Creative Writing: A Streetcar Named Desire

" Physically: Gregor literally crawls into his room, lays down on the floor, and takes his last breath. Mentally: Gregor's family alienates him and is ultimately responsible for Gregor's death through their negligence. Clearly, the bug is Gregor, but Mr. and Mrs. Samsa and Grete treat 'it' as if he was scum." They were treating him as though he was invisible. They would literally walk past his room every day and attend their family dinners without saying anything to Gregor at all. They just didn’t acknowledge his presence at all and that was ultimately the reason for his downfall.

Would one rather accept reality- death, sickness, loneliness- or explore a pretend world of happy endings? Tennessee Williams’ exceptional play, “A Streetcar Named Desire” brilliantly showcases the struggle to accept reality through all the loss and sadness rather than imaginary happiness. Blanche tries to wash away her past and hide her present from her family and Mitch, all while Stella ignores the truths of their dysfunctional marriage, and Mitch is struggling with the inevitable death of his mother. Throughout the play, the ugly truth is overlooked and replaced by a string of beautiful lies. “A Streetcar Named Desire” by Tennessee Williams portrays the inability to accept reality rather than the imaginary through Blanche’s past and present,

In literature, the presence the outsider can be traced from ancient Greek dramas to modern literature, from Medea to the Underground Man. Most of the literary works pertaining to the outsider focus on the conflict between the outsider and the insider, conflicts that arise from the Otherness of the outsider. For example, in Jane Eyre, the Otherness of the titular protagonist—her fiery spirit and her subverting idea of equality based on individual merits rather than social status—leads to her alienation and conflicts with the insider wherever she goes. However, Tennessee Williams, in A Streetcar Named Desire, explored a different dynamic—namely the conflict between two outsiders, Stanley Kowalski and Blanche DuBois. In the domestic sphere

In "A Streetcar Named Desire, Tenessee Williams provides the readers with a detailed discription of how he wants to see the play staged by using stage directions . These stage directions help reinforce various themes and helps readers to understand the scenes in greater detail. In the play, "A Streetcar Named Desire", the stage directions are vital in conveying the story to the reader and without the explanations things are said or done the reader would not be able to understand what is happening in the story. The directions affect all aspects of a story. Music is one of the stage direction used and if read carefully, it is clear that Williams uses music to establish the mood of many scenes. Another stage direction is

The late 1940’s were characterized by the emergence out of World War II that led to a dependence on the idea of The American Dream, which meant men were working harder to achieve a more comforting lifestyle and opportunity while women were still fighting the oppression of caused by unequal representation. This idealistic dream is illustrated throughout Tennessee Williams’ “A Streetcar Named Desire”, which has a rigid dichotomy between illusion and reality revealed throughout multiple characters and their dysfunctional lives that are a direct result between fantasy and actuality.

Louise is a chicken who does nothing of what a chicken would do. Instead, Louise sets into an adventure to discover the world finding herself around pirates in the sea. You would think that Louise would be afraid; however, she is brave and fearless to become the heroine of the

Effeminate- Adjective -(of a man) Having or showing characteristics regarded as typical of a woman; unmanly. (Pg 114)

Playwright Tennessee Williams once said “a symbol in a play has only one legitimate purpose which is to say a thing more directly and simply and beautifully than it could be said in words”. He seems to take his own advice to heart when writing such a thought provoking play as A Streetcar Named Desire. While Williams makes extensive use of symbols in Streetcar, the use of animals and animal-like characteristics as a symbol are constantly used to define Stanley Kowalski’s character and convey his desires as primal and ferine.

In the play A Streetcar Named Desire written by Tennessee Williams, the main character, Blanche DuBois, travels to New Orleans to stay with her sister, Stella, and Stella’s husband, Stanley Kowalski. Throughout the play, sexulaity is seen as a strong motivator for many of the characters actions. Early in the play, Stanley is introduced as a particularly sexual character, “ Since earliest manhood the center of his life has been pleasure with women, the giving and taking of it, not with weak indulgence...He sizes women up with a glance, with sexual classifications…” (Williams 25). Stanley’s sexuality affects Stella and Blanche heavily throughout the play. Blanche’s own sexuality and that of her late husband’s also contributes significantly to her life. The interactions between the main characters amplify the statement that sexuality is a primitive, powerful force, capable of creating or destroying life.

