The Turn of The Screw - Creative Response
As Cyril trudged up the front lawn, the damp grass left his shoes and the hems of his trousers wet and uncomfortable. The imposing manor house Bly loomed over them, and looked as though it had once been open and welcoming, although the grand architecture was now overshadowed by a hopeless air of neglect and abandonment.
His apprentice, Eddie, muttered a sound of unenthusiasm under his breath, evidently unimpressed at the state of the large estate..
As they approached the house, Cyril pulled out the key they had been given by the housekeeper, as Bly would be their home for the next few weeks, at least. It felt dishonest entering a home without being welcomed in formally, especially one as stately
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Most of the furniture had been removed but a dilapidated oak four-poster bed with elegant carvings sculpted into the posts remained at an odd angle to the window. Most of the delicate canopy curtains were frayed and torn so they would be little use as a tarpaulin.
He then tried the cloakroom which for some reason still contained more than a dozen coats and jackets. Probably overlooked in the rush to secure the more valuable artwork and antiques, Cyril thought. The fine wool material and silk lining showed these were handmade by quality tailors.
Not a fitting end for such quality garments but they would have to do for now.
As Cyril collected them up, he noticed a mauve coat with a fur collar. He had seen the governess wearing it at church services on occasions. It was heavy, though soft and still smelled of her perfume.
He instinctively checked the pockets. Nothing.
As he positioned it on the floor with the others under the hole in the roof, he thought he heard a muffled metallic ring.
Picking up the coat and shaking it, he heard something jingling in an inside pocket. After feeling around in the lining, he found a small gold locket engraved with the letter
His clothing was impeccable, expensive, custom. A dark blue button-down was tucked into white corduroy pants, formal yet looking casual. He wore his hair slightly long, down to the top of his shoulders” (Coes
Finally, in convincing the patient to focus upon the pictures, images, and the notion that God is “actually located—up and to the left at the corner of the bedroom ceiling or inside his own head, or in a crucifix on the wall”, he begins to pray to the “thing that he has made, not to the person who has made him.” Consequently, the patient is enticed into a form of idolatry, praying to images rather than to God Himself. Thus, Screwtape demonstrates the easiness in which one’s innocent intentions, even if
A small fireplace is beside the bed Will lies in. The bed has an ugly quilt on it, but the shabby interior of the cabin does not matter at the moment. There are more
There are many things that we associate ourselves with, or that we like having. A lot of us like clothes. A lot of clothes. A variety of clothes that we can wear to match however we are feeling. Oftentimes, the fabrics we wear or possess mean something to us, whether they are from someone special or passed down through generations.
They also wore high-necked frock coats above which protruded the ends of a winged
Thesis: Amongst the library of supernatural fiction and ghost stories written within the late 1800s, The Turn Of The Screw offers a direct commentary on the suppressed social fears of class change through the embodiment of ghosts. Introduction: Written in 1889, during the rise of supernatural psychical research and supernatural fiction, The Turn Of The Screw by Henry James tells the tale of a governess driven to insanity. The governess claims to have seen ghosts of the late governess, Miss Jessel, and the deceased valet, Peter Quint, on the grounds of castle Bly. The ghosts that she sees throughout the novella are not real and were created by the governess, due to the social pressures that she faced working at Bly. Her repressed desire to belong to a higher social class and her fears of trying to elevate her status were
The fog’s fingers reached from gravestone to gravestone, gently touching dates long past, long forgotten. It started to rain. Caroline watched in a trance like state the tiny raindrops bouncing from the gravestone and to the ground. As she watched she noticed a tiny glint of gold. She knelt down and between her fingers she grasped from the mud a necklace, fine and old.
Tailored clothes were also designed with much more aesthetic detail such as pictures being “embroidered by hand” (Source 2. 5) which meant clothes took hours upon hours to finish. These fancy clothes were a symbol of wealth because only the rich could afford to have these clothes custom made for them. Lower or middle class people often had their own family members making clothes for them because they could not afford to have a tailor. Most clothes made by lower to middle class people were only made of “one or two pieces of cloth” (Source 2. 4) in order to conserve cloth for other clothing. As time when on tailoring changed from making fancy designs to making clothes that fit the body well and looked good.
Authors all over the world share the common talent of creating an image through the use of words. This power over the audience is fundamental and is clearly viewed through the comparison of both The Turn of the Screw, written by Henry James, as well as the Accursed Inhabitants of the House of Bly, written by Joyce Carol Oates. Each novel is written by a different author who chose to share a similar plot with the clear distinction of altering the point of view of the characters. Both The Turn of the Screw as well as the Accursed Inhabitants of the House of Bly share the similar theme of unwavering love that seems to borderline obsession. Through the altered point of view, each character is presented in a manner that creates thought-provoking
The fabrics were imported from India and manufactured in the north of England which contributed to the expanding British textile trade. (White, M) However, the new fabrics were quickly available for the lower ranks of society and allowed ordinary men and women to copy their superiors. This led to what Lemire describes as democratization of fashion in Fashion’s Favourite. The influence of the new consumerist culture was therefore reflected in the new desire for fashion to appeal aesthetically as opposed to the mere usefulness of clothing.
Before the 20th century the horror genre was not as famous, but started to become popular in the 20th century with what some people think, the help of Henry James. The horror in the book keeps the reader on the edge of their seat wondering what will happen next, which is why I liked it. Filled with this curiosity ambiguity is used so the reader has to make their own conclusion of the book. In The Turn of the Screw, Henry James uses ambiguity in his book so the reader can arrive at what they want to believe in but at the same time question what they think.
Having barely any previous knowledge about the role of a governess to a family, I assumed the only duty of a governess was to educate children. In other words, they were hired to homeschool children. I also believed that they had a set schedule on when to arrive and when to go home. It wasn’t until reading The Turn of the Screw by Henry James, that I became aware of the role governesses take on with children. In comparison, a governess in the late nineteenth century is similar to a nanny in our time; a caretaker who spends quality time with children.
“No answer still. I thrust a torch through the remaining aperture and let it fall within. There came forth in return only a jingling of the bells. My heart grew sick... I forced the last stone into its position; I plastered it up.
The last part of Freud’s iceberg, the superego, also found in both the unconscious and conscious mind, ensures that the one’s conscious actions are in tune with social standards and norms.” (Murfin). In Turn of the Screw, it seems as though the governess’ conscious and unconscious mind are a little off-kilter. The governess had a desire to fix the family; to swoop in and be the mothering figure that she thought the children didn’t have, yet needed. This isn’t even taking the evident Electra Complex (comparable to Oedipus Complex) from the governess towards the homeowner into consideration.
The narrative point of view in The turn of the Screw is 1st Person, but there are 2 first person narratives, one is in the prologue(who is unknown) and the other takes over the rest of the novel(The Governess).This affects the novel because the first narrator describes the scene in an old house where some houseguests are telling ghost stories. He then introduces a guest, Douglas, who tells the others about the governess, so the first narrative gives us all the context and background information to clearly understand the novel. The rest of the tale is Douglas's reading of the governess's story. The governess perspective affects the novel because now the information we are given is very limited, for example, if the novel was narrated in 3rd