ipl-logo

Corruption In Othello

389 Words2 Pages

Both characters show a level of obliviousness of the plots in play around them. Desdemona is neglectful of Iago's trap when she permits herself to be seen with Cassio as Iago uncovers the sight to attentive Othello; at the same time, Desdemona says of Iago, "I never knew/A Florentine more kind and legit." However, while Emilia is unconscious of the damage she got to be included in when Iago requested she give him Desdemona's cloth, she is befuddled by Othello's suspicions and says, "If any villain has placed this in your mind,/Let paradise compensate it with the serpent's condemnation!"

Emilia and Desdemona do contrast in context. Emilia exhibits common sense by saying she would undermine her spouse, however, "I would not do a wonder such as this for a joint-ring...monarch." Her announcement demonstrates practicality as well as reliability and affection for Iago as she would render herself powerless against the outrage of corruption for the prosperity of her spouse.

Desdemona, then again, is greatly optimistic in her perspectives of …show more content…

In going with Othello to Cyprus, she resists her dad, who as of now despises the "foul criminal" for winning over Desdemona by probably tying her in "chains for magic..."

In the wake of seeing Desdemona's dormant body after Othello executed her, Emilia demonstrates her boldness also when she says, "I won't beguile my tongue; I will undoubtedly speak." Though undermined with her own particular spouse's knife, she holds her exemplary nature and "will talk as liberal as the north... talk."

Emilia and Desdemona contrast in class level and essential point of view. In investigating the play and the circumstances behind every activity, be that as it may, the similitudes between the two characters develop. As in numerous Shakespeare plays, the ladies fall into their separate parts in the deplorable

Show More
Related

  • Gender Isolation In Othello

    1669 Words  | 7 Pages

    Emilia knows that Othello believes that Desdemona has cheated on him with Cassio, but the interesting factor is that Emilia knows that is not true as she arguably knows Desdemona the most out of all the characters. Desdemona's isolation prior to her death is “ attributable to the onlookers' nonintervention” (Vanita 343). Emilia was aware of the abuse that Othello put upon Desdemona even though she knew the accusations against her were false “For if she be not honest, chaste and true,/ There’s no man happy; the purest of their wives/ Is foul slander” (Shakespeare 4.2.18-20) but still leaves Desdemona in isolation with Othello, even though she was aware of what he believed. When Othello confronts Desdemona with the claims of cheating Othello commands Emilia to “Leave Procreants alone and shut the door;/ Cough or cry “hem”

    Read More

  • Essay Comparing The Taming Of The Shrew And Othello

    2005 Words  | 9 Pages

    but to please his fantasy” (III.3.306-308). Emilia is willing to steal her friend, Desdemona’s handkerchief in hope that Iago will appreciate her for once. Like Desdemona’s character, Emilia’s character is willing to do whatever it takes to make her husband happy by submitting herself to her husband. Readers can see that Iago has power and control over Emilia by how he is able to make her do whatever he wants even though he disrespects her as a person by calling her things like “a foolish wife”

    Read More

  • Internal Conflict In A Painted House

    796 Words  | 4 Pages

    Iago then has Emilia, his wife, get Othello’s mother’s handkerchief and plants in Cassio’s room, then warns Othello to watch out for Cassio and Desdemona. Iago then sent Cassio to ask Desdemona and for his job back. Othello then suspects his wife of cheating. When she comes to him soon later vouching for him to give Cassio his job

    Read More

  • Theme Of Responsibility In Othello

    629 Words  | 3 Pages

    During her moment of truth, Emilia accepts punishment for her naivete towards her husband 's evil plot and redeems her damaged character. Distraught from Desdemona 's death, Emilia asks Iago if he really has done what she fears, she declares “Disprove this villain if thou be’st a man” On the surface, Emilia is telling Iago that he is to tell Othello what he did if he “man” enough to publicly acknowledge his true evil, as much of his treachery is sneaky and underhanded. Additionally, asking Iago if he “be’st a man” also insinuates that Iago is not a man, but rather a malicious demon that is not human. Later in the scene, Iago tells Emilia to go home and she replies with “T’is proper I obey him, but not now Perchance, Iago, I will never go home” To be “proper” is to be suitable or appropriate. Emilia is expected to follow all of her husband 's commands yet when Emilia says that she will never go home she means that she will never take orders from her husband again now that she knows the atrocities he committed.

    Read More

  • Examples Of Prejudice In Othello

    1010 Words  | 5 Pages

    Internalised societal prejudices allow their flaws to overpower their love. Othello’s experience with racial prejudice and Desdamona’s with misogyny make their relationship susceptible to distrust and selfishness. Othello’s view of Desdemona as an accomplishment is demonstrated in Act 5 scene 2, when Emilia exclaims “O, the more angel she, And you the blacker devil!” Emelia’s description of Desdemona and Othello is an oxymoron that forces them to oppose each other, where Othello is viewed as a demonic creature, and Desdemona as angelic.

    Read More

  • The Destructive Use Of Manipulation In Shakespeare's Othello

    537 Words  | 3 Pages

    He points to the evidence that the handkerchief given to Desdemona by Othello, which means a lot to her, is now in the hands of Cassio. Iago says, "And did you see the handkerchief. What is that mine? And to see how he prizes the foolish woman your wife: she gave it him, and he hath giv'n it his whore” (IV.i.172). Iago suggests to Othello to “strangle her in her bed, even the bed she hath contaminated” (IV.i.226-227).

