from the black population end up living a tragedy with the death of their son. This misfortune was due to their obsessive fear of the black world. During apartheid, white identity has schemed as power over the blackness of the rest of the population which was segregated.
People do not view Africa as a great world power due to its history of slaves and poverty. Africa will become a great nation like it was before the peace broken by European powers. Africa will return to its natural roots being free from violence and discrimination. The poem, Africa, relates to the harass of Africans and African-Americans being seen as a lower class even in modern time. This poem repeats in America with black injustice crimes, ripping black culture to modernized.
Beginning To Hope’. (Key words: individual, humanity, oppression, reconciliation, Mandela) From Detention to Divinity: A Reading of Mandela’s Long Walk To Freedom Nelson Mandela’s journey from inhuman detention on Robben island to divine forgiveness is a saga of suffering, endurance and transformation into a new mode of reconciliation in the interests of his country and of humanity. His autobiography reveals the intertwining of two strands-- national movement and of his personal life. One becomes aware of the history of apartheid in South Africa practiced