Jennifer Toth details the stories of many who face extreme opposition in the choices they have made in order to survive the ever present wickedness of today’s society. In the book Mole People, Jennifer Toth (1993) exonerates the myths of mole people, those who have chosen to live underground in New York City. Toth quickly becomes immersed not only in the emotional connections she has established, but also in her benevolence towards the underground homeless. Toth (1993) comments, “Tunnel people always amaze outsiders at how well they hide” (p.157). Throughout her writing process, Toth had to overcome many obstacles in order to gain a credible insight into the Mole People’s community. The community’s sense of secrecy presented one of Toth’s
My favorite book from this semester has to be the Grand Inquisitor by Fyoder Dostoevsky. First off, what compelled me to pick this book was the originality of the content by having the Grand Inquisitor appear to conversate with Jesus Christ. However, more specifcally, I appreciated the main themes like the ideas that the masses are innately naïve, a majority of people would rather be told what to do rather than to follow their own logic, and people are satisfied as long as they are comfortable.
In the light of the second World War, Tevye is a poor man in the time of a crisis, but not only is he incredibly poor with six daughters, Tevye is also Jewish. In regards to this, somehow Tevye is still an honest average man. In fact, Tevye is the epitome of an average man, he believes in tradition and he fights to keep it like most others during this trying time. Yet, despite his reluctance to change, he remains amenable in doing whatever he can to make his daughters happy, even if it means breaking tradition. To put it differently, he is the average father, he’s impoverished and struggling to make ends meet, yet he still works an honest job, protects his daughters and allows them to marry poorer men when they refuse to marry a rich man. Which brings to attention Tevye’s dream of being rich, and like Crooks says in Of Mice and Men the dream is nothing, the masses of the world carry the same desire with them day to day to keep them afloat, this desire is as significant as theirs which is little to none. With his dreams and his economic situation in mind, and the period of time, one can imagine the masses of the world are more than sympathetic to his plight. This brings to attention the purpose of the regular man, to establish a connection with the audience and relate their aspirations. Like the reader, the everyman has a dream of becoming more than what they
In Brave New World, Aldous Huxley presents us with a Dystopian society, for as we read, there is a revelation of the true nature of the society. The basis of Plato’s Allegory of the Cave is that the shadows in which the trapped conformists see are the flawed reflections of ideal forms, such as beauty. Within the society of Brave New World, the entire population appears perfect for they are manufactured to be that way, therefore, the ‘outsiders’ appear as the flawed reflections of their ideal forms, which is present in the Allegory of the Cave, as well as other similarities.
“I want to forgive. I want to embrace. I don’t want more suffering.” said Ivan to his brother Alyosha after reflecting on the unjust evil innocents face because of humanity’s sinful actions. Ivan’s words shed light to the idea of idealism versus reality. Realizing that cruelty is present in the lives of the most innocent, lead me to assert that evil is a real problem as it intervenes between the harmonic and idealistic view that the world consists of genuine, good people. Additionally, in the theist point of view, God has the absolute power to manipulate the circumstances his people are encountering. In The Problem of Evil by Fryodor Dostoevsky, Ivan mentions how children pay for their parent’s wrongdoings and it’s unjust as the children are
Notes from Underground are the tormenting thoughts of a bitter antisocial man living in St.Petersburg, Russia. The Underground Man writes down his contradictory thoughts to describe his depart from society. Although he has been corrupted by the power of spite he is an intelligent man. His intelligence leads him on the trail to conclude that man’s primary desire is to exercise free will whether or not it is in his best interest. His corruptness builds his insecurities causing him to lash out at people intentionally attempting to emotionally harm them. The Underground Man wishes to have a role of authority over other individuals however his role in society detains him from even feeling social equal to others.