    Read More

  • Examples Of Masculinity In Othello

    1660 Words  | 7 Pages

    Othello sends her off to get Desdemona and says to the audience “She says enough, yet she’s a simple bawd/That cannot say as much. This is a subtle whore,/A closet, lock and key, of villainous secrets./And yet she’ll kneel and pray, I have seen her do ’t.” (4.2.21-24) Othello is dismissing her statement under the principle that any woman would say the same story and the only truth he can trust would be what he is told by a man. If he had listened to Emilia, the closest friend Desdemona has, he may not have killed his wife. He may have saved many lives, but instead, he let himself be lead astray by falsehoods since they were spoken by a man.

    Read More

  • Othello Passage Analysis

    923 Words  | 4 Pages

    Iago uses very clever methods of persuasion and manipulation aimed to use Othello’s hamartia against him, pointing out that “ “She (Desdemona) did deceive her father, marrying you,” so much so that Brabantio “thought ’twas witchcraft”. Through this, Iago is subtly raising the issues of Othello’s cultural differences with Desdemona; a root cause behind Othello’s insecurities with his wife – along with inadequacy due to race, degree of sophistication and age. As Iago prompts Othello to think the worst, his utterances are short and uneasy, revealing the beginning to his downfall, whilst Iago’s dialogue is at length highlighting his growing power of

    Read More

  • Manipulation Quotes In Othello

    766 Words  | 4 Pages

    Iago and his wife Emilia enter the room to comfort Desdemona. Desdemona weeps telling Iago that Othello hates her. Iago sat by her saying “Fie, there is no such man. It’s impossible” (IIII.ii.157) trying to reassure her. Iago uses manipulation in a different way here.

    Read More

  • The Role Of Women In Shakespeare's Othello

    1592 Words  | 7 Pages

    While Desdemona is a remarkably strong character, Emilia also displays independence unmatched by any other female in Othello, and there are multiple details of Shakespeare and his time that may have prompted such a portrayal. In Elizabethan England, many women worked behind the scenes of productions, like Shakespeare’s, as uncredited authors and editors (Crowley). Due to their anonymity, nobody can be sure that women were involved in Shakespeare’s plays nor Othello in particular, but there is a genuine possibility that female writers did have leverage. This may have had to do with how Emilia was portrayed as resilient from the time of Desdemona’s death all the way until her own, standing up for herself regardless of the ridicule it caused her (Iyasere). In fact, it even killed her in the end.

    Read More

  • Betrayal In Othello

    1477 Words  | 6 Pages

    He ends up uses all the money Rodrigo gave him, for himself. Not only that, but Iago ends up killing Roderigo, he says, “if Roderigo lives, he’ll expect me to give back all the gold and jewels I swindled him out of as gifts to Desdemona, that must not happen.” Iago stabs Roderigo, and puts all the charges on him. Emilia is Iago’s wife as well as Desdemona’s maid, he lacks attention and sympathy towards her. It is very obvious that he does not care about her.

    Read More

  • Iago's Perception Of Women In Othello

    395 Words  | 2 Pages

    Consequently, implies Emilia is promiscuous by directly saying to her, “A thing for me? It is a common thing” (3.3.311), referring to her as sexually “common” among men. Furthermore, Iago creates a false immoral image of Desdemona to Othello base on simple interpretation concluding Desdemona is adulterous, however, Othello ultimately convinces himself and perceives Desdemona as adulterous. At first, Iago distorts the reality to make Othello think his wife is deceiving him, but Othello is not fully convinced until he starts misinterpreting Desdemona actions, implying he perceives her as adulterous. Othello at first holds that “Desdemona’s honest” (3.3.230), but something as simple as a lost handkerchief makes him see his wife as an adulterous and called

    Read More

  • Masculinity In Othello

    1010 Words  | 5 Pages

    Throughout the play we observe Emilia’s character change, and how she suffered the consequence of challenging the system. Shakespeare’s Othello, utilises a range of dramatic techniques to showcase how women where portrayed during early modern England, as tools, chaste and naive. The antagonist, Iago takes this to advantage to manipulate his wife to unintentionally take a part in the moral dissembling of Othello. The idea where women were being victimised is presented when Iago utilises his power and authority to

    Read More

  • New Historicism In Othello

    1636 Words  | 7 Pages

    In Othello, Othello and Desdemona are both characters that are struggling with their identities. In the beginning of the play we find Othello as a respectful man that is successful, but then we get Iago that manipulates him to make him seem as the bad guy. We also find Desdemona that turns against her father and the Elizabethan society to marry Othello, but we also find that she is respectful and obedient to Othello.

    Read More

  • Theme Of Dishonesty In Othello

    750 Words  | 3 Pages

    In the play Othello, William Shakespeare creates an elaborate tragedy with various in depth characters, enhancing the story with powerful characterization. Iago, the main antagonist of Othello, exemplifies Shakespeare’s use of characterization to create in depth and complex characters. Using his manipulative nature, intellectual mind, egotistical attitude, and dishonesty, Iago controls the other characters in order to achieve his goal, leading Othello to succumb to an overwhelming jealousy causing his downfall. In order for Iago to gain control of the characters in the play, he manipulates Othello, Roderigo, Cassio, and more to believe false information and turn on one another.

    Read More

More about Corruption In Othello

Open Document