Tennessee William’s A Streetcar Named Desire is a wonderfully tragic story of the delusional Blanche DuBois, whose lies are unfolded and destroyed by the misogynist Stanley Kowalski. Throughout the play, Blanche frequently lies about her past, who she is, and what she’s done. Each lie she tells slowly unravels the next until she is caught, drowning in her own pathetic lies, forced to surrender to the malicious consequences dealt by Stanley. Similar to James Gatz, Blanche is obsessed with covering up her past actions, and creating a thin cloak of lies; however, James’ past is merely one of social degradation, Blanche carries the weight of her own horrible decisions. Blanche’s past and her attempts to mask it,

In the play A Streetcar Named Desire by Tennessee Williams, the main characters, Blanche Dubois and Stanley Kowalski, share a great dislike and distrust towards one another, ultimately becoming the basis for the story’s conflict. Their common contemption stems from their contrasting personalities and backgrounds, their incompatibility of being able to function under the same environment, and inability to adapt to the situations they find themselves in. Although Blanche detests Stanley and the manner in which he behaves in, she realises that he is a necessary part for Stella’s life in New Orleans, an environment that greatly differs from the southern aristocracy that Stella and Blanche once lived in. Blanche expresses this idea by stating, “Oh,

Tennessee Williams is acclaimed for his ability to create multi faced characters such as Blanche Dubois in the play, A Streetcar Named Desire. She comes to New Orleans after losing everything including her job, money, and her family’s plantation Belle Reve, to live with her sister Stella. During her time there she causes many conflicts with Stella’s husband Stanley and tries to get involved with the people there, all while judging them for their place in society, although she is imperfect too. Through her, Williams has created a complex character. She is lost, confused, conflicted, lashing out in sexual ways, and living in her own fantasies throughout the entirety of the play. Blache is destroyed by her own characteristics: alcoholism, promiscuity, and cruelty.

A Streetcar Named Desire was produced and directed in 1951 by Elia Kazan. Based on the play written by Tennessee Williams, the film follows Blanche DuBois as she leaves her beloved hometown, Belle Reeve, and moves in with her sister, Stella Kowalski and husband, Stanley. Blanches flirtatious but traumatized personality causes problems for Stella and Stanley whose relationship is based off of sexual desires. Blanche is going through a battle in which she finds herself guilty for her late husbands suicide and this distress eventually leads to a huge conflict in the Kowalski household. Vivien Leigh played the dramatic Blanch DuBois and received an Oscar for the best female in a leading role. Marlon Brando who played Stanley captured the character

Gender roles in the mid-1900s held a prominent place in society because they defined an individual’s behavior and outlook. In A Streetcar Named Desire, by Tennessee Williams, two of the protagonists, Stanley and Blanche, strongly represent and embody the extremes of masculinity and femininity. Stanley exemplifies the strong and aggressive male in the 1900s, while Blanche represents the frail and superficial woman. When these two types of characters are placed in close proximity to one another, the results can be devastating. Tennessee Williams wrote this play in order to demonstrate what happens when Blanche, a feminine woman, and Stanley, a masculine man, are brought into conflict; when these extremes clash, it can result in violence and the shattering of an individual’s defense system.

The outro of the play is the final moment of Blanche’s mental breakdown that is shown in the play. After Stanley revealed all of Blanche 's lies which leads her to call the operator and trying to contact the man she knew that lived on a yacht. Blanche told everyone that she will be fine and that she will just contact an old friend to live with. She believed in her own lie of the man named Shep Huntleigh that did not exist. When a man knocked on the door she was expecting the man on that lived on a yacht while everyone else knew it was a doctor to take Blanche away because of her mental