At the beginning of the second half of the novel Dostoevsky’s Narrator is still bitter and angry, reflecting on his life and his place in the world, the universe, and society. However it is now in a social context. He is looking at himself not in comparison with some intangible idea, but with those he is forced to interact with on a daily basis. In an especially passionate part of the novel the Narrator compares Russian language and culture with that of Germany and France. “We Russians, generally speaking, have never had any stupid, translunary German, and more especially French, romantics, who are not affected by anything; let the earth crumble under them, let the whole of France perish on the barricades- they are what they are, they won’t
Furthermore, the anti-hero is not capable of creating a normal human relationship with anyone he encounters, more importantly being in love. He once said that he had loved and hurt himself. The traumatic experience caused him to behave this way. The Underground Man is not able to look at people in the eye. He sees himself with disgust and regret, hating the appearance of his face but frightens if others catch a glimpse of him, as he is afraid of their derisive laughter. He sees himself as seen, and assuming that to bear this glimpses that looks at him with loathing, because he worries more about being unseen rather than being seen and judged (Brombert 67). Even though he exerts himself as someone who does not need companionship, he longs for
Richard Wright’s The Man Who Lived Underground and Ralph Ellison’s The Invisible Man are both set in the pre-civil rights era when segregation laws prohibited African Americans from basic human rights. Both stories are told by unnamed narrators, with Wright not revealing Fred Daniels name until the end and even then he struggles with his name. Both stories deal with black men in search for their identity, and visibility by white America.
To what extent does the nature and form of a film and literature influence what is or is not presented as “reality?” How do we define what is considered as realism and what isn’t?In the world of realism we find ourselves engulfed in an attitude of living in the moment. By this I mean in regards to realism, we deal with situations as they arise. We do not plan or fabricate or use emotions; we use logic. We see this realism prevalent in Dostoyevsky’s Notes from the Underground. In this story realism is continuously shoved at us through the eyes of a disgruntled man. By the same token, we also see realism in Ray’s Panther Panchali. However, I propose the question: are these two realistic media sources the same? Can we clump these two sources
Dystopian stories are usually set in an unfavorable society in which to live, where the antagonist is the society itself, and the protagonist is the person who is looking towards changing this society and fixing its flaws, who believes that they can make a difference by overthrowing the government or escaping from it. The conflict is often not solved, or the hero fails to solve it, and the dystopian society continues as it was before. Harrison Bergeron is an example of a dystopian story where society has intensely controlled the population’s unique qualities to make everyone exactly equal. People’s talent, beauty, intelligence, and any other quality that makes them different is brought down and destroyed by forcing them to wear handicaps, masks, and weights. Harrison Bergeron is the protagonist of the story. He disagrees with the society’s way of living and is arrested for it, but he takes a step forward to change it. The author takes on different varieties of tone throughout the story such as gloominess, despair, and joy, which clarify the idea that he disagrees with this society’s
In “Notes from the Underground”, a fiction book by Fyodor Dostoyevsky, the Underground Man is not like the traditional main character in most other fiction books. Often books have a tragic hero where he or she either saves the days or unfortunately is killed. But that is not the case for this book, the main character shows characteristics that do not fit along the lines of a tragic hero at all. This paper argues that the Underground Man is most definitely not the tragic hero, but instead an anti-hero.
After reading the module about the notion of choice I was interested in how we as humans sometimes pick the choice that will bring us more disadvantages. I learned that we are unsure of what drives us to make a certain choice. There’s a possibility that it’s just the way
A micro-fiction ”The Nobody” written by William Trub answers these question. A small subway stop in this micro-fiction is a fantastic metaphor for our whole society. By means of that, William Trub reveals that compared to this objective material
In Dostoevsky novel, Notes from Underground, it involves the tormenting thoughts of a bitter antisocial man living in St.Petersburg, Russia. The Underground Man writes down his contradictory thoughts to describe his isolation from society. In his moments of solitude and isolation, he becomes corrupted by the power of spite. He does not give much thought how being spiteful will affect his life because he is an intelligent man. The act of being intelligent does not satisfy him, rather he uses his intelligence as a mechanism to make others feel as though they are incompetent to him. The Underground Man strives to have a role of authority over other individuals, however, his low insignificant position in society detains him from even feeling socially