Shakespeare uses disguise in the play to show several confusions and internal conflicts between the characters, proving how malleable and deluded some human attractions can be. Shakespeare uses Viola (Cesario) as an example of a mechanism that can throw internal conflicts into temporary chaos. Viola willingly faces whatever comes in her way. Her love for Duke Orsino seems too constant and true, unlike the other characters in the play. The temporary chaos of the play is when Viola falls in love with Orsino, who falls in love with Olivia, who on the other hand falls in love with Viola’s disguise, Cesario.
The “actions and spirit” which Olivia refers to are Viola’s ability to converse with Olivia woman-to-woman, unbeknownst to the countess. Twelfth Night seems to present gender as a mask to be worn and taken off at will, a fluid concept that changes to suit one’s needs and emotions. By playing Cesario, Viola partly becomes this version of herself, so Olivia, by loving Cesario, has feelings for Viola by extension. When Sebastian makes his reveal, Olivia marries him for two reasons. The first is an external piece of reasoning, being that in Elizabethan comedies such as this, heterosexual pairings must happen for the play to follow the fairly strict expectations of a comedy.
In each story we find two young people who are in love, sadly though, both loves have been forbad. Our main point here is the divider which separates the lovers. In Romeo and Juliet Shakespeare writes, “from ancient grudge break to new mutiny” (1.1.2). Then in “Pyramus and Thisbe” Ovid writes “They longed to marry, but their parents forbade.” (947). Now that the divider has been brought to attention, we must also know that when love is restrained, it finds a way to come through.
Gatsby and Cohn both harbor delusions about their places in society, but Gatsby is completely illusioned whereas Cohn realizes the truth to a certain extent. Fitzgerald and Hemingway examine how being alienated in society can lead to having untrue perceptions about one’s relationships with others. Gatsby and Cohn both have delusions about their places within romantic relationships as they pursue women who do not wish to commit to them. Gatsby, as he tries to “win” Daisy at the hotel, is sure that she loves him wholeheartedly. In an attempt to cement their relationship once and for all, he directs her to reveal her utter lack of love for Tom.
At this point, Romeo is infatuation with Rosaline, Lord Capulet’s niece and a girl who sworn to remain chaste, is still present. However, as soon as Romeo lays eyes on Juliet, he forgets entirely of his previous love for Rosaline. In fact, Romeo begins to question whether he was actually in love with Rosaline. This establishes that Romeo already makes hasty decisions when it comes to love. Next, while speaking to Romeo in secret on her balcony, Juliet proposes the idea of marriage: “If thy bent of love be honorable / thy purpose marriage, send me word tomorrow” (2.2.143-144).
Twilight series have been used to shape the perceptions of relational communication and satisfaction as well as attitude towards romantic relationship. In order to maintain and develop romantic love communication strategies ought to be analyzed and followed by the couples. The myth in Twilight has presented romantic love though mythical but sounds applicable and realistic. Therefore, it is easy for the readers to learn from the stories and achieve developing relationships and romance. A popular culture is always criticized for building unreal expectations on the romantic relationships that form imaginations of satisfaction and attitudes in communication relationships.
In Midsummer Night's Dream Shakespeare is saying that love isn't always easy and some people might want to stop you from loving someone. But if that person is your true love you should pursue them no matter what. There are three main ways he shows this in the play. For example when Eqeus tells Hermia that she can't marry Lysander, but they get married anyway. Another example is when Demetrius doesn't love Helena but Demetrius is Helena's true love so she keeps on pursuing him and they end up together.
The reader can imagine her as constantly-shifting in appearance, which adds to the horror of her looks. Both Arthur and Guinevere attempt to convince Ragnelle to hold the wedding privately to preserve both Gawain and Ragnelle’s honor, as other courtiers will no doubt ridicule them for the odd couple they make. Arthur’s knights are meant to be the best in England, with the most beautiful, noble wives. Certainly, Ragnelle is not the bride Gawain would have picked, given a real
“Loving can hurt sometimes,” Ed Sheeran said, and this is no lie when it comes to Twelfth Night. Love is often an inevitable struggle in a plot, but in this Shakespearean play, a complete love triangle dominates as the main conflict. It cause happiness, excitement, deception, or even insanity, we still can’t seem to figure out if the benefits outweigh the consequences. Throughout Twelfth Night Shakespeare demonstrates love as a cause of suffering, a ‘knot that cannot be untied’ with Olivia’s love, Viola’s disguise, and Malvolio’s fake letter. Lady Olivia’s initial suffering contributes to the cause of this complex knot.